洛阳市导游协会 Luo Yang Tour Guide Association

河 河 洛 唐洛 洛 图 洛 阳 阳 阳 洛 大 宫 三 水 海 书 鼓 灯 彩 席 神 乐 Hetu Luoshu Heluo Drum Luoyang Palace Lantern Tangsancai Luoyang Water Banquet Luoyang Haishen Yue

一、国家级——河图洛书传说 National Level — The record of Hetu Luoshu 传承人： 符建林 2010.6 第二批 Inheritors: Fu Jianlin June 2010 The second batch 符少武 2016 第三批 Fu Shaowu 2016 The third batch The legend of Hetu Luoshu is a folklore system born in the Luoyang area of Henan Province about \"Yellow River gave birth to ‘Tu’, \"Luo River yielded the ‘Shu’\" and other related stories, mainly including the legend of the Dragon Horse carried Hetu and the divine tortoise with Luoshu on its back. According to the introduction, the legend of Hetu Luoshu has been passed down for a long time in the He Luo area and has been recorded in the Pre-Qin literature. There is a saying in The Explanation of Yi that \"out of the Yellow River 'Tu' appeared, out of the Luo River, 'Shu ' emerged, then the saint came out to do with it.” And Kong Anguo, Liu Xin and many people of the Western Han Dynasty also explained \"Hetu Luoshu\". The original Meaning of Zhouyi by Zhu Xi in the Southern Song Dynasty was the first to include the pictures of \"Hetu Luoshu\". 河图洛书这个传说是诞生于河南省洛阳地区的关于“河出图”、“洛出书”等相关故事的民间传说体系，主要包括龙 马负图寺的传说、神龟献洛书等内容。据介绍，河图洛书传说在河洛地区流传久远，在先秦文学中也多有记载。比如 《周易·系辞上》中就说：“河出图，洛出书，圣人则之。”而西汉的孔安国、刘歆等也对“河图洛书”进行了阐释。 南宋朱熹的《周易本义》则首次附上了“河图洛书”的图案。

国家级——河图洛书传说 National Level — The record of Hetu Luoshu The legend from the ancient times is also traceable in real life. The legendary \"River\" is the Yellow River, and \"Luo\" is the Luo River, in Luoyang City, Mengjin County, Huimeng Town, where the Yellow River and its tributaries Tu River intersect, which is also said to be the \"Dragon Horse carried Hetu\" place. In Luoning County, the Luo River and its tributary Xuanhu River meet here, which is also said to be the place where the divine tortoise with Luoshu on its back, and not far from here, in West Changshui Village, there is a \"Luoshu original monument\". 来自远古的传说，在现实生活中也是有踪迹可寻的。传说中的“河” 也就是黄河，“洛”是洛河，在洛阳市的孟津县会盟镇，黄河与其支 流图河在此交汇，相传也就是“龙马负图”的地方，建有龙马负图寺； 洛宁县洛河与其支流玄沪河交汇当中，相传也就是“神龟负书”之处， 距此不远的西长水村，就存有“洛出书处碑”。

二、国家级——河洛大鼓 National Level — Heluo Drum 传承人:陆四辈、彭爱香、尚继业、王太平 2008.6第一批 Inheritors: Lu Sibei, Peng Aixiang, Shang Jiye, Wang Taiping June 2008 The first batch 张怀生 2010.6第二批 Zhang Huaisheng June 2010 The Second batch 河洛大鼓，起源于清末民初，是在洛阳琴书的基础上发展起来的。洛阳琴书旧称“琴音”，早 期的伴唱乐器是我国传统的七弦古琴。“琴音”在官宦、商绅和文人之间传唱，词曲典雅，流 入民间后，改称“琴书”，其琴也改为扬琴。洛阳琴书早期演唱方式多为闭目坐唱，其唱腔委 婉细腻，字少腔多，节奏缓慢拖沓，其演唱书目也多为才子佳人悲欢离合的中、短篇故事。 Heluo Drum, a folk opera in Luoyang, originated in the late Qing Dynasty and early Republic of China, was developed on the basis of Luoyang qinshu. Luoyang Qinshu used to be called \"Qin Yin\". The early accompaniment instrument was the traditional seven-string guqin. \"Qin Yin\" was circulated among officials, merchants and literati, with elegant lyrics and music. After it was introduced to the people, it was renamed \"Qin Shu\" ,and its accompanying instrument was also changed to Yangqin The early singing style of Luoyang Qinshu was mostly sitting and singing with closed eyes. Its singing was euphemistic and delicate, with limited lyrics ,diversified melodies, and slow rhythm. The singing list was mostly medium and short stories of talented couples.

二、国家级——河洛大鼓 National Level — Heluo Drum 19世纪初，河洛大鼓由洛阳琴书和“单大鼓”结合，并吸收了河南坠子的 一些曲调而形成。其早期被人们称为“大鼓书”、“鼓碰弦”、“钢板 书”。20世纪50年代初定名为河洛大鼓。唱腔属“板腔体”，板式丰富， g Qinshu and \"Single Drum\", and absorb方ing便s演om说e各tu类ne书s 目of。H在en传an统P节en目da中nt.，I以n 公its案e书arl、y 武da侠ys,书i和t w袍a带s c书al等led长\"篇D书agushu\", \"Gupengxian\" and \"Gangbanshu\"and it was n目am为e多d H。el在uo河D洛ru大m 鼓in传the承e过arl程y 1中95，0s先.It后s a出ria现is过th许e 多\"B知an名qia的ng艺s人tyl。e\"（tune of which with accented or unaccented beat）. With flexible tunes, it is suitable for performing stories of different genres, traditional Inprogrtahmes eoaf rwlyh1ic9hthmcaeinnltyucroyv, eHredleutoecDtivruemstowriaes, fmoarmrtiealdabrtys sctoomriebsiannindgleLgueondysa.ng Qinshu and “Single Drum”, and absorbing some tunes of Henan Pendant. In its early days, It was called\" Dagushu\", \"Gupengxian\" and \"Gangbanshu\" and it was named Heluo Drum in the early 1950s. Its aria is the \"Banqiang style\"( tune of which with accented or unaccented beat). With flexible tunes, it is suitable for performing stories of different genres, traditional programs of which mainly cover detective stories, martial arts stories and legends. In the process of inheriting Heluo Drum, there have been many well-known artists.

二、国家级——河洛大鼓 National Level — Heluo Drum 第二代传人有“说书状元”之称的张天倍，在洛阳几乎家喻户晓；第三代传人程 文和，享誉豫西，并曾代表河南参加全国首届曲代会，一曲《赵云截江》受到国 家领导人的赞赏；第四代传人段介平，以及原河南省曲艺团团长王小岳等，都曾 独树一帜，闻名遐迩。 The second-generation inheritor Zhang Tianbei, a \"master storyteller\", became a household name in Luoyang, the third-generation inheritor Cheng Wenhe, the representative of Henan to take part in the first session of China Ballad Singers Conference, enjoyed a good reputation in western Henan, with his masterpiece Zhao-Yun Rescued The Little Prince On The River praised by the state leaders; the fourth-generation inheritor Duan Jieping, and Wang Xiaoyue, the former head of Henan Folk Art Troupe, developed their own schools, with their fame spread far and near.

二、国家级——河洛大鼓 National Level — Heluo Drum 然而，随着时代的发展变化，洛阳曲艺跌入低谷，许多市、县取消了曲艺团队，曲艺演员 大多改行或流入民间，自生自灭。近些年来，一些知名老艺人相继过世，后继乏人，这一在洛阳地 区具有代表性的曲艺品种濒临消亡，急待抢救和保护。 However, with the development and changes of ages, Luoyang Quyi has fallen into a slump. Many cities and counties have cancelled the Quyi teams, and most of the performers have changed their careers or entered the folk industry. In recent years, some famous old artists have died one after another, and there is lack of successors. This typical folk art variety in Luoyang area is on the brink of extinction, and urgently needs to be saved and protected. 8

二、国家级——河洛大鼓 National Level — Heluo Drum 河洛大鼓的传统曲目多取材历史故事，长篇有《双鞭 记》、《温凉盏》等；中篇有《双锁柜》、《鸾凤配》 等；短篇唱段有《取长沙》、《截江》、《打关西》等。 反映现实生活的曲目有《焦裕禄风雪探茅屋》、《巧摆 地雷阵》。 The traditional repertoire of Heluo Drum is mainly based on historical stories, such as Heroic Stories In The Sui And Tang Dynasties and Wen Liang Zhan or The Talented Couples. Novella Yue Lei Hides In The Closet Twice, Luan Feng Pei or The Matchmaking and so on. Short songs include Guan-Yu Captures Changsha, Zhao- Yun Rescued The Little Prince On The River, Lu Ta Punching Cheng The Butcher and so on. Songs reflecting real life include Jiao Yulu Visits Poor People On A Snowy Day and A Minefield.

三、国家级——灯彩(洛阳宫灯) National Level — Coloured-lantern making( Luoyang Palace Lantern) 老城区 2010.4第1批 Old City 王福信 2010.4第1批 Wang Fuxin April 2010 The first batch 朱学愈 Zhu Xueyu April 2010 The first batch 河南省洛阳市是中国著名的 Luoyang city of Henan Province is a famous 古都,流传在这里的花灯艺术 最早起源于宫廷,后来逐渐散 ancient capital of China. The lantern art spread here was 布到民间，形成雍容典雅的 firstly originated from the royal court, and then gradually 宫灯艺术。宫廷文化和民间 spread to the folk, forming a graceful and elegant palace 文化的交融造就了洛阳宫灯 lantern art. The integration of palace culture and folk 的宽泛性,使其类型和样式较 culture has created the broad nature of Luoyang Palace 一般花灯更为丰富,除严格意 Lantern, making their types and styles more abundant 义上的宫灯外，纱灯和其他 than ordinary lanterns. In addition to the palace lanterns 一些体现不同民俗需要的灯 in a strict sense, gauze lanterns and other lanterns 彩也都被纳入洛阳宫灯的体 reflecting the needs of different folk customs have been 系之中。 incorporated into the system of Luoyang Palace Lantern.

三、国家级——灯彩(洛阳宫灯) National Level — Coloured-lantern making( Luoyang Palace Lantern) 作为老样宫灯的圆形纱灯是洛阳宫灯的主打产品，它以洛宁县出产的青竹制成篾 骨,外糊纱绢，上面以文字或图案进行装饰。这种灯的形制能长久保持原貌不走样, 骨架可开可合,宜于收 藏。制作洛阳宫灯-般需经过七十 多道工序，工艺十分讲究。 过去洛阳制灯艺人众多,涌现出杜、 李、王等- -批宫灯世家，目前多已衰落，只剩 王家还有传人。如不及时采取保护措施，洛阳宫灯 这一蕴含着丰富历史文化内涵 的民间艺术之花将难以避免迅速凋零的命运。 As one representative of the old-style palace lantern, the circular gauze lantern, which is made of bamboo produced in Luoning County, is the main product of Luoyang Palace Lantern. It is pasted with silk and decorated with Chinese characters and patterns. This kind of lantern can keep its original skeleton shape for a long time, and its frame can be opened and closed easily for pollection. The production making of the Luoyang Palace Lantern usually takes more than over 70 exquisite processesIn the past there were many lantern-making families in Luoyang represented by the Dus, Lis and Wangs.However, many of them have declined, except for the Wangs. If effective measures are not taken in time, Luoyang Palace Lantern, a flower of folk art with rich historical and culturai connotations, will inevitably face the fate of rapid decline.

四、国家级——唐三彩烧制技艺 National Level — Tang Tri-Color Glazed Pottery (Tangsancai ) 传承人：高水旺 2009.5 第三批 Inheritor: Gao Shuiwang April 2005 The third batch 唐三彩是一种风格独特的陶器，盛行于唐代，至今已有一千三百多年的历 史。所谓“三彩”，是指在白色素胎上饰以黄、绿、白为主的釉彩，以表 示多彩之意。因大批唐三彩珍品在洛阳出土，故又称“洛阳唐三彩”。 With a history of more than 1,300 years, Tang Tri-Color Glazed Pottery, a unique style of pottery, was very popular in the Tang Dynasty (618-907). The so-called \"Tri-color\"(three colors) refers to the decoration of yellow, green, and white glaze on the body to express the meaning of colorfulness. Because a large number of treasures of cultural relics unearthed in Luoyang, it is also known as \"Luoyang Tang Tri-colored Glazed Pottery\".

四、国家级——唐三彩烧制技艺 National Level — Tang Tri-Color Glazed Pottery (Tangsancai ) 唐三彩的胎料以当地出产的白色高岭土为主。烧制上采用二次烧成 法，先让雕塑坯胎成型干燥，而后入窑，以1000℃以上的温度素烧； 再施以各种釉料，入窑釉烧，烧成温度约在900℃左右。唐三彩釉 属低温透明釉，在烧制过程中，釉料融化后会自然垂流，相互浸润， 产生独特的艺术效果。 Tang Sancai glaze materials is given priority to with local produce white kaolin. Secondary burning method is used on the burning system, first let the pottery tire molding dry, and then into the kiln, fire at 1000℃ with the white pottery as roughcast . Then apply a variety of glazes, into the kiln glaze burning, burning temperature of about 900 ℃.Tri-colored glazed pottery of the Tang Dynasty is a kind of low-temperature colored pottery. During the course of firing, all the enamel colors are mixed with each other to form bright and colorful artistic works.

四、国家级——唐三彩烧制技艺 National Level — Tang Tri-Color Glazed Pottery (Tangsancai ) 自清代乾隆年间开始，孟津高氏家族用小窑烧制唐三彩，传男不传女，其技艺传 沿不绝。新中国成立后，高氏家族的高松茂将唐三彩烧制技艺毫无保留地贡献出 来，使唐三彩进入新的发展时期。洛阳唐三彩原先只能简单地仿制马和骆驼造型， 现在其产品类型已经大大丰富，人物、动物、器皿、鸟兽等都可以用唐三彩烧制。 目前，进一步保护和传承唐三彩的传统烧制技艺仍然是十分迫切的问题。 Since the Qing Dynasty Qianlong years, the Mengjin Gao family burnt Tang Tri-Color Glazed Pottery by small kilns, which only passed on women to continue. After the founding of People's Republic of China, Gao Songmao of the Gao family made an unreserved contribution to the tang tricolor burning technique, which brought Tang tricolor into a new period of development. Luoyang Tang Tri-colored Glazed Potteries have been developed from the original simple imitation of horse and camel to the present thousands of varieties including human figures, animals, utensils, birds and beasts, ect. At present, further protection and inheritance of Tang Sancai fire tradition is still a very urgent problem.

五、国家级——真不同洛阳水席制作技艺 National Level — Luoyang Water Banquet Cooking Technology of Zhenbutong Restaurant 传承人： Inheritors： 国家级 -- 2009年05月第3批：姚炎立 National Level — May 2009 The third batch Yao Yanli 省 级 -- 2012年12月第3批：裴五江 Provinvial Level— February 2012 The third batch Pei Wujiang 市 级 -- 2012年07月第2批：李玉宾 Munisipal Level — July 2012 The second batch Li Yubin 2016年10月第3批：李柱、姚智 October 2016 The third batch Lizhu, Yaozhi 河南省洛阳水席是豫菜的重要代表，因以汤羹类肴品为筵 席主菜而得名。其菜肴制作工艺最早可以远溯至东周时期， 筵席组合形式则可以上溯到唐代。 Luoyang Water Banquet is animportant representative of Henan cuisine , which is named after that the main dishes are all soup. Its cooking technology and banquet composition can be traced back to the Eastern Zhou dynasty(770BC-- 256BC) and the Tang Dynasty(618--907) respectively.

五、国家级——真不同洛阳水席制作技艺 National Level — Luoyang Water Banquet Cooking Technology of Zhenbutong Restaurant 洛阳水席中的汤羹是早期中国烹饪的主要品种，是膳食中的主体。东周时期，宫 廷宴会以大羹、和羹、（古代盛羹的器具）羹这“三羹”为重。豫菜及洛阳当地 菜肴一直坚持这一传统，重视汤羹类肴品的制作。洛阳水席在八道冷菜之后，从 豫菜的四大件、八中件、四压桌共十六种菜肴中选择了十种优秀的汤羹菜品，使 之成为整席中热菜的主要组成部分。 The soup in Luoyang Water Banquet is the main variety of early Chinese cuisine and the TmhaeinsopuparitnoLfutohyeanCghWinaetseer Bdiaentq. uInettihsethEeamstaeirnnvZarhieotuy oDfyenaarlsytyC, hthineesceocuuritsibnaenaqnudetthsewmearien fpoacrtuosfedthe Chinese diet. In the Eastern Zhou Dynasty, the court banquets were focused on the \"Sangeng\" : Dageng, Hoegnetnhge, a\"SnadnGgeenngg\"(t:heDaangceinengt, uHteengseilnsgf,oarnhdolGdiennggth(ethseouapn)c.Hieenntauntecnuissiilsnefoarnhdolludoiynagngthleocal cuisine hasvoeupbe).eHneandahnercinugistionethaisntdralduiotiyoannagndlopcaayl actuteisnitnioenhtaovtehebseoeunp acdoohkeirninggtetcohntholiosgtyra. dAifttioerneaignhdt cpoauyrses ofatctoelndtidoinshteos,tLhueosyoaungp WcoaotekrinBgantequcehtnsoelloegctye.dAtfetnereexcigehllet nctosuoruspesdiosfhecsolfdrodmisshiexste,eLnuodiysahnesgoWf aHteenran cuBiasinnqe,umetakseinlegcttheedmttehne mexacinelcleonmtpsoonuepntsdoisfhtehse fwrohmolestiaxbteleenofdhiosthdeisshoefsH. enan cuisine, making them the main components of the whole table of hot dishes.

五、国家级——真不同洛阳水席制作技艺 National Level — Luoyang Water Banquet Cooking Technology of Zhenbutong Restaurant 洛阳水席在品种设置上，有以素代荤、以假乱真的传统，这 需要有高深的制作技艺才能完成。洛阳虽有多家饭店经营水 席及相关菜肴品种，民间亦能仿效，但掌握洛阳水席精髓、 能制作出高质量水席的以洛阳真不同饭店为代表。 Luoyang Water Banquet has a tradition of making vegetarian dishes substitute for meat dishes, which requires sophisticated cooking techniques. There are many restaurants operating water banquets and related dishes in Luoyang. The folk can follow suit, but Zhenbutong Restaurant as a representative of restaurants in Luoyang can master the essence of Luoyang Water Banquet and produce high-quality water banquet.

六、省级——洛阳海神乐 Provincial Level — Luoyang Haishen Yue (The Music of Sea God) 传承人： Inheritors : 省 级 -- 2008年06月第1批：郭红运 Provincial Level: Guo hongyun June 2008 The first batch 市 级 -- 2016年10月第3批：郭治会 Municipal Level: Guo zhihui October 2016 The third batch 洛阳海神乐源于周，当时武王伐纣灭殷后在洛阳大封天下，并形成了严格的 礼乐制度，当时祭海的音乐就是洛阳海神乐的源头。后来海神乐作为宫廷音 乐代代相传，到唐朝时非常兴盛。安史之乱后流入洛阳民间，被称为洛阳海 神，演奏团体称为海神社。 Luoyang Haishen Yue was originated from the Zhou Dynasty. After King Wu defeated King Zhou and ended the Yin Dynasty, a strict system of rites and music in Luoyang was established. Among them, the music of sea sacrifice was the source of later Luoyang Haishen Yue. Luoyang Haishen Yue was passed down from generation to generation as court music and flourished in the Tang Dynasty After the Anshi Rebellion, it became popular among ordinary people, known as Luoyang Haishen and the performing group is called Haishen association.

六、省级——洛阳海神乐 Provincial Level — Luoyang Haishen Yue (The Music of Sea God) 洛阳海神乐演奏内容多为古曲，节奏平缓、韵味颇近宫廷音乐，是当今罕见的隋唐宫廷 宴乐“活化石”。 演出规模宏大、庄重，社班分文场、武场、仪仗三部分，演奏乐器以 民族传统古乐器为主,包括管子、笙、云锣、笛子、古筝、二胡、云板、木鱼、碰铃等。 Luoyang Haishen Yue are mainly ancient music, with a slow and steady beat close to court music. It is a rare\"living fossil\"of the court music of the Sui and Tang dynasties. The performance is grand and solemn and consists of three parts:Wen Chang, Wu Chang and Yi Zhang. The instruments used in Luoyang Haishen Yue are mostly traditional ancient music instruments, including Guanzi (Pipe),Sheng (Chinese mouth-blown free reed instrument consisting of vertical pipes), Yunluo (a set of 10 small tuned gongs mounted in a wooden frame), Flute, Guzheng (Half-tube Zither or Chinese zither), Erhu(Two-string Fiddle), Yunban, Muyu (Woodblock or Slitdrum), Pengling (round-shaped copper percussion instrument), and etc.

六、省级——洛阳海神乐 Provincial Level — Luoyang Haishen Yue (The Music of Sea God) 洛阳海神乐表演方式根据时间和场合分为锣鼓乐、锣鼓舞、吹打乐、吹 唱乐、伴舞乐以及清唱乐；演奏形式分为座乐和行乐两种。座乐适合于 室内和舞台表演，行乐以吹奏为主，打击乐只起节拍伴奏作用，适合庙 会、观礼台前及行进的群众场合。 According to the time and occasion, the performance of Luoyang Haishen Yue are divided into gongs and drums, gong and drum dance, wind and percussion, wind singing, dance music and cappella. And the performance manners are divided into seat performance and marching formance. The former is suitable for indoor and stage performances.The latter is suitable for temple fairs, celebration and marching occasions.

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B19100606 赵梦岩 · 翻译：国家级——河图洛书传说 · 排版 B19100617牛晴云 · 翻译：国家级——灯彩（洛阳宫灯） · 审校 B19100618许译文 · 翻译：国家级——唐三彩烧制技艺 · 审校 B19100619李玉培 · 翻译：国家级——河洛大鼓 B19100620许庭炜 · 翻译——真不同洛阳水席制作技艺 B19100627邢玉娇 ·翻译：洛阳海神乐 ·排版 2021年8月