12

2

1

Master Bathroom Plan

1. Upon first impression the original house felt very confined

3 and dark inside, so an important factor in the re-design was

to open up the house to let in more light

2. Windows could introduce the outdoor environment into the

inside

3. It was important to maintain a balance between the

traditional aspects of the original house design and the

modern updates that the clients desired, as well as provide

a clean backdrop for the clients’ extensive art collection.

This was accomplished through choosing a simple material

palette and by uncluttering the spaces within the house

103

STUCTURE DESIGN PRINCIPLES

24 The organisation of the vertical space

In the structural design of the home space, the staircase styling belongs to the domain of the vertical

transportation system. In addition to performing the basic transport functions, the variation of the staircase

styling has always been regarded as the principal part of the interior space design. Due to the bigger and

bigger scale of modern home space, the new method of vertical migration has been added to the traditional

horizontal migration. As a result, the original observing method of watching-from the bottom to the top-has

gradually changed. The view point that had been neglected has been attached more importance because of

the introduction of the interior stairs.

In this case, the designer’s design of the staircase styling and the originality of the skin texture derive from the

observation and comprehension the nature water. The clipper-built structure and the hole design on the surface

make people experience the varied effects of light and shadow at different locations when shuttling back and

forth on the stairs.

Project name: Uptown Penthouse Completion date: 2007 Location: Minneapolis USA Designer: ALTUS Architecture + Design Photographer: Dana Wheelock & ALTUS Architecture +

Design Area: 250 sqm

Imagery: With the project's proximity to the Minneapolis Manipulation: The image was pixelised to create a half-

Chain of Lake, the concept began with the metaphor of water tone pattern reflecting the original water image. The

pixelisation yielded cirecular references consisting of three

diameters(3.5\", 3\"& 2.5\")

34 8 Resultant: The pixelated pattern was then overlayed on the

57 flattened stainless steel panel layout shown above. The

digital image was then used to instruct the computer guided

61 laser cutting of the stainless steel panels

8 1. Entry 8. Terrace

2. Kitchen 9. Laundry

2 13 9 3. Living room 10. Office\/guest room

4. Dining room 11. Dressingroom

11 5. Master bath 12. Bathroom

10 6. Master dressing 13. Power room

7. Master bedroom

12 Master Plan

104 \/ 100 Home Design Principles

12

3

1. The concept for the stair began with the metaphor of water as a connection to the chain of

city lakes. An image of water was abstracted into a series of pixels that were translated into

a series of varying perforations, creating a dynamic pattern cut out of curved stainless steel

panels. The result creates a sensory exciting path of movement and light, allowing the user

to move up and down through dramatic shadow patterns that change with the position of the

sun, transforming the light within the space

2. Detail interior view of spiral stair

3. Detail view of spiral stair screen

105

1 1

2

3 Entry Plan

106 \/ 100 Home Design Principles

32

Master Dressing+Master Bedroom Plan

1. Upon entry, a curved wall of white marble dust plaster

pulls one into the space and delineates the boundary of the

private master suite

2. The master bedroom space is screened from the entry

by a translucent glass wall layered with a perforated veil

creating optical dynamics and movement. This functions

to privatise the master suite, while still allowing light to be

filtered through the space to the entry

3. Within the master suite a freestanding Burlington stone

bathroom mass creates solidity and privacy while separating

the bedroom area from the bath and dressing spaces. The

curved wall creates a walk-in dressing space as a fine

boutique within the suite. The suspended screen acts as art

within the master bedroom while filtering the light from the

full height windows which open to the city beyond

1 1

2

2 34

Living Room+Dining Room Plan

1. A custom perforated stainless steel shroud surrounds

a spiral stair that leads to a roof deck and garden space

above, creating a daylit lantern within the centre of the

space

2. Designed for a young professional, the space is shaped

by distinguishing the private and public realms through

sculptural spatial gestures

3. The kitchen is composed of cherry and translucent glass

cabinets with stainless steel shelves and countertops

creating a progressive, modern backdrop to the interior

edge of the living space. Suspended cabinet elements of

Australian walnut float opposite the curved white wall and

walnut floors lead one into the living room and kitchen

spaces

4. The powder room draws light through translucent

glass, nestled behind the kitchen. Lines of light within,

and suspended from the ceiling extend through the space

toward the glass perimeter, defining a graphic counterpoint

to the natural light from the perimeter full height glass

107

STUCTURE DESIGN PRINCIPLES

25 Protection and decoration

The aesthetic attribute of the handrail is also crucial in the home design apart from its basic protective

functions. It needs to maintain a coordinated and unified relationship with the whole interior style in terms of

styling variation, colour scheme and texture contrast.

In this case, the designer makes the patio run through the four-storey space and moreover hopes to create an

elegant space which can draw in the exterior view. Designed simply, the handrails are arranged in the linear

array, which constitutes a perfect combination with the stairs and the patio while adding a vacant dynamic

to the patio space. As the design of the handrail doesn’t lead to any block of the environment, the lights

penetrated the glass wall spray sufficiently on all the enclosed surfaces.

Project name: Narrow House Completion date: 2010 Location: Barcelona, Spain Designer: Jordi Antonijoan Roset, Francesc Solé Durany Area: 100 sqm

18 19 20 21

14 15 16

18 19 20 21

Deck floor Plan 17 10

35 17

6 11 13

1

14 15 16 78

2

Second floor Plan

Section Plan

10 11 13

12

First floor Plan

4 5 6 78 1. Cinema 12. Toilet

3 9 2. Garage 13. Gallery

3. Bedroom 14. Bedroom

Attic floor Plan 4. Bathroom 15. Dress room

5. Study hall\/games 16. Bathroom

1 2 6. Patio\/garden 17. Bedroom

Lower Plan 7. Study hall\/games 18. Pool

108 \/ 100 Home Design Principles 8. Bedroom 19. Terrace

9. Bathroom 20. Laundry

10. Living\/dining 21. Terrace

11. Kitchen

12

34

1. Designer wanted to create a dwelling space that was able

to take advantage of the outdoors while avoiding the stress

of the city

2. The form of the stair railing makes the vertical space be

more light and simple

3. Materials such as wood, stone, warm paint colours

wallpaper and low ceilings convert the rooms to become

comfortable warm living spaces

4. The setting of the rail does not affect the transparence of

the overall space, but adds a rhythm for the horizinal space

109

12

2

1

Terrace Plan

34

1\/2. The ideas of the house are very well explained in section and are also reflected in the treatment of materials, which play a 43

very important role

3. The kitchen that’s connected with a gallery which can be converted as a terrace during the summer

4. The distribution of the different rooms are built with large open spaces and communicate amongst themselves in an almost

transparent way

Kitchen Plan

110 \/ 100 Home Design Principles

1

1 2

111

Living+Dining Plan

1. The guardrail has become the transparent enclosure interface of the

living room, so that to enhace the fluid visual effect of the overall space

2. The client’s requirements were basically the programme needs and the

need of daylight. The plot is very narrow and they were worried about it.

Catching the light became the most important aspect of the project

STUCTURE DESIGN PRINCIPLES

26 The re-creation of the interior space

The definite division of the home space can only be realised by the full-height partition walls, which can create

the introverted spatial quality with a strong sense of closure.

In this case, the designer divides the open interior space into three parts in an orderly way by breaking the

routine to integrate the partition wall and the cabinet. Standing over against the kitchen, one can feast his eyes

on the natural landscape outside. The design of the full-height partition walls makes no difference to the spatial

fluidity.

Project name: SODAE House Completion date: 2009 Location: Amstelveen, The Netherlands Designer: Cristina Ascensão (VMX Architects) Photographer: Jeroen Musch Area: 500 sqm

Awarded: Nominated for the Amsterdam Architecture Prize 2010

2 3 22 2

1 4 6 55 54

4

First floor Plan

7 97 1. Entrance

8 2. Bedroom

Second floor Plan 3. Bathroom

112 \/ 100 Home Design Principles 4. Toilet

5. Wardrobe

6. Laundry room

7. Living Space

8. Dining space

9. Kitchen

1 1

2

2

3 3

113

Living space Plan

1. The deceptively simple form is the product of a creative

interpretation of the restrictions imposed by the zoning plan

2. The obligatory chamfering of the volume was intended to

result in a traditional Dutch gabled roof. Instead, designer

turned this municipal stipulation into a tool for invention.

The four sides of the basic volume are sliced in such a

way that no two sides are the same. The end result of this

subtle strategy is a highly distinctive form, an asymmetrical

decahedron

3. Cutting right through this horizontal arrangement is a

vertical separation between the parents’ and the children’s

parts of the house. Each zone has its own entrance, stairs

and bathroom in a clever interweaving of separate and

shared use

1. The living room and kitchen are arranged in a loft-like

1 space on the first floor

2. Inside the volume, each of the three floors has a different

aspect. The living areas (eating, playing and working) are on

the top floor which has the finest view

3. The sleeping area looks in the opposite direction where

privacy is assured

4. The more intimate areas (bedrooms and bathrooms) are

situated on the ground floor, orientated towards the garden

on the backside

2

114 \/ 100 Home Design Principles

3

4

14

Bedroom Plan

115

STUCTURE DESIGN PRINCIPLES

27 Challenge limitation

There are many approaches to the established building structures in comprehensive home space design: it

is workable to comply with the arrangement of the whole structure by making them in a visual order; it is also

possible to make them live harmony with the whole space by exposing or discovering the building structures

in the outstretched methods. The exposed structure, as a component of the whole architecture, stands for

the style and the history of the building. In many modern interior design works, the designers choose to retain

the original building components rather than disguising them aimlessly. In terms of the home interior design,

however, there’s more embodiment of individuality than the arrangement of decoration and display, while it

is difficult to make any breakthrough in the spatial style. There’s less and less structural restrict of this kind

since the emergence of the newly developed materials in large scale. The leading style of the interior space

composed by materials and structures rather than the additional ornamentation has become the new trend of

the home space design.

In this case, the designer starts with design of frame construction of the building so that much design that

conflicts with the interior design style is avoid. For instance, the large scale sliding door in the living room

makes the space more spacious.

Project name: Chalon Residence Completion date: 2009 Location: Los Angeles, USA Designer: Belzberg Architects Photographer: Art Gray Photography Area: 725 sqm

15 13 10 12 20 21

9 19 22

14 11

1 2 3 78

17 17 9 5

18 4

18

6

16

First floor Plan Second Floor Plan

116 \/ 100 Home Design Principles

1. Entry 7. Laundry 13. Theatre 19. Library

2. Living room 8. Maid’s quarters 14. Wine cellar 20. Master bedroom

3. Kining room 9. Powder room 15. Garage 21. Master bathroom

4. Kitchen 10. Gym 16. Guest suite 22. Master closet

5. Pantry 11. Sauna 17. Bedroom

6. Family room 12. Steam room 18. Bathroom

12

3 3

2 1

Living Room Plan

1. Belzberg Architects was brought in to design the house during the framing stage. The design strategy became more about

coping with limitation and creating a narrative of space from what was previously defined and unsuccessful. In many respects,

Chalon became about solutions rather than statements. The living room benefitted greatly from this bolder intervention by

incorporating larger sliding doors

3. The previous incarnation of the structure failed to properly respond to both site and solar considerations. From these

moments, a heavy emphasis was placed on opening the space up and out by pocketing doors and recapturing lost views. The

layout originally relied on Feng Shui as the primary strategy for circulation and placement and was one which was continued in

the final overall scheme.

117

1

2 1

118 \/ 100 Home Design Principles

2

Kitchen+Dining Plan

1. In all forms, texture became the predominant answer and this theme was carried out at all

scales

1

1. The horizontal texture of the floor is perpendicular to the visual line, which together with the top enhances the space a sense

of layer

2.The straight line of the floor pavement suggests the direction of walking

3. The setting of the ground landscape and fixtures has created a perfect environment for people to stop and appreciate

2 3

129

3

Corridor Plan

1

2

1

Kitchen+Dining Plan

2

1. The linear floor texture integrates with the composition style of the overall space

2. The floor texture has enhanced the space a sense of depth and movement

130 \/ 100 Home Design Principles

1

1

Master Bedroom Plan

2

2

Dressing Room Plan

1. The specular reflection together with the metal accessories makes the overall atmosphere be more light

2. The uncontinuous lines of the floor generate a wave-like visual effect and subtly associate with the distant ship devices; the

hanging lights with vertical lines become the visual focus of the space

131

INTERFACE DESIGN PRINCIPLES

31 The transition of the areas

In home space design, the variation and transition of the floor depend on the changes of the spatial function.

Different spatial functions have their own area coverage. The connection of these areas can be realised by

changing the method of the floor pavement, the floor colour, the material, the scale and proportion as well as

the height.

In this case, the designer employs the visual contrast to achieve the transition and change of the floor by

subsiding the dinning room and the kitchen, which forms a new spatial sequence through the changes of the

viewpoint during the process of walking.

Project name: Parksite Completion date: 2009 Location: Rotterdam, The Netherlands Designer: Doepel Strijkers Architects in collaboration with LEX-Architecten BNA Photographer:

Maarten Laupman Area: 260 sqm

55 7 1

7 8

1 13

23

6 4

2 5

4 8

Firsr Floor Plan 6

Axonometric Drawing

11

3

Section Plan

1. Entrance hall 5. Storage

2. Garage 6. Scullery

3. Dug out 7. Living room

4. Kitchen 8. Terrace

132 \/ 100 Home Design Principles

1

1

Entrance Hall Plan

2

2

Living Room Plan

1. The existing garage is treated as a shell with a new

3 concrete floor with integrated services. This floor flows

through the house connecting the large entrance hall on the

street side

2. This former ambulance garage in the centre of Rotterdam

borders on a secluded park. Replacing the rear wall with a

large glass window creates a direct relationship to it

3. The flexibility of the large over dimensioned living room

and multitude of different atmospheres in the house make

it a liveable space that is being fully exploited by its new

inhabitants in a playful manner

133

1

23

3 1. As one moves under the box, views of the 3. Custom-made cupboard, kitchen and stairs

park emerge, creating a sequential build up finished in bright orange polyurethane, link

1 of spaces culminating in the breathtaking the dugout to the entrance hall on the street

2 view of this green oasis side and the living room on the park side

Kitchen+Dining Plan 2. Loose blocks on the staircase form

informal chairs or function as tables

134 \/ 100 Home Design Principles depending on the situation. The suspended

light box functions as a focal point in the

movement from the front of the house to the

garden

12

1. Although the intervention seems simple, a number of challenges presented themselves in practice. The entire dugout and

suspended light box stand completely free from the existing structure. Nine 20-metre deep piles prevent the dugout from

floating due to the pressure from the ground water. The weight of the light box is transferred through consoles to the concrete

construction of the dugout. In order to comply with building regulations an intricate mechanical ventilation system has been

implemented in combination with floor heating

2. The dugout in the middle of the building generates height for a second level. A polycarbonate lightbox with integrated LED

lights houses the bedrooms and spans the space above the living-kitchen

135

INTERFACE DESIGN PRINCIPLES

32 The tactile experience of walking

In home space design, the change of the flooor material plays a key role in bringing about the tactile

experience besides conveying the visual richness. The immediacy of men’s feeling when walking makes the

changes of the floor material-whether it is thick or thin, concave or convex, cold or hot, a direct reaction in men’

s sense organs and helps them make judgement about the spatial ambience. So to speak, the changes of the

floor texture bear a direct influence on people’s space judgement.

In this case, the designer chooses the wood floor as the paving material. The natural timber texture presents

distinct undulate changes, on which one can experience the comfort and cosiness of the space. Meanwhile,

the arrangement of the artworks enhances the spatial effects.

Project name: Penthouse Downtown Montreal Completion date: 2010 Location: Montreal, Canada Designer: Rene Desjardins Photographer: André Doyon Area: 307 sqm

3 4 14

1 12

5 68 9 9 13

3 8

10 11

2

57

Master Plan 1. Children bedroom 8. Hall

136 \/ 100 Home Design Principles 2. Master bedroom 9. Entrance

3. Bathroom 10. Little living room

4. Washroom 11. Living room

5. Walk-in closet 12. Kitchen

6. Study 13. Dining room

7. Master bathroom 14. Small dining room

12

3

1. The apartment comprises two zones: on one side, the

shared areas: the living room, dining room and kitchen as

well as a living area\/home theatre; and on the other, the

private quarters of the client and his son. Detailed work

began on the interior envelope, playing with different coatings

and colours for the volumes, using whites and shades of

grey and brown to create a pared-down, warm environment

2. Each recessed lighting fixture has two spots, multiplying

the lighting possibilities with a minimum of means

3. Window treatments received particular attention. Sheets of

fabric combining natural fibres with threads of stainless steel-

completely invisible when raised-descend from the ceiling

at the touch of a button to temper the light and preserve

privacy. In order to maintain the spirit of a loft, the structural

columns were simply sanded down and painted in the same

shades and finishes as the walls

231

Living Room Plan

137

1 1

2

3 Little Living Room Plan

138 \/ 100 Home Design Principles

1. The designer suggested a space much like the large

contemporary lofts of Manhattan or Los Angeles, a loft

that would speak of calm and comfort yet look out over the

continually changing showcase of the city. The living area\/

home theatre adjoining the living room carries over the same

natural shades. The wolf on the wall (by Josée Pedneault)

provides an unusual and humourous note that sets the

tone for this multifunctional room, which also serves as a

guestroom

2. The kitchen is very simple yet has a very strong presence.

The cabinets feature countertops of charcoal granite quartz

and are faced in glass, creating bright surfaces that reflect

the cityscape. A door leads to the outdoor terrace, which

runs the length of the dining room. The very high ceilings

were lowered slightly to accommodate lighting fixtures and

conceal the electrical controls for the window coverings

3. As a point of departure, space intended for a corridor

to one of the penthouses could now be used to house the

mechanical and electrical systems. This meant that the

apartment could take the form of a great pure rectangle

spanning across the full length of the building, with full-height

windows on the North, East and West sides that would

provide exceptional natural light. The dining room and the

adjoining kitchen are at the far North end of the room. The

dining room table is surfaced in solid French walnut with a

patinated steel base and can seat ten people.

11

Children Bedroom Plan

1. The son’s quarters are in the style of a boutique hotel

that has been handled in an almost austere manner. Mostly

charcoal, due to the alcove of the bed and the woodwork

on the ample storage units, the room has linen curtains and

opaque window coverings that can be closed to provide

total darkness.This quarter also has a walk-in closet and a

bathroom

2. The bedroom of the master of the house is in a rotunda

2

facing due east. Furnishings include a fluted walnut king-

sized bed in a charcoal alcove, a long floating walnut chest

and two zebra chairs. The hematite curtains can insulate

the room from the outer world. The suite includes two walk-

in closets and a master bath that has a very refined feeling,

with its heated white Calacatta marble floors, the white

granite quartz used on the walls, counters and sink, and two

curved alcoves finished in gold-leaf tiles with a floral pattern

3. Surrounded by the sky and the ceaselessly changing light

from the city beyond, one has the impression of being in a

great airborne vessel that provides passengers with all the

warmth of a home, yet the freedom of expansive views

3

139

INTERFACE DESIGN PRINCIPLES

33 Flooring's array of time and space

The home interior space design belongs to the four-dimensional plastic arts. When moving in the interior

space, one may feel the surroundings with his or her own subjective time concept, experiencing constantly the

information in the interior space, both substantial and incorporeal. The floor, as the main interface of the interior

space enclosure, reflects clearly the change of the time sequence. Moreover, the light and shadow changes on

the ground will rejuvenate the invariable space.

In this case, the designer integrates the living room, the swimming pool and the terrace. When lights come into

the room through the grille, the drop shadow makes the open interior space vigorous. The lighting effects that

change with time fill the interior space with uncertainty.

Project name: Stonehawke House Completion date: 2008 Location: Brisbane, Australia Designer: Shawn and Natalie Godwin Photographer: Christopher Frederick Jones Area: 290 sqm

7 2 13 12 10

4 1 19

65 9

3 14

8

11

15 16

17 18

First Floor Plan Second Floor Plan

1. External entry 11. Dining

2. Internal entry foyer 12. Living

3. Walk in robe 13. Deck1

4. Ensuite 14. Deck2

5. Bedroom1 15. Kitchen

6. Private deck 16. Rumpus

7. Study\/sewing room 17. Bedroom2

8. Bath 18. Bedroom3

9. Guest 19. Pool

10. Laundry

140 \/ 100 Home Design Principles

2 1

13

2

Living+Dining+Kitchen Plan 3

141

1. The weaving of light shadow and floor has enhanced the

beauty of the sequence in the space

2. Wood textures of the decorative materials go harmoniously

with the natural environment

3. Water, wood and light are important decorative elements

in the space

1 1. The blurring high light reflective effects of the floor contrast

2 with the simple and heavy natural environment sharply

3 2. The reflective effects of the floor have coordinated the

142 \/ 100 Home Design Principles style of industrial facilities

3. The texture of the carpet has effectively marked out new

functional areas, soft diffuse effect gives the room a sense of

romance and warmth

3

Rumpus Plan

2 1

2

1 143

Master Bedroom Plan

1. The matte floor together with the decorative materials of

the wall creates a warm environment

2. The multiple diffuse effect of the matt ceramic makes the

washroom be more warm and quiet

INTERFACE DESIGN PRINCIPLES

34 Sinking and rising colours

In home interior space design, the floor, as the foundation of the whole environment, provides all the actual and

virtual space with a systematic load-bearing platform. Therefore, the chiaroscuro and changes of warm\/cold

colour of the floor have a great influence on the whole ambience. The cold colour with low brightness gives

people a sinking feeling; the warm colour with high brightness supplies people with a rising feeling.

In this case, the designer chooses a set of space tone with a weak colour contrast. Standing out from the

surrounding natural environment, the floor in warm colour with high brightness makes the whole space more

transparent and lissome.

Project name: Pryor Completion date: 2009 Location: New York, USA Designer: Bates Masi Architects Photographer: Bates Masi Architects Area: 297 sqm

12 13 14 1

15 2

3

11 9 10 4 7 1. Entry patio 9. Mudroom

First Floor Plan 8 56 2. Entry hall 10. Guest bath

3. Stair 11. Guest room

4. Coat closet 12. Storage

5. Pantry 13. Outdoor shower

6. Kitchen 14. Basement entry

7. Living\/dining 15. Service entry

8. Hall

2

13 11 10 3 9 1. Stair 8. Bris soleil

Second Floor Plan 7 8 2. Hall 9. Living\/dining below

5 3. Master bedroom 10. Linen closet

12 1 4. Master bath 11. Bathroom

5. Master closet 12. Guest bedroom

66 4 6. Shower 13. Kid’s bedroom

7. Balcony

144 \/ 100 Home Design Principles