目 录

（按亭子原型年代排序）

23.窑台映雪亭

24.报春亭

25.瞰秋亭

26.海棠山亭

27.姊妹亭

28.湖心亭

32.江亭观鱼

1. 独醒亭

2. 浸月亭

3. 沧浪亭

4. 醉翁亭

5. 百坡亭

6. 兰亭

7. 二泉亭

8. 少陵草堂碑

9. 陶然亭

10. 瑞像亭

11. 吹台亭

12. 爱晚亭

13. 鹅池碑亭

14. 锦秋亭

15. 澄光亭

16. 秋爽亭

17. 倚新亭

18. 望瑞亭

19. 知津亭

20.澄怀亭

21. 南屏晚眺亭

22.一览亭

29.风雨同舟亭

30.谪仙亭

31. 窑台亭

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1、独醒亭

原型是湖南省泪罗县玉笥山屈子祠前的独醒亭。

独醒亭为六角亭，花岗石为辅基，其下架为柱体为红色，

亭内彩绘藻井。攒尖顶结构，瓦面为灰瓦，角翼然微翘。

亭为木结构，呈铁红色，周有靠背栏桿围护。亭东侧“独

醒亭”匾额。飞檐翘角，灰瓦顶，栗皮色圆柱，花岗石

铺基，造型古雅。亭顶的宝顶呈瓶状，瓶口承巨珠；支

承六个角的戗木，被雕成头在下口内含珠，身体向上拱

起的龙；藻井饰有金龙、金鲤、彩风等浮雕，工艺精细，

栩栩如生。亭内有圆石桌，并有绣女墩靠椅，亦为栗皮

色。东西两檐下。各悬“独醒亭”匾一。东边的落款署：

“茅盾”；西边的署，“赵朴初”。仿建之亭，从结构、

造型、材料到雕刻、彩绘、油饰等，均系按照“名亭求

其真”的要求，严格照原型进行复制安装。亭前有《仿

建独醒亭记》刻石。云：“独醒亭位于湖南汨罗县玉笥

山。伟大爱国诗人屈原，战国时楚人，官至三间大夫，

因遭谗被贬，放逐沅湘，著《离骚》，后投汨罗江。世

人景仰，建屈子祠，祠前有亭，名‘独醒’，取处楚辞

《渔父》篇：‘举世皆浊我独清，众人皆醉我独醒’。今

仿建独醒亭，以志纪念。1989 年夏。”

另有说明牌一，云：“独醒亭位于湖南省泪罗县玉

笥山，系屈子祠的辅亭。屈子指战国时期楚国的伟大爱

国诗人屈原，他生前官至三闾大夫，因遭谗被放逐沅湘，

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著《离骚》等著名诗篇，后投汨罗江而死。相传屈原流

放期间常在汨罗江边的渡船亭与渔父谈心，后人为了纪

念他，根据楚辞《渔父》篇中的“举世皆浊我独清，众

人皆醉我独醒”之句，将渡船亭改为‘独醒亭’。今亭

呈六角形，红柱碧瓦，彩绘鲜艳。考鲜艳。檐额下，有

茅盾和赵朴初分别书写的‘独醒亭’横匾。陶然亭公园

于 1987 年仿建。”

独醒亭座落在离“江边”不远的地方，有苍松翠柏

荫蔽，显得端凝持显得端凝持重，威仪不凡。亭西面有

枫树林，微风吹过，枫叶飒飒作响，更增添了肃穆的气

氛，很有些唐代诗人戴叔伦《题三闾大夫庙》诗所描述

的“沅湘流不尽，屈子怨何深。日暮秋风起，萧萧枫树

林”的意境。名亭园仿建独醒亭，使纪念古贤屈原的胜

迹在首都北京能够占一席之地，正是对屈原的一个很好

的纪念。

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DuXing Pavilion

The prototype is the DuXing Pavilion in front of the

Quzi Ancestral Hall in Yushu Mountain, Tearloo County,

Hunan Province. The pavilion is a hexagonal pavilion with a

granite base, the lower frame of which is red with painted

algal wells. The pavilion is of a pointed roof structure, with

grey tiles and slightly curved corners. The pavilion is a

wooden structure, iron-red in colour, and surrounded by a

lean-to balustrade. The plaque on the east side of the

pavilion reads 'Doksangjeong'. The pavilion has a flying

eaves, a grey tiled roof, chestnut-coloured columns and a

granite paving base. The roof of the pavilion is bottleshaped, with the mouth of the bottle bearing a huge pearl;

the bumpwood supporting the six corners is carved as a

dragon with its head under the mouth containing a pearl

and its body arched upwards; the algal well is decorated

with relief carvings of golden dragons, golden carp and

coloured winds, with fine craftsmanship and vividness.

Inside the pavilion are round stone tables with embroidered

women's dun leaning chairs, also in chestnut skin. Under

the two eaves to the east and west. A plaque of

'Doksangjeong' is suspended from each. The one to the

east is signed 'Mao Dun', while the one to the west is

signed 'Zhao Puchu'. The imitation pavilions, from

structure, shape, materials to carving, painting and oil

decoration, are all copied and installed in strict accordance

with the requirements of the "famous pavilion for its

authenticity". In front of the pavilion, there is an engraved

stone called 'The Record of the Imitation of the Dusheng

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Pavilion'. The pavilion is located on Yushu Mountain in

Miluo County, Hunan Province. The great patriotic poet Qu

Yuan, a native of Chu during the Warring States period,

was deported for slander and banished to Yuanxiang,

where he wrote Li Sao and then threw himself into the Miluo

River. The name of the pavilion in front of the temple is

'Dusheng', which is taken from the chapter of Chu's 'The

Fisherman': 'The world is muddy, I am clear, the people

are drunk, I am awake'. The pavilion was built in the

summer of 1989."

There is also an explanatory plaque which reads: "The

Doksing Pavilion is located on Yushu Mountain in Teara

County, Hunan Province, and is a subsidiary pavilion of the

Qu Zi Ancestral Hall. Qu Zi refers to Qu Yuan, a great

patriotic poet of the state of Chu during the Warring

States period, who was exiled from Yuanxiang due to

slander and wrote famous poems such as "Li Sao" before

dying in the Miluo River. It is said that during his exile, Qu

Yuan used to talk with his fisherman father at the

Ferryboat Pavilion by the Miluo River, and in order to

commemorate him, the Ferryboat Pavilion was changed to

'The Pavilion of the Only Awake', based on the line 'The

world is muddy, I am clear, and all are drunk, I am awake'

in Chu's 'The Fisherman'. The pavilion is now hexagonal in

shape, with red pillars and blue tiles and brightly painted.

The pavilion is brightly painted. Under the eaves, there are

horizontal plaques written by Mao Dun and Zhao Pu Chu

respectively. Taoranting Park was replicated in 1987."

The pavilion is situated not far from the "riverside"

and is shaded by pines and cypresses, giving it a dignified

and imposing appearance. There is a maple forest to the

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west of the pavilion, and when the breeze blows, the maple

leaves rustle, adding to the solemn atmosphere, very much

as described in the poem "The Temple of Sanlu Dafu" by

the Tang poet Dai Shu Lun, "The flow of Yuan Xiang is

inexhaustible, and the grievances of Qu Zi are deep. The

autumn breeze rises at sunset, and the maple forest is

soughing". It is a great tribute to Qu Yuan that the

Mingting Garden was built to replicate the Dusheng

Pavilion, so that a place in the capital, Beijing, can be

dedicated to the ancient sage Qu Yuan.

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2、浸月亭

原型为江西省九江市甘棠湖烟水亭内之浸月亭。仿

建于吹台迤西之湖中。两亭之间的湖水，被一条石坝隔

开，坝西的水位较东边的高出约 30- 60 厘米。浸月亭

三面临水，一面靠近北岸，有几块天然大石铺于湖中，

供游人上亭赏景。浸月亭为六角攒尖顶亭，其结构自下

而上为六颗柱、木枋、夹堂板、连机、檐桁、四根搭角

梁、雀宿檐。浸月亭六角向上起翘，瓦面覆灰筒板瓦，

顶部圆柱形宝顶。浸月亭飞檐翼角，碧瓦细柱，色彩鲜

艳夺自，造型轻灵。亭额书篆文：“浸月亭”。中秋月圆，

亭、月水中照影，相映成趣，别具“浸月”妙旨。此处

水面，原为西湖荷花区，夏日曲岸浮香，华池园影，与

唐人诗意暗合。

浸月亭有仿建说明，云：“浸月亭坐落在江西省九

江市甘棠湖中，相传原址系东吴大都督周瑜之点将台。

唐元和十年至十三年（公元 815 — 818 年）著名诗人

白居易贬为江州司马时始建。后人因白诗《琵琶行》有

‘别时茫茫江浸月’名，故命名“浸月亭”。该亭几经

兴废，晚清时，僧人古怀募捐重建。建筑古朴典雅。陶

然亭公园于 1988 年仿建。”

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Moon Dipping Pavilion

The original model is the Moon Dipping Pavilion in the

Smoke and Water Pavilion of Gan Tong Lake, Jiujiang City,

Jiangxi Province. It was built in the middle of the lake to

the west of the blowing platform. The lake between the

two pavilions is separated by a stone dam, the water level

in the west of the dam being about 30-60 cm higher than

that in the east. The moon dipping pavilion faces the water

on three sides, one near the north shore, and there are

several natural boulders laid in the lake for visitors to enjoy

the view from the pavilion. The structure of the pavilion is

made up of six columns, a wooden square, a clapboard, a

connecting machine, a truss, four corner beams and a

bird's nest. The pavilion's hexagonal hexagonal roof rises

upwards and is covered with grey barrel tiles and topped

with a cylindrical pavilion roof. The pavilion has flying eaves

and winged corners, with thin blue tiles and columns, and

is brightly coloured and lightly modelled. The front of the

pavilion is inscribed in seal script: 'Moon Dipping Pavilion'.

When the moon is full in the mid-autumn, the pavilion and

the moon are reflected in the water, which is a wonderful

way to "dip the moon". The water here was formerly the

lotus area of the West Lake, and in summer, the floating

fragrance of the curved bank and the shadow of the

garden of the pond are in line with the poetic meaning of

the Tang Dynasty.

The moon dipping pavilion has an imitation description,

which reads: "The moon dipping pavilion is located in

Gantang Lake, Jiujiang City, Jiangxi Province, where the

original site is said to have been the pointing platform of

Zhou Yu, the great governor of Eastern Wu. The pavilion

was built in the tenth to thirteenth years of the Tang

Dynasty (815 - 818 AD) when the famous poet Bai Juyi

was relegated to the post of Secretary of Jiangzhou. The

pavilion was named 'Moon Dipping Pavilion' after the poem

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'Pipa Xing', in which the poet says, 'When parting from

the river, the moon dips into the river'. The pavilion was

rebuilt in the late Qing Dynasty with donations from the

monk Gu Huai. The architecture is simple and elegant. It

was replicated in Taoranting Park in 1988."

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3、沧浪亭

原型是苏州名园沧浪亭内的沧浪亭。在苏州的园林

中，沧浪亭以崇阜广水古朴清幽见长。它的造园艺术，

具有独创性，敢于打破常规，不落凡响。其主要特点有

二，一是一反深院高墙之常规，将内外之景色融为一体；

二是以山为主，一反造园以水为主的陈法。这都是从沧

浪亭本身的条件出发所采用的办法。

华夏名亭园仿建的“沧浪亭”，位于濒临西湖西岸

的西山之顶。前有西湖之水，右有相距仅数丈之遥的西

南山，山下即树木标本园。山上山下，树木蓊郁，一片

绿海。颇得崇阜广水之旨，亭为四方形歇山顶，飞檐翘

角。石梁、石柱、石矮墙。亭子沿口四周，有各种木透

雕图案。正面两石柱顶端各饰有长方形汉白玉浮雕，一

为松鹤，一为梅花鹿。建筑古朴典雅。亭额题篆书“沧

浪亭”3 字，为清代学者俞樾手书。亭联题：“清风明

月本无价；远水近山皆有情”。亦为俞樾之笔。此联系

集欧阳修《沧浪亭》及苏舜钦《过苏州》诗句而成。欧

阳诗云：“清风明月本无价，可惜只卖四万钱”；苏诗云：

“白杨绿水俱自得，远山近水皆有情”。

亭前有仿建沧浪亭题记石牌一，内云：“沧浪亭是

苏州历史最悠久的名园，原是唐末吴越广陵王钱元潦的

花园。宋庆历四年（公元 1044 年）诗人苏舜钦在该园

临水处建沧浪亭。清康熙年闯大修，并移亭于园内山上。

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沧浪亭之名源于辞《渔父》：‘沧浪之水清兮，可以濯吾

缨，沧浪之水浊兮，可以濯吾足’。苏自号沧浪翁，并

著有《沧浪亭记》。该亭建筑古朴，亭上刻有清代著名

经学、训诂学家俞樾手书‘沧浪亭’额和‘清风明月本

无价，近水远山皆有情’楹联。上联系欧阳修句，下联

为苏舜钦句。陶然亭公园于 1986 年仿建。

仿建的沦浪亭所在之西山，是陶然亭公园初建时用

挖湖之土堆成。山虽时间不长，但该地却很古老。系金、

元时期的古园——风氏园遗址范围。直至清初，这里还

是名流觞咏之地。“沧浪亭移居“于此，可以说是使吴

都、燕京之胜迹合而为一了。清代一此知名文人中，不

少人既有游历沧浪亭的经历，也有游历风氏园的经历。

特别值得提及的是宋荦，他在康熙三十五年(1696 年)

任江苏巡抚时，曾重修沧浪亭。后升工部尚书回京，喜

欢与诗人结交的宋荦回京后头一件事就是邀请在京的

著名文人，到风氏园观松，与会者十几人，大都是在文

学史上较有名气的人物，他们每个人都写一首咏风氏园

古松的五言长诗（诗见《艺文志》）。在宋荦曾经吟咏过

的风氏园中，仿建经宋荦重建的苏州沧浪亭，这自然是

历史的巧合，但无疑会加深这位诗人在此留给人们的回

忆，同时也丰富了这一古园遗址的历史文化内涵。

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CangLang Pavilion

The prototype is the CangLang Pavilion in the famous

garden of Suzhou. Amongst the gardens of Suzhou, the

Canglang Pavilion is distinguished by its simplicity and

tranquillity. Its gardening art is original, daring to break

with convention and not to fall short of the ordinary. Its

two main features are: firstly, it is a reversal of the

convention of deep courtyards and high walls, integrating

the internal and external scenery into one; secondly, it is

a mountain-based garden, a reversal of the stereotype of

water-based gardening. This is the approach adopted

from the conditions of the Canglang Pavilion itself.

The 'Canglang Pavilion', a replica of the famous

Chinese Pavilion Garden, is located at the top of the West

Hill, which borders the west bank of the West Lake. In

front of it is the water of the West Lake, and to the right

is the Southwest Hill, which is only a few feet away from

each other, under which is the tree specimen garden. The

trees on the hill and below are luxuriant and a sea of green.

The pavilion is a four-square hipped roof with flying eaves

and corners. It has stone beams, stone pillars and short

walls. The pavilion is surrounded by a variety of wood

carvings along its mouth. The two stone pillars on the front

are each decorated with rectangular Chinese white jade

relief carvings, one of a pine and crane and the other of a

plum deer. The architecture is simple and elegant. The front

of the pavilion is inscribed in seal script with the words

"Canglang Ting", which was handwritten by Yu Yue, a

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scholar of the Qing Dynasty. Pavilion couplet inscription:

"clear wind and bright moon is priceless; far water near the

mountains are all love". It is also written by Yu Yue. This

connection is a collection of Ouyang Xiu "Canglang

Pavilion" and Su Shunqin "over Suzhou" poetry made.

Ouyang's poem reads: "The breeze and the moon are

priceless, but it is a pity that they are only sold for 40,000

yuan"; Su's poem reads: "The poplar and the green water

are all self-sufficient, and the distant mountains and the

near water are all in love".

In front of the pavilion there is a stone plaque

inscribed with a replica of the Canglang Pavilion, which

reads: "The Canglang Pavilion is the oldest and most

famous garden in Suzhou, originally the garden of Qian

Yuanpao, King of Guangling in late Tang Dynasty. In the

fourth year of the Qing Dynasty (1044 AD), the poet Su

Shunqin built the Canglang Pavilion at the waterfront of

the garden. In the Kangxi year of the Qing Dynasty, the

pavilion was renovated and moved to a hill in the garden.

The name of the pavilion comes from the dictionary 'The

Fisherman': 'The water of Canglang is clear enough to

wash my tassel, and the water of Canglang is turbid

enough to wash my feet'. Su called himself Canglang Weng

and wrote The Chronicle of Canglang Pavilion. The

pavilion's architecture is rustic, and the pavilion is

engraved with the handwritten 'Canglang Pavilion' by the

famous Qing dynasty scribe and exegete Yu Yue and the

couplet 'The clear wind and the bright moon are priceless,

the water and the mountains are all in love'. The upper

couplet is linked to the lines of Ouyang Xiu and the lower

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couplet to the lines of Su Shunqin. Taoranting Park was

replicated in 1986.

The West Hill, where the imitation of the Fallen Waves

Pavilion is located, was built from the soil of the excavated

lake when Tao Ran Ting Park was first built. Although the

hill is not very old, the site is very old. It is the site of the

Feng's Garden, an ancient garden from the Jin and Yuan

dynasties. Up to the early Qing Dynasty, it was a place of

celebrity goblets and chants. The "Canglangting moved"

here, so to speak, to make Wudu and Yanjing's scenic

spots combined into one. Many of the famous literati of

the Qing Dynasty had the experience of visiting both the

Canglang Pavilion and the Feng's Garden. Particularly

worthy of mention is Song Eminent, who was the governor

of Jiangsu in the 35th year of the Kangxi era (1696) when

he had the Canglang Pavilion rebuilt. The first thing he did

on his return to the capital was to invite the famous literati

in the capital to watch the pines in the Feng's garden, and

the dozen or so attendees, most of whom were well-known

figures in literary history, each wrote a long poem in five

lines chanting the ancient pines of the Feng's garden (the

poem can be found in Yiwen zhi). It is a natural historical

coincidence that the pavilion of Canglang in Suzhou, which

was reconstructed by Song Eunice, was built in the same

place where Song once chanted, but it will undoubtedly

deepen the memories left by the poet here and also enrich

the historical and cultural connotations of this ancient

garden site.

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4、醉翁亭

原型是安徽省滁县琅琊山醉翁亭。建于北宋庆历六

年（1046 年），系北宋庆历五年（1045 年），贬官滁州

任知州的文学家、“唐宋八大家之一”的欧阳修所建。

欧阳修常与朋友在亭内游乐饮酒，“饮少辄醉，而年又

最高，故自号醉翁”，遂以“醉翁”为亭名，并作亭记。

即近近千年来众口传诵的古代散文名篇《醉翁亭记》，

该亭亦因而名闻遐迩。

醉翁亭初建时仅是孤亭，并无其它建筑。真正形成

较完整的真正形成较完整的庭园式建筑群体，是在明代，

清康熙、光绪间又有增建。这组古建筑中的醉翁亭、宝

宋斋、冯公祠、古梅亭、意在亭、怡亭、洗心亭、览余

台等风格各异，人称“醉翁九景”。

华夏名亭园仿建之“醉翁亭”，撷取“醉翁九景”

的主景醉翁亭，并摹拟“酿泉”，置“琅琊山”，辟“醒

园”，又于“醒园”相对称的位置建“醉石”，构成了一

个山环水绕、柳暗花明，饶有诗情画意的小环境。

醉翁亭为传统的歇山顶亭建筑，吻兽伏脊，亭角起

翘，亭规制较大，南北框门设有格花和浮雕花卉，亭内

亦有晚清时制作的浮饰雕刻。沿亭四周有木栏围护。共

有十六颗柱，四颗金柱，十二颗檐柱，亭内天花饰板。

亭顶正脊两侧均有吻兽，上覆灰瓦。亭内装饰精美考究。

梁栋饰有浮雕，其中描绘“八仙过海”的八幅最为精彩。

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檐下“雀替”（枋与柱相交处的托座），有 8 组硬木透

雕，其内容皆取材于古代故事。亭内悬仿制之“醉翁亭”

额。署：“苏轼”。沿沿亭基四周，设“绣女墩”靠背长

椅，并有。4 个小酒桌，醉翁遗风犹在。亭右前侧有巨

石倚山斜立。刻篆文“醉翁亭”3 大字，很有气势，系

仿滁州醉翁亭旁山崖上南宋崖刻。

华夏名亭园“醉翁亭”景区，位于公园西湖半圆岛

突入湖面的部分，原来是一个平坦的广场。仿建醉翁亭

后，名山、名亭、名泉，平地飞来，蔚为大观，身至其

地，恍若亲临琅琊胜境。渊明酣卧之石，醉翁辄醉之亭，

令人不酒而醉；“醒泉”寒冽之水，“醒园”清香之菊，

又令人不茗而醒。诗香、墨香、泉香、菊香……醉翁亭

就像是一杯用古老文化流泉酿制的美酒，它是多么浓郁，

甘美；又像是一杯用古老文化的花蕊焙熏的香茶它是多

么甘甜、芳馨。

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Drunken Pavilion

The prototype is the Drunken Master Pavilion on

Langya Mountain in Chu County, Anhui Province. It was

built in 1046, in the fifth year of the Qingli era of the

Northern Song Dynasty (1045), by Ouyang Xiu, a literary

scholar and one of the Eight Great Masters of the Tang

and Song dynasties, who was relegated to the post of

governor of Chuzhou. Ouyang Xiu often drank with his

friends in the pavilion, and as he was the oldest, he called

himself "Drunken Master", and so he named the pavilion

"Drunken Master" and made a note about it. The pavilion

was then named after the "Drunken Master", and a

memorial was written about it. This is the famous ancient

prose piece "The Records of the Drunken Master", which

has been recited by many people for nearly a thousand

years, and the pavilion has thus become famous.

When the Drunken Master Pavilion was first built, it

was only a solitary pavilion with no other buildings. It was

during the Ming Dynasty that a more complete group of

garden-style buildings was really formed, with additions

made during the Kangxi and Guangxu periods of the Qing

Dynasty. This group of ancient buildings includes the

Drunken Weng Pavilion, Bao Song Zhai, Feng Gong

Ancestral Hall, the Ancient Plum Pavilion, the Pavilion of

Intentions, the Pavilion of Ease, the Pavilion of Washing

the Heart, and the Pavilion of the Rings, all of which are of

different styles, and are known as the "Nine Views of the

Drunken Weng".

The "Drunken Master's Pavilion", which is a replica of

the "Drunken Master's Nine Views", is a replica of the

"Brewed Spring", the "Langya Mountain", and the

"Drunken Stone". The pavilion is also a replica of the

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"Brewing Spring", with the "Luangwa Mountain", the

"Awakening Garden", and the "Drunken Stone" in the

opposite location of the "Awakening Garden", constituting

a small environment surrounded by mountains and water,

with the flowers in the dark and the flowers in the dark.

The garden is surrounded by mountains and water, with

flowers in the background, making it a poetic environment.

The pavilion is a traditional hipped-roof pavilion, with

a kissing beast and a curved corner, and a large pavilion,

with lattice flowers and relief carvings on the north and

south doors, as well as relief carvings made in the late Qing

Dynasty. The pavilion is surrounded by a wooden fence.

There are sixteen columns, four gold columns, twelve eaves

columns and a ceiling panel inside the pavilion. The roof of

the pavilion has kissing animals on both sides of the ridge

and is covered with grey tiles. The interior of the pavilion is

exquisitely decorated. The beams are decorated with relief

carvings, of which the eight depicting the 'Eight Immortals

crossing the sea' are the most spectacular. The eaves are

decorated with eight groups of hardwood carvings, all of

which are based on ancient stories. The pavilion is hung

with a replica of the 'Drunken Master Pavilion'. Signed:

'Su Shi'. Along the perimeter of the pavilion, there are

'embroidered maiden's pier' backrest benches and four

small wine tables, with the legacy of the drunken man still

intact. There is a huge stone leaning against the hill on the

right front side of the pavilion. Carved in seal script

"Drunken Master Pavilion" 3 large characters, very

imposing, is an imitation of Chuzhou Drunken Master

Pavilion next to the cliffs on the Southern Song cliff carving.

The scenic spot of the Drunken Master Pavilion is

located in the part of the park where the semi-circular

island of the West Lake juts into the lake, originally a flat

square. After the imitation of the Drunken Master Pavilion,

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the famous mountain, the famous pavilion and the famous

spring come flying out of the ground, making it a great

sight to behold. The stone where Yuanming was lying down

and the pavilion where the drunken man got drunk at every

turn make people drunk without wine; the cold water of

the "Wake Up Spring" and the fragrant chrysanthemums

of the "Wake Up Garden" make people wake up without

tea. Poetry, ink, spring, chrysanthemum ...... Drunken

Master is like a cup of wine made from ancient cultural

streams, how rich and sweet it is; and like a cup of

fragrant tea roasted with ancient cultural pistils how sweet

and fragrant it is.

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5、百坡亭

原型是四川省眉县县城西南隅三苏祠内的百坡亭。

仿建之亭位于公园西湖西南角，与北面的“浸月亭”对

景。它是一座桥亭。从所在处的地形来看，它像一个弧

形上的一条割线，横跨在湖湾水面上。这里正是濒临西

湖的西南山由西折向北的拐弯处，由山上鸟瞰，“百坡

亭”像是一张湾上的弓弦。

百坡亭的底部结构，与桥的结构相同，有桥墩、桥

柱；上部结构是一亭两廊的组合。亭处中间，形状是六

角攒尖顶，两边各与廊相连接，结合部位，亭子的一角

与廊子的屋脊相合，所以亭子虽形似六角，实际只有四

角。顶部装饰较为丰富，有菱花、孔雀等。宝顶呈瓶状，

内插荷花、莲蓬。廊脊两端有独角异兽。亭子造型古雅

别致，别具一格。亭柱 20 根均为黑色，瓦顶为深褐色，

梁枋等木质构多为栗皮色，色调深沉凝重。亭内有美人

靠坐椅，廊两侧有栏杆，可供游人小憩或凭栏赏月观荷。

“百坡亭”四向均悬有匾额，北有匾额，北向为篆

书“百坡亭”，署：“羊达之书”。南向为行书“百坡亭”

署：“初夏庚午，王孓书”。东西两向均题草书“水光接

天”，署：“王孓”，并注云：“东坡句”。按“水光接天”

出自苏轼《前赤壁赋》。

“百坡亭”内有仿建题记云：“百坡亭是为纪念宋

代文学家苏东坡而建的桥亭。苏东坡任颍州（今安徽阜

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阳，太守时曾作泛颍诗：我性喜临水，得颍意甚奇……；

上流直而清，下流曲而漪。画船俯明镜，笑问汝为谁？

忽然生鳞甲，乱我须与眉。散为百东坡，顷刻复在兹。

此岂水薄相，与我相娱嬉。”

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Bai Po Pavilion

The original is the Baipo Pavilion in the Sansu

Ancestral Hall in the southwest corner of Meixian County,

Sichuan Province. The pavilion is located in the south-west

corner of the park's West Lake, opposite the 'Moon

Dipping Pavilion' to the north. It is a bridge pavilion. From

the topography of its location, it looks like a cut line on an

arc, spanning the water of the lake bay. This is where the

southwest hill bordering the West Lake bends from west to

north, and from a bird's eye view on the hill, the 'Hundred

Slope Pavilion' looks like a bowstring on the bay.

The structure of the bottom of the pavilion is the same

as that of the bridge, with piers and pillars; the upper

structure is a combination of a pavilion and two galleries.

In the middle of the pavilion, the shape is a hexagonal save

spire, each side is connected to the gallery, the

combination of parts, a corner of the pavilion and the ridge

of the gallery together, so although the pavilion looks like

a hexagon, the actual only four corners. The top is richly

decorated with lozenges, peacocks and so on. The roof is

vase-shaped, with lotus flowers and lotus puffs inserted

inside. At the two ends of the ridge there are one-horned

beasts. The pavilion is elegant and chic, with a distinctive

shape. The 20 pillars of the pavilion are all black, the tile

roof is dark brown, and the wooden structures such as the

beams and square are mostly of chestnut skin colour, with

a deep and heavy tone. Inside the pavilion there are chairs

for the beauty to sit on and railings on both sides of the

corridor for visitors to take a break or to enjoy the moon

and the lotus by the railings.

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"There are plaques hanging in all four directions,

including one to the north, which reads in seal script:

'Hundred Slope Pavilion' and is signed: 'Written by Yang

Da Zhi'. To the south, the pavilion is inscribed in running

script, "Baipo Pavilion", with the signature, "Gengwu in

early summer, inscribed by Wang Tsetse". Both the east

and west directions are inscribed in cursive script with the

phrase 'Water and Light Meet the Sky', signed 'Wang

Tsetse', with a note reading: 'A line from Dongpo'. The

inscription is from Su Shi's 'The Former Red Cliff Fugue'.

"The pavilion was built to commemorate Su Dongpo, a

literary scholar of the Song Dynasty. When Su Dongpo was

the governor of Yingzhou (now Fuyang, Anhui Province),

he wrote a poem about the river: "I like to be near the

water by nature, and I find the river very strange ......; the

upper stream is straight and clear, the lower stream is

curved and rippling. The boat overlooks the mirror, and

asks who are you? Suddenly, scales and armour appear,

messing up my beard and eyebrows. The water is scattered

as a hundred east slopes, and is here again in a moment.

This is not a thin face of water, entertaining me with it."

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6、兰亭

原型为浙江省绍兴市兰亭。兰亭为歇山顶四角亭，

其结构自下而上依次为：石坐凳、四棵石柱、木枋、夹

堂板、连机、檐桁、四根搭角梁、上架结构、老戗、嫩

戗。兰亭北侧砌石墙，亭内“兰亭”碑刻于其上。亭上

覆灰瓦，宝顶位于正脊中。

绍兴兰亭是我国著名的书法圣地和风景游览胜地，

位于浙江省绍兴市西南约 13 公里处的兰渚山下。中国

艺术史上传为佳话的晋代书法家王羲之写《兰亭集序》

的故事，就发生在这里。据有关古籍记载，兰亭曾数易

亭址。现兰亭为明嘉靖二十七年(1584 年)郡守沈启所

移，清康熙至嘉庆间，先后由知府许宏勋、知县吴士备

等重建。中华人民共和国建国以来，几经修葺，使这处

古老的文化胜迹和游览胜地，重现了碧流萦回，翠竹摇

曳，碑石耸立，亭阁参差，古雅清幽的景象。现在的兰

亭是一个由右军祠、流觞亭、御碑亭、兰亭碑亭及鹅池

碑亭等建筑群组成的，占地约 1 公顷的小型园林。由流

觞曲水——流觞亭——御碑亭构成的轴线为园中主体，

西主体，西南置兰亭碑亭、鹅池，东北为右军祠。仿建

之兰亭，以“兰亭碑亭”为中心，前有‘曲水”，后有

“墨华池”，再后有“群贤毕至馆”。池两岸，堆砌假山、

石壁。亭西南有“鹅池碑亭”，西有鹅池。鹅池北有瀑

布，由山上三叠而下。山间池畔及曲水夹岸，有翠竹千

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竿，杂以槐柳及兰、菊等花木，并有许多生木本植物，

攀附蔓延其间。整个景区竹木掩映、翠蔓披拂，池光亭

影，交相映辉，颇觉古朴清幽。

“兰亭碑亭”是一座单檐四角攒尖顶的亭，角翼翘

得很高，宝顶仿古代塔刹形状，作山华蕉叶形装饰和相

轮结束。亭顶为灰瓦顶，梁架为木结构，均油饰为栗红

色，石柱，花岗石铺基，造型古朴典雅。亭有后壁，正

中有方形漏花窗，亭周围有长石凳。亭内有大石碑一方，

上面刻“兰亭”两个大字，系清康熙皇帝所题。“兰”

字笔划有缺，是因“文革”期间，原碑受损，仿建从残

之故。陶然亭公园于 1986 年仿建于此。

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Lan Pavilion

The prototype is the Lanting Pavilion in Shaoxing,

Zhejiang Province. The structure of the pavilion, which is a

four-horned pavilion with a hipped roof, consists of a

stone bench, four stone pillars, a wooden square, a

clapboard, a connecting machine, an eaves truss, four

hinged beams, an upper frame structure, an old bump, and

a young bump. The north side of the pavilion is covered

with a stone wall, on which the 'Lanting' monument is

carved. The pavilion is covered with grey tiles and the roof

is located in the main ridge.

Shaoxing Lanting is a famous calligraphy shrine and

scenic spot in China, located at the foot of Lanzhu

Mountain, about 13 kilometres southwest of Shaoxing City,

Zhejiang Province. The story of Wang Xizhi, a calligrapher

of the Jin Dynasty, who wrote the Lanting Preface, which

has become a legend in the history of Chinese art, took

place here. According to ancient records, the site of the

Lanting Pavilion has changed several times. The present

Lanting was moved by the county sheriff Shen Qi in 1584,

and was rebuilt by the governor Xu Hongxun and the

county governor Wu Shibi between the Kangxi and Jiaqing

periods of the Qing Dynasty. Since the founding of the

People's Republic of China, several repairs have been

carried out to restore this ancient cultural site and tourist

attraction to a scene of lingering blue streams, swaying

bamboos, towering monuments, pavilions and ancient

elegance and tranquillity. The Lanting is now a small garden

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covering an area of about 1 hectare, consisting of the

Right Army Ancestral Hall, the Goblet Pavilion, the Royal

Tablet Pavilion, the Lanting Tablet Pavilion and the Goose

Pond Tablet Pavilion. The main part of the garden is

composed of the axis of the Goblet Stream - the Goblet

Pavilion - the Royal Tablet Pavilion, the west main body,

the south-western part with the Orchid Pavilion and the

Goose Pond, and the north-eastern part with the Right

Army Ancestral Hall. Imitation of the Lanting, to the

'Lanting Tablet Pavilion' as the centre, before the 'curved

water', after the 'Mohua pool', and then after the 'group

of sages Biji Pavilion "The pond is surrounded by a pond

with a pond in front of it. On both sides of the pond, there

are rockeries and stone walls. Pavilion southwest of the

"Goose Pond Tablet Pavilion", west of the Goose Pond.

Goose pond north of the waterfall, from the mountain

three stacks and down. On the banks of the pond and the

curved water, there are thousands of bamboo rods, mixed

with acacia and willow and orchids, chrysanthemums and

other flowers and trees, and many woody plants, climbing

and spreading among them. The whole scenic area is

covered with bamboo, vines, pools and pavilions, reflecting

each other, quite a sense of ancient simplicity and quiet.

"The pavilion is a single-roofed, four-horned pavilion

with a high corner wing, and the pavilion is shaped like an

ancient pagoda, with a mountainous, banana-leaf-shaped

decoration and an end of the phase wheel. The pavilion has

a grey tile roof and a wooden frame, all decorated in

chestnut red, with stone columns and a granite paving

base, which is simple and elegant. The pavilion has a back

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wall, a square window with a flower leak in the centre, and

a long stone bench around the pavilion. Inside the pavilion

there is a large stone tablet with the words "Lanting"

engraved on it, which was inscribed by the Emperor Kangxi

of the Qing Dynasty. "The strokes of the character "Lan"

are missing because the original stele was damaged during

the Cultural Revolution, and the imitation was built from

scratch. Tao Ran Ting Park was replicated here in 1986.

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7、二泉亭

原型为江苏省无锡市锡惠公园惠山第一峰白石坞

“天下第二泉”之泉亭。二泉亭为歇山顶四角亭，其结

构自下而上依次为：走水、铁围栏、四棵木柱、木枋、

夹堂板、连机、檐桁、四根搭角梁、正中童柱、金桁、

山界梁、脊童、两根脊桁、老戗、嫩戗。二泉亭亭北侧

砌石墙，“天下第二泉”刻于其上。亭顶歇山构造精巧

别致，脊端均带小兽。

“天下第二泉”源出惠山，故名惠山泉。据唐代孤

独及《惠山泉记》，泉为唐大历年问（766- 779 年）

所凿。后经唐代号为“茶神”的陆羽在其《茶经》中，

评为“天下第二泉”。故惠山泉又名“陆子泉”、“二泉”。

二泉之泉亭，约建于宋建炎三年(1129 年)。时宋高

宗赵构兵败南渡，逗留无锡，尝于惠山以二泉水煮茶品

饮，并建泉亭，顶饰双龙，额题隶书：“源头活水”。后

来亭子又经过多次重修。现存二泉亭庭园的结构与布局，

基本上是在乾隆中期定型的。其主要建筑均分布在同一

轴线上。二泉亭居于中心位置，亭上为“景徽堂”，下

为“漪澜堂”。二泉之上池及中池在二泉亭内，下池在

“漪澜堂”下。

二泉亭为砖木结构单檐歇山顶的四角方亭。四根亭

柱细而且长，支撑着翼角飞翘的亭顶，把它高高地架在

空中，使整个亭子显得格外豁亮爽朗。亭顶正脊两端有

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两条盘龙相对而望，中间有一颗光焰四射的宝珠，好像

是两条龙在互相引逗玩耍，争夺那颗宝珠，这就是人们

通常所说的“二龙戏珠”。亭前檐饰二乐人：左为怀抱

琵琶的女乐手，右为拉二胡的男乐手。亭后檐饰盆景二。

亭的垂脊上饰有紫荆花叶。亭顶造型丰富生动。

二泉亭后约 7 米，有一棵巨大的古酸枣树，树龄已

有 800 余年，是当年“风氏园”中的遗物。“风氏园”

是金、元时期的古园，直到清初尚存，许多名流曾在此

吟咏。因此，这棵酸枣树称得上历尽沦桑，阅世如流。

燕京古树，吴地名亭，相距何止千里，今得结邻相处，

堪谓有缘。

“二泉亭”左前侧有说明牌，云：“二泉亭位于江

苏省无锡市锡惠公园。”二泉开凿于唐大历十四年（公

元 779 年），分上中下三池。二泉之水称“龙津螭唾”

甘香宜茶。相传经唐代‘茶神’陆羽品评为天下第二。

苏东坡也曾品尝并留下“独携天上小团月，来试人间第

二泉”之句。宋徽宗时，曾将二泉水列为皇室贡品。宋

高宗赵构南渡，曾饮泉于此，筑亭池上，名二泉亭，题

额：‘源头活水’。清康熙、乾隆都曾六下江南并到惠山

设御座品泉题诗，近代民间盲人音乐家阿炳曾谱有‘二

泉映月’一曲，遐迩闻名。

二泉亭造型纤巧俊秀，亭顶饰双龙戏珠，亭中有元

代书法家赵孟府所书“天下第二泉”石碑，下池壁有石

雕螭首，传为明代遗作。陶然亭公园于 1978 年仿建。

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Erquan Pavilion

The prototype is the pavilion of the Second Spring in

the World at Baishiwu, the first peak of Huishan Park in

Wuxi City, Jiangsu Province. The pavilion is a four-angled

pavilion with a hipped roof, the structure of which, from

bottom to top, is as follows: a waterway, an iron fence,

four wooden pillars, a wooden square, a sandwich panel, a

connecting machine, an eaves truss, four corner beams, a

central child pillar, a golden truss, a mountain boundary

beam, a ridge boy, two ridge trusses, an old bump and a

young bump. The stone wall on the north side of the

pavilion is carved with the words 'The Second Spring in the

World'. The roof of the pavilion has a delicate hillside

structure with small beasts at the ridge ends.

"The second spring in the world originates from Mount

Huishan, hence the name Huishan Spring. According to the

"Huishan Spring Records" and the solitude of the Tang

Dynasty, the spring was dug by the Tang Dynasty in 766-

779. Later on, Lu Yu, who was known as the "God of Tea"

in the Tang Dynasty, was named "the second spring in the

world" in his "Tea Sutra". Therefore, Huishan Spring is also

known as "Lu Zi Quan" and "Er Quan".

The spring pavilion of the Two Springs was built

around 1129 in the third year of the Song Dynasty. The

pavilion was built in 1129, when the Song Emperor Zhao

Gaozong was defeated and stayed in Wuxi, where he used

the two springs to make tea and drink, and built a pavilion

decorated with double dragons on the top. The pavilion has

since been restored several times. The structure and layout

of the existing two spring pavilions was basically set in the

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mid-Qianlong period. The main buildings are located on the

same axis. The two spring pavilions are located in the

centre, with the pavilion above the 'Jing Hui Hall' and

below the 'Ri Lan Hall'. The two springs above the pool and

the pool in the two springs pavilion, the lower pool in the

'Ri Lan Hall' under.

The Erquan Pavilion is a square pavilion of brick

construction with a single gable roof and four corners. The

four pillars of the pavilion are long and thin, supporting the

winged roof, which is set high in the air, making the whole

pavilion look exceptionally bright and clear. At the two

ends of the ridge, there are two coiled dragons looking at

each other, and in the middle of them there is a pearl of

light and flame, as if the two dragons were teasing each

other and competing for the pearl, which is commonly

referred to as the 'two dragons playing with the pearl'.

The front eaves of the pavilion are decorated with two

musicians: a female musician holding a pipa on the left and

a male musician playing the erhu on the right. The back

eaves of the pavilion are decorated with two bonsai. The

pavilion's hanging ridge is decorated with zinnia leaves.

The roof of the pavilion is richly and vividly modelled.

About 7 metres behind the Erquan Pavilion, there is a

huge ancient sour date palm tree, more than 800 years old,

which is a relic of the Feng's Garden. "It is a relic of the

Feng's Garden, an ancient garden dating from the Jin and

Yuan dynasties, which survived until the early Qing dynasty,

and where many famous people used to chant. As a result,

the date palm tree has survived through the ages. The

ancient tree in Yanjing and the famous pavilion in Wu are

more than a thousand miles apart, but now they have been

brought together as neighbours, which can be considered

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a blessing.

There is a plaque on the front left side of the "Two

Springs Pavilion", which reads: "The Two Springs Pavilion

is located in Xihui Park, Wuxi City, Jiangsu Province." The

two springs were excavated in the 14th year of the Tang

Dynasty (779 AD), and were divided into three pools: the

upper, middle and lower. The water of the two springs is

called "Longjin chi spit" and is sweet and suitable for tea.

It is said that Lu Yu, the 'God of Tea' of the Tang Dynasty,

rated it as the second best in the world. Su Dongpo also

tasted the water and left the line "I brought the small

moon in the sky alone to try the second spring on earth".

During the reign of Emperor Huizong of the Song Dynasty,

the second spring of water was offered as a tribute to the

royal family. Song Gaozong Zhao Gou was a southern king

and drank from the spring, and built a pavilion on the pond,

called the Two Springs Pavilion, with the inscription:

'source of living water'. In the Qing Dynasty, Kangxi and

Qianlong both visited the south of the Yangtze River and

set up imperial seats in Huishan to taste the springs and

inscribe poems, and in modern times, the blind folk

musician Ah Bing once composed a song called 'Two

Springs Reflecting the Moon', which has become famous

throughout the world.

The pavilion is decorated with two dragons playing

with pearls at the top of the pavilion. In the pavilion there

is a stone tablet inscribed by Zhao Mengfu, a calligrapher

of the Yuan Dynasty, with a stone chi dragon on the lower

wall of the pond, which is said to be a relic of the Ming

Dynasty. The Tao Ran Ting Park was replicated in 1978.

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8、少陵草堂碑亭

原型是四川省成都市惠通门外，浣花溪畔杜甫草堂

内的“少陵草堂”碑亭。

杜甫(712—770 年)是唐代大诗人，字子美，河南巩

县人。杜甫草堂就是这位伟大的现实主义诗人在成都的

故居遗址。因其位于成都西郊的浣花溪畔，故又有浣花

溪草堂之称。上元元年(760 年)草堂初成之时仅是几间

茅屋，后虽经诗人大力经营有所扩大，但也只有一顷竹

林而已，规模有限。晚唐时期，杜甫草堂已经荒废。

著名诗人，后任蜀国户部尚书，同平章事（相当于

丞相）的韦庄(836—910 年)，仰慕杜甫，在成都寻访

杜甫故居的结果是：“浣花溪草堂旧址，仅存砥柱”。遂

于旧址建屋自居于此。时为唐天复二年(902 年）。于是，

该地便成了唐代两位著名诗人的居所。后来韦庄还把自

己的诗集名为《浣花集》。

杜甫故居建杜公祠，始于北宋，元、明、清三代都

进行过重修。其中以明弘治十三年（1500 年），

清嘉庆十六年(1811 年)两次重修较好，大体上奠定

了今天的规模。中华人民共和国建立后，多次进行重修，

首批公布为全国重点文物保护单位。现面积为 133 400

平方米左右。

杜甫草堂的主要建筑有大廨、诗史堂、工部祠以及

一些辅助性的设施，如回廊、陈列室、花槛、碑亭等。

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大廨、诗史堂、工部祠这三重主要建筑，均在正对大门

的一条轴线上。大廨与位于其后的诗史堂，左右两侧有

回廊相连，诗史堂两侧配有对称的陈列室。工部祠在诗

史堂后，有柴门相通。工部祠东侧有草堂书屋，室内陈

列着古今中外杜甫诗的各种版本。北面有梅林，是成都

梅花最盛处；东面有作为杜甫草堂主要标志的少陵草堂

碑亭。

华夏名亭园仿建的“少陵草堂碑亭”，位于公园的

西山与西南山之西，这里是公园的树木标本园所在处，

园内佳树名花荟萃，林荫参天蔽日，三季鲜花不断，春

日万花如绣，更有澄塘映霞，小桥流水，风光秀丽恬静，

景色如画。“少陵草堂碑亭”就坐落在标本园的腹地。

亭子附近有茂林修竹，又有溪水萦绕。模拟的“浣花溪”，

源头出自标本园之南，东流注入“百花潭”池塘后，余

水顺着小溪的河道，绕过处于“百花潭”北的“少陵草

堂碑亭”前向西、向北、折向东，流经“浣花溪”桥，

再绕过与“沧浪亭“相对的西南山脚，注入“浸月亭”、

“百坡亭”所在的西湖。这条小溪宛如是在碑亭周围略

略隆起绿草如菌的草地上，束上一条银带。沿溪两岸，

垂柳依依，花竹参错，俨然草堂风光。

少陵草堂碑亭是一座小的茅亭，六根木柱，茅草顶，

环亭有美人靠座椅，宝顶为一葫芦。造型古朴敦厚，给

人一种亲切自然的感觉。亭台基青石砌成，呈六角形，

有四级石蹬可登。亭左前侧，竖有两块未经加工的天然

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汉白玉巨石，一块刻蒋兆和所绘的杜甫画像，一堆刻沈

尹默书杜甫诗《卜居》：“浣花溪水水西头，主人为卜林

塘幽。已知出郭少尘事，更有澄江销客悉。无数蜻蜒齐

上下，一双㶉鵣对浮沉。车行万里堪乘兴，须向山阴上

小舟。”

亭内有巨碑一方，刻“少陵草堂”四个大字。署：

“雍正甲寅十二年（1734 年）季冬果亲王书”，笔力雄

浑，气势流动。碑额及四周边框均刻有细纹龙形图案。

“少陵”在长安城南，是汉宣帝许后之陵墓，其墓较宣

帝墓小，故名。杜甫在长安十年即居于少陵，因自号少

陵野老，“少陵草堂”即杜甫草堂。“果亲王”爱新觉罗，

允礼，系康熙帝第十七子、雍正皇帝之弟。雍正十二年

甲寅(1734 年)冬，果亲王奉雍正皇帝之命，护送达赖

喇嘛回西藏，途经成都时，曾参谒诗圣草堂故居，并为

草堂题碑，以示敬意。后为保护此碑，建亭其上。

“少陵草堂”碑、亭，均系按原样复制，但亭的茅

顶倾斜度大于原亭，因而亭顶较原亭稍小。这是因北方

风大，为避免茅顶被大风所破而不得不采取的办法。

亭右前侧有《仿建少陵草堂题记》石碑，云：“成

都西郊浣花溪畔的杜甫草堂，是我国唐代伟大现实主义

诗人杜甫于乾元二年（公元 759 年）冬因避‘安史之

乱’流转成都时的故居遗址。相传杜甫的名诗《茅屋为

秋风所破歌》就是他居此时所作。雍正十二年（公元

1734 年）在故居遗址建造了少陵（杜甫别号）草堂碑

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亭，成为杜甫草堂的著名建筑。亭中碑亭的 4 个大字系

康熙帝十七子、果亲王允礼所书。陶然亭公园于 1985

年仿建。”

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Shao Ling Cao Tang Monument Pavilion

The prototype is the Shaoling Cao Tang pavilion in the

Du Fu Cao Tang on the banks of the Ruanhua Stream,

outside the Huitong Gate in Chengdu, Sichuan Province.

Du Fu (712-770) was a great poet of the Tang

Dynasty, known as Zimei, and a native of Gong County in

Henan Province. Du Fu Cao Tang is the site of the great

realist poet's former residence in Chengdu. It is also known

as the Ruanhuaxi Cao Tang, because it is located on the

banks of the Ruanhuaxi River in the western suburbs of

Chengdu. When it was first built in the first year of the

Shang Dynasty (760), it consisted of a few thatched huts,

which were later enlarged by the poet's efforts, but were

limited to a bamboo grove. During the late Tang Dynasty,

Du Fu's Cao Tang was deserted.

The famous poet Wei Zhuang (836-910), who later

became the Minister of Household Affairs and the

equivalent of the Prime Minister of Shu, admired Du Fu, and

his search for his former residence in Chengdu led him to

the conclusion that 'only the main pillar remains at the site

of the old cottage at Ruanhuaxi'. He then built a house on

the site and lived there himself. This was in the second year

of the Tang Dynasty (902). The site then became the

residence of two famous poets of the Tang Dynasty. Later

on, Wei Zhuang also named his poetry collection 'Ruan Hua

Ji'.

The former residence of Du Fu was built as the Du

Gong Ancestral Hall in the Northern Song Dynasty, and was

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restored in the Yuan, Ming and Qing Dynasties. Among

them, in the thirteenth year of the Ming dynasty, Hongzhi

(1500), the

Qing Jiaqing sixteen years (1811) twice rebuilt better,

largely laid out the scale of today. After the establishment

of the People's Republic of China, it was rebuilt several

times and the first batch was announced as a national key

cultural heritage protection unit. It now covers an area of

around 133,400 square metres.

The main buildings of the Du Fu Cao Tang include the

Great Hall, the Hall of Poetry and History, the Ancestral

Hall of the Ministry of Works, and a number of ancillary

facilities such as a cloister, a showroom, a flower threshold

and a pavilion. The three main buildings, the Great Hall, the

Hall of Poetry and History and the Ancestral Hall of the

Ministry of Works, are all located on an axis facing the main

entrance. The main hall is connected to the Shi Shi Hall,

which is located behind it, by a corridor on the left and

right, with symmetrical showrooms on either side. The

workhouse is behind the Hall of Poetry and History and is

connected by the Chai Gate. On the eastern side of the hall

is the Cao Tang Study Hall, where various editions of Du

Fu's poems, both ancient and modern, are displayed. To

the north is the Plum Grove, where plum blossom is most

abundant in Chengdu, and to the east is the Shaoling Cao

Tang Tablet Pavilion, the main symbol of Du Fu's Cao Tang.

The "Shaoling Cao Tang Tablet Pavilion", built in imitation

of the famous Huaxia Pavilion Garden, is located in the

west of the park's west and southwest hills, where the

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park's tree specimen garden is located. The "Shaoling Cao

Tang Tablet Pavilion" is located in the hinterland of the

specimen garden. The pavilion is surrounded by lush forests

and bamboo and a stream. The source of the simulated

"Ruanhua Stream" is from the south of the specimen

garden, and after injecting into the pond of the "Hundred

Flowers Pool" in the east, the remaining water follows the

course of the stream and goes around the "Hundred

Flowers Pool" in the north. The remaining water follows the

course of the stream, bypassing the "Shaoling Cao Tang

Tablet Pavilion" to the west, north and east, flowing

through the "Wunhua Stream" bridge, then bypassing the

foot of the hill to the southwest opposite the "Canglang

Pavilion", and injecting into the "Moon Dipping Pavilion",

the "Moonlight Garden" and the "Moonlight Garden". "It

then flows around the foot of the hill to the south-west

opposite the 'Canglang Pavilion' and into the West Lake

where the 'Moon Dipping Pavilion' and the 'Baipo Pavilion'

are located. The stream is like a silver band around the

pavilion on the grass that rises slightly like a fungus. Along

the two banks of the stream, weeping willows and flowers

and bamboos are staggered, just like the scenery of Cao

Tang.

The Shaoling Cao Tang Monument Pavilion is a small

thatched pavilion with six wooden pillars and a thatched

roof, with a beauty leaning seat around the pavilion and a

gourd at the top of the treasure. The shape is simple and

simple, giving people a kind and natural feeling. The

pavilion is made of green stone and is hexagonal in shape,