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158
A PAIR OF GEORGE III
HAREWOOD AND MARQUETRY
OVAL TEA CADDIES
LATE 18TH CENTURY
each inlaid with a paterae and leaf
and flower borders, with a bone
escutcheon (2)
13cm high, 18cm wide, 10.5cm
deep
£1,000-1,500
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λ 161
A FRENCH TORTOISESHELL
AND SILVER MOUNTED TEA
CADDY
LATE 18TH / EARLY 19TH
CENTURY
of circular form, the pull-off lid
decorated with leaves and with a
turned finial
12cm high, 12cm diameter
£600-800
λ 159
AN UNUSUAL LATE GEORGE III
SATINWOOD TEA CADDY
C.1795-1800
the hinged lid inlaid with a
compass motif and with a plated
handle, the front with marquetry
French windows, the lidded
interior with an ivory handle
16.2cm high, 16.5cm wide,
16.3cm deep
Ivory Registration number:
DE2MN3XT
£600-800
λ 160
A GEORGE III TORTOISESHELL
AND IVORY TEA CADDY
C.1790-1800
of flattened octagonal form, the
tent top with a silver handle, the
interior with remains of a foil lining
11.5cm high, 13cm wide, 9cm
deep
Ivory Registration number:
RPANXPK1
£800-1,200
159
158
161 160
50
162
A MINIATURE VICTORIAN MAHOGANY CHEST
LATE 19TH CENTURY
possibly an apprentice piece, with four long graduated drawers, with key
44cm high, 41cm wide, 24cm deep
£200-300
163
A SHAGREEN TEA CADDY OR BOX
IN THE MANNER OF JOHN PAUL COOPER, EARLY 20TH CENTURY
of flattened hexagonal form, with white metal mounts and a tinned copper
lining
8.3cm high, 14.5cm wide
£300-400
164
A VICTORIAN COROMANDEL TEA CADDY
C.1860-70
with brass strapwork mounts, the interior with a pair of domed lidded
compartments
14cm high, 22.8cm wide
£100-150
165
A VICTORIAN WALNUT AND BRASS BOUND WRITING SLOPE
C.1850-60
the interior with a gilt tooled leather writing slope and a pair of glass
inkwells
14.7cm high, 35cm wide, 22.6cm deep
£150-250
166
A REGENCY MAHOGANY TEA CADDY
EARLY 19TH CENTURY
of sarcophagus shape with brass inlay, the interior with twin lidded
divisions
18.5cm high, 33cm wide, 17.5cm deep
£100-150
162
163
164
165
166
51
167
A TREEN FRUITWOOD APPLE TEA CADDY
LATE 18TH / EARLY 19TH CENTURY
with a stalk finial, the interior with traces of foil, with an iron escutcheon, with key
10cm high, 11cm diameter
£500-800
168
A GEORGE III HAREWOOD AND MARQUETRY TEA CADDY
C.1785-90
with kingwood banding and inlaid with paterae and trophies, the interior originally with
divisions
11.5cm high, 19.3cm wide, 11cm deep
£200-300
λ 169
A REGENCY ROSEWOOD TEA CHEST
EARLY 19TH CENTURY
of sarcophagus form, with boxwood stringing and stylised Greek key banding, the
interior with a pair of canisters flanking a cut glass sugar bowl, with an ivory
escutcheon and on brass claw and ball feet, with key
19.8cm high, 30.5cm wide, 16cm deep
Ivory Registration number: SEMCJZSN
£200-300
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λ 170
A WILLIAM IV ROSEWOOD AND MOTHER OF PEARL TEA CHEST
C.1837
of sarcophagus form, the interior with a pair of lift-out canisters flanking a
glass sugar bowl
21cm high, 36.5cm wide, 20.7cm deep
£150-250
167
168
169
170
52
171
A GEORGE III BLACK JAPANNED LONGCASE
CLOCK
BY BENJAMIN ANNS, HIGHWORTH, LATE
18TH CENTURY
the brass eight day movement with four turned
pillars and an anchor escapement striking on a
bell, the 11 inch dial with a silvered chapter ring
with Roman numerals, the centre with Rococo
style engraving with a cherub and scrolls, signed
‘Benjn Anns, Highworth’, the case decorated in
gilt with chinoiserie, with a pair of weights,
pendulum and winding key
223cm high
£400-600
172
A LATE GEORGE III MAHOGANY CHIMING
BRACKET CLOCK
LATE 18TH CENTURY AND LATER
the triple fusee movement with an anchor
escapement, striking on eight bells and a gong,
the arched 8 inch painted dial, with Roman and
Arabic numerals, inscribed ‘PERIGAL Coventry St,
LONDON’, with a ‘Strike/Silent’ dial to the arch,
the mahogany case with a triple pad top with gilt
brass mounts, handle and feet
48cm high
Provenance
Property from a Deceased Estate.
£800-1,200
173
A MAHOGANY AND BRASS INLAID BRACKET
CLOCK
C.1800 AND LATER
the brass eight day repeating twin fusee
movement with an anchor escapement and
striking on a bell, a domed painted dial with black
Roman numerals and inscribed ‘Chas Young,
LONDON’, the case with a caddy reeded
sarcophagus top, gilt brass flowerbud finial, the
case with scrolling foliate inlay, arching gilt brass
and silk lined sound panels, on brass ball feet,
with a pendulum
52cm high
£600-1,000
174
A REGENCY MAHOGANY BAROMETER
BY P. AGGIO, COLCHESTER, C.1830-50
with silvered gauges and dials beneath a broken
swan neck pediment
99cm high
£150-250
171
173
172
174
53
175
A REGENCY PAINTED AND GILT BRASS MANTEL CLOCK
BY THOMAS WEEKS, LONDON, EARLY 19TH CENTURY
with a brass drum eight day movement, the backplate finely engraved with
leaves and flowers, the circular enamel dial with Roman and Arabic numerals,
signed ‘Weeks, Coventry Street, London’, the case with an urn surmount, the
waisted body decorated with classical medallions
37.2cm high, 17.5cm wide
Provenance
Edward Austen at Godmersham Park. Edward was the brother of Jane Austen
and she was a frequent visitor to Godmersham.
The Tritton Collection.
Christie’s, Godmersham Park House Sale, 6th-9th June 1983, lot 369.
Purchased by the current vendor from Stair & Company Ltd. 9th April 1984.
Catalogue Note
Thomas Weeks (1743-1834), established his
celebrated Museum of Mechanical Curiosities at
nos. 3 & 4 Tichborne Street, London, in 1797.
The Museum became a place of amusement for
sophisticated Londoners, not only was it a private
house but also a shop where Weeks displayed a
variety of mechanical toys, elaborate temples and
contrivances ranging from self playing organs to
mechanical spiders. His premises also included an
adjoining shop, where it is presumed that pieces
such as this clock, signed by Weeks, were offered
for sale.
£1,500-2,000
176
A VICTORIAN BRASS LANTERN
CLOCK
IN 17TH CENTURY STYLE,
LATE 19TH CENTURY
the brass eight day twin fusee
movement striking on a gong,
with a 6 1/2 inch dial with Roman
numerals and signed ‘Goldsmiths
and Silversmiths Company, 112
Regent St. London’, mounted on
an oak plinth
42.7cm high (overall)
£300-400
λ 177
AN EARLY VICTORIAN GILT AND PATINATED BRONZE CARRIAGE TIMEPIECE
ATTRIBUTED TO PAYNE & CO, C.1850
the brass eight day timepiece movement with an English platform lever escapement
visible from the top of the case with a ‘slow / fast’ lever, the back with shuttered
winding and set holes, the silvered dial with Roman numerals and blued steel hands,
the front of the case is finely engraved with foliate scrolls, together with its original
rosewood travelling case, with a later winding key and case key
13.2cm high
£800-1,200
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175
176
177
54
178
A FRENCH RESTAURATION ORMOLU
MANTEL CLOCK
IN EMPIRE STYLE, C.1820-30
the brass drum movement with an outside
countwheel striking on a bell, the silvered dial
with Roman numerals and pierced hands, the
sculptural case modelled with a philosopher or
scholar
55cm high, 43cm wide, 17.5cm deep
£500-800
λ 179
A LARGE FRENCH BOULLE AND ORMOLU
MANTEL CLOCK
IN LOUIS XV STYLE, LATE 19TH CENTURY
the brass eight day movement striking on a gong,
the backplate with a pastille and ‘Fabrique de
Paris’ mark and numbered ‘1036 7 2 ‘, the part
enamelled dial with Roman and Arabic numerals,
the Rococo tortoiseshell and ormolu case of
cartouche shape and inlaid with scrolling leaves
and flowers
49cm high, 31.3cm wide, 17.5cm deep
Provenance
Purchased by the current vendor from Tim
Saltwell Antiques, 5th November 2014.
£500-800
180
A LARGE FRENCH ROUGE GRIOTTE AND
PATINATED METAL MANTEL CLOCK
LATE 19TH CENTURY
the brass eight day drum movement striking on a
bell, the enamel dial with Arabic numerals, the
marble case surmounted by a classical lady with
two cherubs, signed ‘Poitevin’, with winding key
80.8cm high, 35.5cm wide, 25.2cm deep
£400-600
181
A FRENCH NAPOLEON III GILT SPELTER AND
BLACK MARBLE MANTEL CLOCK
C.1870
the brass eight day movement with an outside
countwheel striking on a bell, the backplate
stamped ‘Mebwerfils Paris ‘505’, the dial with
Roman numerals, the case surmounted by a
female allegorical figure of industry
46.5cm high, 62cm wide, 20.5cm deep
£400-600
182
A CONTINENTAL GILT METAL MOUNTED
MANTEL CLOCK
IN LOUIS XV STYLE, LATE 19TH / EARLY
20TH CENTURY
with a lever escapement and a German
movement by Lenzkirch, striking on a gong, to an
enamel dial and a bird’s eye maple veneered front
34cm high
Provenance
Property from Burghclere House.
£150-250
178
180
179
182 181
55
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184
A FINE FRENCH DIRECTOIRE MARBLE AND ORMOLU BRONZE TEMPLE OR
PORTICO MANTEL CLOCK
BY LE SIEUR A PARIS, LATE 18TH / EARLY 19TH CENTURY
the brass drum eight day movement with an outside countwheel striking on a bell, the
circular white enamel dial with Roman and Arabic numerals and pierced hands, signed
‘Le Sieur a Paris’, the case decorated with palmettes and with a basket of flowers
surmount and figural pendulum
53.8cm high, 36cm wide, 10cm deep
Provenance
From the collection of Mr Van Nieuwenhuise, 1928-2022, South Africa.
£3,000-5,000
183
A FINE FRENCH LOUIS XVI ORMOLU AND WHITE MARBLE MANTEL CLOCK
BY MATHIEU LAINE, PARIS, C.1780
the brass eight day twin train movement with an outside countwheel striking on a bell, with
silk suspension, the circular white enamel dial with Arabic numerals and concentric calendar
and days of the week dials, signed ‘Mathieu Laine A Paris’, the case surmounted arrow and
flaming torch trophies above ribbon tied leaves, the sides with trailing ivy, on toupie feet,
with winding key and pendulum
47cm high, 31cm wide, 16.3cm deep
Provenance
Purchased by the current vendor from Jeremy Ltd, 29 Lowndes Street, London, 1st June
1998.
Catalogue Note
Mathieu Claude (Charles) L’aine master 1754-1789. A similar clock is illustrated in Pierre
Kjellberg, Encyclopedie de la Pandule Francais du Moyen Age au XX siecle, p.176, fig. A.
£800-1,200
183
184
56
185
A FRENCH ORMOLU PENDULE PORTATIVE
BY PAUL GARNIER, C.1835 AND LATER
the 3 inch engine turned silvered dial with replaced hands, bell striking with an outside countwheel, the
backplate stamped ‘P G. Breveté, PAUL GARNIER PARIS’ and numbered ‘239’ with a Garnier two plane
chaff cutter escapement, the balloon shape case decorated with leaves, batons and rosettes, framing the
movement with a glass cylinder drum, with a carrying handle, the case stamped ‘RAULIN’ (twice), with the
original velvet lined, leather and gilt tooled covered travelling case (2)
20cm high
£100-200
186
A GILT BRASS OVAL CARRIAGE CLOCK
SWISS OR FRENCH, LATE 19TH CENTURY
the brass eight day movement with a platform
lever escapement striking on a gong, the
backplate numbered ‘3950’, the circular
enamel dial with roman numerals and signed
‘ANGHAV KERESCHE GENEVE’, the case with
engraved decoration
14cm high
£300-500
λ 187
A FRENCH TORTOISESHELL AND GILT BRASS MANTEL CLOCK
IN LOUIS XIV STYLE, 19TH CENTURY
the brass eight day movement with an outside countwheel striking on a gong, the backplate stamped ‘Planchon
A Paris’ and numbered ‘6726’, the circular enamel dial with Roman and Arabic numerals and with pierced
hands, signed, the case with flaming urn finials
32.5cm high
£300-400
λ 188
A SWISS ROSEWOOD AND FRUITWOOD MUSICAL BOX
LATE 19TH CENTURY
the 11 inch brass barrel playing six airs, with a handwritten tune sheet,
the crank handle numbered ‘16158’
14.7cm high, 51cm wide, 23cm deep
£300-400
185
186
187
188
57
189
A FINE PAIR OF WILLIAM IV TERRESTRIAL AND CELESTIAL 18 INCH LIBRARY GLOBES
BY S.S. EDKINS, DATED '1833'
each comprising of twenty-four engraved gores with and with a dedication to Sir Joseph Banks, Bar, KB, President of the Royal Society, titled 'A New British
Terrestrial Globe, Outlining all the latest discoveries and communications from the most observed and authentic Observations and Surveys to the year 1833' and
signed 'Manufactured & Sold...& Retail by S. S. Edkins, Son in law & Successor to the late T. M. Bardin, Salisbury Square, London' , each globe with a brass
engraved meridian within a mahogany ring applied with a paper zodiac and calendar scale, supported by four curved brackets on a turned stem and tripod
supports, united by a printed paper compass rose with blued steel needle and glass cover, on brass castors (2)
110cm high
Literature
See John R. Milburn and T. Rossaak, 'The Bardin Family, Globe-Makers in London and their Associate Gabriel Wright',1992.
Catalogue Note
William Bardin began manufacturing globes around 1780. His earliest globes, measuring 9 and 12 inches in diameter, were produced in collaboration with Gabriel
Wright, a mathematical instrument maker who had previously worked for eighteen years in the workshop of the renowned instrument maker Benjamin Martin. In
1790, Bardin was joined by his son, Thomas Marriott Bardin (1768–1819), who had been apprenticed to him since 1783 and had recently attained his freedom
of the City. The partnership subsequently traded as W. & T. M. Bardin. In 1794, the firm relocated to new premises in Salisbury Square, off Fleet Street. Following
William Bardin’s death, Thomas assumed sole control of the business. After his death in 1819, the firm passed in 1820 to his daughter, Elizabeth Marriott (1799–
1851). Elizabeth married in 1832, following which the business was taken over by her husband, S. S. Edkins. In 1848, their son joined the firm, which thereafter
traded as S. S. Edkins & Son.
£20,000-30,000
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58
193
A REGENCY LACQUERED BRASS TWO INCH
REFRACTING TELESCOPE
BY DOLLOND, LONDON, EARLY 19TH
CENTURY
with a 28.75 inch slightly tapered tube with a
brass dust cap to the objective end, opposing
rack-and-pinion focus adjustment and telescopic
eyepiece threaded into the tube endpiece,
engraved ‘DOLLOND * LONDON’, mounted via a
universal pivot joint onto a rotating column and
on folding tripod supports cast as cabriole legs
with pad feet, in its original mahogany box with
additional eyepiece tube and lens, with key
78.5 cm long, 19cm deep, 11.5cm high (the box)
Catalogue Note
Peter Dollond is recorded in Edwin Banfield
‘Barometer Makers and Retailers 1680-1860’ as
born 1730 and died 1820.
£300-400
194
A GEORGE III NICKEL PLATED BRASS
MONOCULAR SPY GLASS
BY ADAMS, LATE 18TH CENTURY
the eyepiece decorated with the Prince of Wales
plumes and the Royal Coat of Arms, signed
‘Adams Fleet St. London’ above a nine draw stem
and an ebonised band, in a red leather case
2cm diameter
£100-150
190
190
A 19 INCH TABLE TERRESTRIAL GLOBE
BY PHILIPS, FIRST HALF 20TH CENTURY
with a signature cartouche, numbered ‘2615’,
with brass support and stepped base
60cm high
£200-300
191
AN 8 INCH TABLE TERRESTRIAL GLOBE
BY GEOGRAPHIA, EARLY 20TH CENTURY
with a signature cartouche and on an ebonised
stand
37cm high
£100-150
192
A 12 INCH TABLE TERRESTRIAL GLOBE
BY GEOGRAPHIA, EARLY 20TH CENTURY
with a signature cartouche and on a Regency
style mahogany tripod base with a bone collar
48cm high
£200-300
191 192
193
194
59
195
A GEORGE III OAK DRESSER
NORTH COUNTRY, LATE 18TH CENTURY
fitted with six drawers flanking a central fielded
panelled door
79.7cm high, 182cm wide, 53cm deep
£300-500
196
A LIGNUM VITAE WASSAIL BOWL
MID-17TH CENTURY
with reeded bands to the body and impressed
with the date ‘1603’ twice
22.7cm high, 20cm deep
£500-800
197
A GEORGE II OAK WING ARMCHAIR
C.1740
with a fielded panelled back above a later leather
squab cushion and a strung seat, on cabriole front legs
Provenance
Purchased from Wakelin & Linfield.
£800-1,200
195
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196
197
60
198
'THE MEDALLION CHEST'
AN EXCEPTIONALLY RARE AND FINE HENRY
VIII OAK MARRIAGE CHEST
WEST COUNTRY, POSSIBLY EXETER, C.1520-
30 AND LATER
the probably later hinged top above a panelled
front centred with a Tudor triple trinity rose
flanked by a pair of Romayne portrait busts of a
bride and groom with panels carved with their
respective initials, 'A T' and 'R T', the left end with
a portrait panel of the bride's father and the right
end with a linenfold panel carved in the solid, feet
lacking, now on later wooden blocks
49cm high, 158cm wide, 44cm deep
Provenance
A Private Collector, purchased from Michael
Dann.
Literature
See Michael Dann, 'The English Smile, English
Furniture and the Renaissance 1490-1590' pp.24-
31, where this chest is illustrated and discussed.
£20,000-30,000
61
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62
199
A COLLECTION OF EIGHT CASTS OF
MEDIEVAL CHESS PIECES
IN CHARLEMAGNE OR ISLE OF LEWIS
STYLE, LATE 20TH CENTURY
probably in plaster or resin (8)
10cm high (max)
£100-150
200
FOUR TAROT CARD STAINED GLASS PANELS
IN 15TH CENTURY STYLE, IN THE MANNER
OF WILLIAM BURGES
based on the Viscontin-Sforza tarot deck, two
titled ‘Fear’ and Generosity’, in lead frames (4)
18.1 x 13cm
£100-150
201
TWO FRENCH STAINED GLASS BORDER
FRAGMENTS
16TH CENTURY
18.3cm (max) (2)
Provenance
Purchased by the current vendor from George
Wigley.
£150-200
202
A CONTINENTAL BRASS CASKET
IN GOTHIC STYLE, LATE 19TH CENTURY
decorated with arched panels of figures, with a
velvet lined interior
23.7cm high, 23.5cm wide, 13.5cm deep
£100-150
202
199
200
201
63
203
A GEORGE III WELSH OAK PRESS CUPBOARD
LATE 18TH CENTURY
with three arched panelled doors above three drawers and a pair of panelled
doors enclosing a shelf
188cm high, 145.7cm wide, 55.8cm deep
£500-800
204
AN UNUSUAL OAK TRIPOD TABLE
18TH CENTURY
the dodecagonal burr top revolving on a large birdcage carved with flowers, on scroll legs
71.5cm high, 63cm wide
Literature
For a related tripod table see Victor Chinnery, ‘Oak Furniture -
The British Tradition’, p. 297 fig. 3:184.
£500-800
205
A YEW FARMHOUSE
KITCHEN TABLE
LATE 20TH CENTURY
the boarded top with cleated
ends on turned legs united by
an ‘H’ stretcher
78.5cm high, 199cm long, 79cm
deep
Provenance
Great House, Hasfield.
£600-800
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206
A WEST COUNTRY ‘FOREST’ BEECHWOOD AND ELM STICKBACK WINDSOR ARMCHAIR
PROBABLY DEVON, EARLY 19TH CENTURY
the comb top rail, above scroll arms, with traces of original green paint
£200-300
204
206
203
205
64
210
AN ENGLISH PEWTER FLAGON
EARLY 18TH CENTURY
the hinged lid with a turned urn finial, with a
scroll handle
28.2cm high
£200-400
211
A GRADUATED SET OF THREE GEORGE III
SCOTTISH PEWTER MUGS
LATE 18TH / EARLY 19TH CENTURY
each with a ribbed band and scroll handle,
comprising: quart, pint and half-pint, the quart
mark with indistinct mark to interior (3)
15.2cm high (max)
£100-200
212
SEVEN CONTINENTAL PEWTER SALTS
EARLY TO MID-18TH CENTURY
with beaded, fluted and ribbed decoration (7)
6.2cm high, 8cm diameter (max)
£100-200
207
207
A PAIR OF LATE GEORGE III PEWTER
CANDLESTICKS
C.1800
each with an urn shaped nozzle with a beaded
rim and conforming foot (2)
25cm high
£100-150
208
A GEORGE III PEWTER QUART MUG
BY WILLIAM BOLTON, WIGAN, LATE 18TH
CENTURY
together with a pewter flat-lid flagon, by Munden,
Grove or Bewdley, Stynt Duncomb, London (2)
20.2cm high (max)
£100-150
209
A PEWTER CHARGER
BY GEORGE SMITH, DERBY, LATE 17TH
CENTURY
with a semi-broad rim and triad ownership initials
‘S T E’, the underside with touchmark
44.5cm diameter
£200-300
208 209
210
211 212
65
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215
A CONTINENTAL CARVED WALNUT PANEL
PROBABLY FRENCH, 17TH CENTURY
relief carved with the Old Testament biblical story
of Susanna and the Elders, in a later frame
28.5 x 28.8cm
£200-400
216
TWO OAK ROMAYNE PANELS
16TH CENTURY
one carved with a portrait of a bearded man with
a helmet the other of a lady wearing a bonnet,
within a rondel and above foliage (2)
38.5 x 18.8cm
£200-300
217
A SET OF FOUR CONTINENTAL CARVED OAK
AND CHESTNUT GARGOYLES
IN MEDIEVAL STYLE, 17TH CENTURY AND
LATER
each crouching with a pained expression, together
with a smaller example (5)
30.8cm (max)
£100-200
218
TWO OAK ROMAYNE PANELS
16TH CENTURY
each relief carved with a bearded male mask
within a rondel with leaf decoration, one with a
separate upper section (3)
29 x 20cm (max)
£200-300
213
A PAIR OF OAK PANELS
PROBABLY 18TH / 19TH CENTURY
each relief carved, one depicting Roman
centurions beside a terrace overlooking the sea
and a longboat, the other with a castle in a
landscape setting (2)
21.5 x 25.5cm
£100-150
214
TWO OAK ROMAYNE PANELS
16TH CENTURY
one carved with a portrait of a bearded man with
a helmet the other of a lady wearing a bonnet,
within a rondel and above foliage (2)
38.5 x 18.5cm
£200-300
213
214
215
216
217 218
66
219
A RARE MEDIEVAL LATTEN SPOON
14TH CENTURY
with a proto-acorn knop, with a maker’s mark to the back of
the fig shape bowl
16.7cm long
£300-400
220
A TUDOR PEWTER SPOON
LATE 15TH / EARLY 16TH CENTURY
with a diamond point knop and extensive nature’s gilding,
collector’s mark ‘81. A. 1’
15.7cm long
£150-250
221
TWO ENGLISH POLISHED IRON FOLDING KEYS
18TH CENTURY
together with two German iron keys, 17th / 18th century (4)
10.5cm (max)
Provenance
The two folding keys ex. Tobias Jellinek collection.
£150-250
222
TWO MEDIEVAL ENGLISH IRON KEYS
14TH CENTURY
each with a solid shank and an oval bow, one with two-part
bit the other with symmetrical notches (2)
18cm long (max)
Provenance
Ex. Tobias Jellinek collection.
£150-200
223
A LONDON WHITECHAPEL BRONZE MORTAR
MID-17TH CENTURY
with typical decoration of a band of shells, scrolls and flowers
together with a Lezant polished bronze mortar by Christopher
Pennington III, early 18th century, dated ‘1718’ flanked by two
stylised tulips (2)
10.2cm high, 13cm diameter (max)
Literature
See Michael Finlay, 'English Decorated Bronze Mortars and
their Makers', item 88 for a similar Whitechapel mortar and
item 29 for a mortar attributed to the Pennington foundry.
£200-300
224
TWO NORWICH BRONZE MORTARS
EARLY TO MID-17TH CENTURY
one decorated with the head of Christ within a scrollwork
cartouche twice, the other with a crowned Tudor rosette, four
times (2)
10cm high, 12.8cm diameter (max)
Literature
See Michael Finlay, 'English Decorated Bronze Mortars and
their Makers', items 163 and 164 for related Norfolk mortars
in the Science Museum, London.
£200-300
219 220
221
222
223
224
225
AN EXTREMELY RARE ELIZABETH I TREEN PAINTED SYCAMORE BANQUETING
DESSERT TRENCHER
C.1550-1600
of rectangular form and titled ‘The Storie of Susanna’ painted with figures in a garden
beside a fountain, with a Renaissance architectural interior within an elaborate border
with scrolls, angels and cherubs with drapes and fruit, with a tablet with a moralising
verse, now worn, ‘Flyr filthe, luste and slanderous breathe, elle children that thy fautes
declaime, As Danyell doom..Their too to dearthe........Susannas shame’ with an outer
border and later mounted on a giltwood board
12.2 x 15.2cm
Catalogue Note
For a number of similar examples see Norwich Castle Museum, accession numbers:
NWHCM : 1894.76.435.1, NWHCM : 1894.76.435.3 and NWHCM : 1894.76.435.2.
This Tudor trencher was made especially for serving desserts. It illustrates the Old
Testament story of Susanna and the Elders. The painting derives from a contemporary
German engraving.
Sugar reached Europe in quantity for the first time in the sixteenth century, imported
from the newly established colonies in the New World. This set an extravagant trend for
banquets consisting entirely of sweet dishes. The most spectacular, such as those for
the Royal court, could run to over one hundred different desserts. These would include
sugar paste and marzipan moulded into sculptures, sometimes covered in gold leaf.
Trenchers were almost always decorated with religious scenes. They were placed on the
table painted-side uppermost and were turned over for use, the dessert being served
on the plain underside. It was felt morally important for diners to be warned of the
consequences of sinful self-indulgence and neglecting their duties to the poor.
£1,000-2,000
225
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68
226
A GEORGE III WELSH WROUGHT IRON TABLE
RUSHNIP AND CANDLEHOLDER
LATE 18TH / EARLY 19TH CENTURY
on tripod legs and disc feet
26.5cm high
£300-400
227
A PAIR OF GEORGE III STEEL ‘LAZY’ TONGS
LATE 18TH / 19TH CENTURY
with a criss-cross extending arm
23.5cm long
£200-300
228
A PEWTER MULTI-REEDED CHARGER
BY JOSEPH GIDDINGS, LEICESTER, EARLY
18TH CENTURY
with ownership triad mark ‘L H E’ together, a
single reeded plate by Richard Cuming, Exeter or
Totnes, mid-18th century together with a pewter
dish and a pewter plate both late 17th century
English (4)
34.5cm diameter (max)
£200-300
229
A SCOTTISH PEWTER FLAGON
BY JAMES WYLIE, GLASGOW, LATE 18TH /
EARLY 19TH CENTURY
the hinged flat lid with an acorn finial and with a
scroll handle, signed to interior with touchmark
25.3cm high
£150-200
230
A TALL PAIR OF GEORGE III PEWTER
CANDLESTICKS
C.1800
each with beaded borders above a baluster stem
and with an ejector to the base (2)
30.2cm high
£200-300
231
A GRADUATED SET OF THREE VICTORIAN
SCOTTISH PEWTER MEASURES
GLASGOW, MID-19TH CENTURY
each marked ‘Imperial Standard’ with a crown to
the lid, comprising: pint, half-pint and gill, together
with two late 18th century pewter double volute
lidded measures with fleur-de -lys attachments,
half-pint and gill (5)
16cm high (max)
£200-300
229
226 227 228
230 231
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232
AN OAK AND STAINED PINE HUTCH OR ARK
MID-17TH CENTURY AND LATER
with arcaded gouge carved decoration, the front with 18th century
paterae around an arched opening
37.5cm high, 26cm wide, 49.7cm deep
£400-600
233
A PAIR OF CARVED OAK ARCHITECTURAL WALL APPLIQUES
17TH CENTURY
pierced and carved with scrolling foliage, together with an oak panel carved with a
central rosette (3)
45.2 x 31.5cm (max)
£150-250
234
A PAIR OF GEORGE III TREEN WALNUT CANDLESTICKS
LATE 18TH CENTURY
each with a turned baluster stem and discoid knops (2)
18.5cm high, 13.2cm diameter
£200-300
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235
AN OAK SPICE
CUPBOARD
LATE 17TH / EARLY
18TH CENTURY
with a panelled door
enclosing eight drawers
with brass ring handles
39cm high, 40.2cm
wide, 26cm deep
£300-400
232
233
234
235 235 open
238
70
236
A PAIR OF GEORGE III BRONZE 14LB WOOL
WEIGHTS
LATE 18TH CENTURY
each of shield form and cast with the Royal Coat
of Arms and initials ‘G R’ and the letter ‘A’ (2)
19 x 13cm
£1,500-2,000
237
A PAIR OF GEORGE II BRASS CANDLESTICKS
BY GEORGE GROVE, BIRMINGHAM
(FL.1748-1768)
each with a single mid-fillet socket, with an
integral cusp edge, above a knopped stem,
seamed each signed ‘GEO.GROVE’ to the
underside (2)
20.3cm high
£300-400
238
A CHARLES II BRONZE MORTAR
BY THE RUDHALL FOUNDRY, GLOUCESTER,
LATE 17TH CENTURY
decorated with a crowned rosette twice
13.3cm high, 16.8cm diameter
Literature
See Michael Finlay, 'English Decorated Bronze
Mortars and their Makers', item 48 for a similar
Gloucestershire mortar by Abraham Rudhall I.
£100-150
239
A PAIR OF BRASS FIRE DOGS
IN THE 17TH CENTURY STYLE, 19TH
CENTURY
each cast as a spire with knops and two spheres,
above a pair of feet, with a wrought iron bracket
(2)
71cm high, 23cm wide, 47cm deep
£150-250
240
A PAIR OF GILT BRASS PRICKET
CANDLESTICKS
IN GOTHIC STYLE, 19TH CENTURY
each with a dished drip-tray, above a faceted
knopped stem (2)
50.5cm high
£200-300
237
239 240
236
71
241
A RARE AND FINE CHARLES II BRASS CANDLESTICK
C.1680-85
the stem with both square and turned sections above a
discoid knop on a square foot with cast and chased
foliate decoration
16.5cm high
Literature
See Rupert Gentle and Rachael Feild, ‘Domestic
Metalwork 1640-1820’, p.20, pl.4 for an identical pair of
candlesticks.
£3,000-5,000
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242
A RARE PAIR OF GERMAN BRASS MAKER-STAMPED
CANDLE SNUFFERS
BY GEORG TRATZ, NUREMBERG, C.1570
of scissor form, one blade with a pointed tip (for lifting
the wick) and a tall tear shaped box decorated with
Renaissance strapwork and portrait medallions, the other
blade with a conforming shaped plate, stamped with the
makers mark of Georg Tratz, the pin hinge with a rosette
decorated cover, the handle cast with addorsed balusters
19.5cm long
Catalogue Note
Georg Tratz was made master in 1563.
£400-600
241
242
72
245
A GERMAN IRON ARMADA CHEST
18TH / 19TH CENTURY
with riveted strapwork and side carrying
handles, the hinged lid with an ornate key and
open handle, the interior with a covered lock
mechanism and a three division drawer, with
two drilled holes to the base
36cm high, 62.5cm wide, 39.5cm deep
£300-500
246
AN UNUSUAL OAK TABLE CABINET
17TH CENTURY AND LATER
with applied leaf decoration to the top and
sides, with gouge carved and incised zigzag
decoration, the hinged door centred with a
rosette, the interior with a single shelf
41cm high, 37cm wide, 20.5cm deep
£400-600
247
A SMALL QUEEN ANNE OAK BUREAU
EARLY 18TH CENTURY
the interior with an arrangement of drawers
and pigeonholes around a mirrored cupboard
and with a sliding well cover, with two short
and two long drawers
91.5cm high, 79.5cm wide, 46.5cm deep
Provenance
Property from a Deceased Collector.
£100-200
243
A GEORGE III OAK LOWBOY
C.1770-80
with mahogany banding, the moulded edge
top above three drawers
77cm high, 85.5cm wide, 51.5cm deep
Provenance
Property from a Deceased Collector.
£100-200
244
A CARVED OAK FRIEZE
DUTCH, C.1620-40
centred by a lively procession of putti carrying
branches and foliage, emblematic of fertility
and abundance, at either end mermaid
inspired figures frame the scene, each
supporting a cartouche within leafy volutes
17.8cm high, 132cm wide, 5cm deep
Catalogue Note
The combination of playful infant figures and
fantastical marine grotesques reflects the
decorative vocabulary of early 17th-century
Dutch Mannerism, indebted to the engravings
of Cornelis Floris and the influence of
Antwerp ornament prints.
£200-300
243
245
246 247
244
73
248
A RARE FRENCH OAK COFFER FRONT
16TH CENTURY, DATED ‘1577’
carved with four lunettes, three with winged
angels the other with a mask flanking the initials
‘L A N’ and the date ‘1577’ above four
Renaissance inspired niches each with a figure,
one possibly a Bishop holding a book and a
sceptre, one holding a mandolin, with three
further panels with winged angels and pendants
of fruit and leaves
95.5 x 156.3cm
£600-800
249
A RARE QUEEN ANNE OAK TRIPOD TABLE
EARLY 18TH CENTURY
the circular burr oak top revolving on a birdcage, on a baluster
turned stem and triform base, with acorn finials
66.8cm high, 76.5cm diameter
Literature
For a related tripod table see Victor Chinnery, ‘Oak Furniture -
The British Tradition’, p. 297 fig. 3:184.
£500-800
250
AN OAK DOOR
PROBABLY 16TH / 17TH CENTURY
with an iron handle and studded decoration
157 x 93.5cm
£300-500
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249
250
74
251
A PAIR OF PAINTED CUPBOARD DOORS
POSSIBLY RUSSIAN OR EASTERN
EUROPEAN, 18TH CENTURY
one painted with a portrait of St. Zeferino, titled
‘Sn zeferino P.P.Y.M’ (2)
53.5 x 50.5cm
£100-150
252
TWO FOLK ART NAIVE PAINTINGS OF DOGS
19TH CENTURY
each oil on board, one depicting three dogs in a
landscape setting (2)
28.3 x 32.3cm and 21.2 x 22.7cm
£150-200
253
AN AUSTRO-HUNGARIAN TREEN BEER JUG
LATE 19TH CENTURY
the lid carved with oak leaves and with initials ‘L
B’
26cm high
£200-300
254
A LARGE CONTINENTAL WALNUT
GINGERBREAD MOULD
19TH CENTURY
in the form of King Wenceslas
66.4 x 27.3cm
£150-250 λ 255
A REGENCY TREEN EBONY AND IVORY EGG
CRUET
EARLY 19TH CENTURY
with six egg cups and a central salt with spoon
11.5cm high, 17.5cm diameter
Ivory Registration number: P1BN19P4
£150-250
251 252
253 254
255
75
256
A WEST COUNTRY GRAINED PINE CURVED SETTLE
POSSIBLY CORNISH, FIRST HALF 19TH CENTURY
with original painted finish, of boarded construction with a
single wing end and a box seat, with a panelled back and a later
squab cushion
143.5cm high, 122cm wide,
Provenance
A Gloucestershire Farmhouse.
£800-1,200
257
A FOLK ART SHEET IRON WELSH DRAGON WEATHER VANE
POSSIBLY LATE 18TH / EARLY 19TH CENTURY
later mounted on a hardwood plinth
46cm high, 61cm wide
£350-450
258
A RARE GEORGE II STEEL CHURCHWARDEN’S PIPE
C.1740-50
in one section, the bowl with a pointed spur
70.5cm long
Catalogue Note
Very long pipes such as this one are traditionally called ‘churchwarden’s’ pipes.
Some were made in three or four sections which could be unscrewed, inserted
into a case and carried in the pocket.
Literature
Rupert. Gentle & Rachael. Feild, ‘ Domestic Metalwork 1640 - 1820’, p. 347
illustrates four ‘churchwarden’s’ pipes made from steel, iron, brass and copper
measuring 15in to 31.5in long.
£600-800
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256
257
258
76
259
A GEORGE III OAK DRESSER
LATE 18TH CENTURY
with an arrangement of five drawers flanked by a
pair of fielded panel doors
86cm high, 178.2cm wide, 48.7cm deep
£400-600
260
TWO SIMILAR VICTORIAN ASH AND ELM
WINDSOR HIGHBACK ARMCHAIRS
SECOND HALF 19TH CENTURY
each with a pierced splat above a saddle seat (2)
£100-200
262
A SCOTTISH LEATHER AND BRASS MOUNTED SPORRAN OR LEATHER POUCH
HIGHLANDS, LATE 17TH / EARLY 18TH CENTURY
with braided style decoration
20cm high
Provenance
Purchased by the current vendor from Rankine Taylor Antiques, Cirencester, 7th March 1998 for
£800.
£200-300
261
AN ELM CRICKET TABLE
IN GEORGE III STYLE
the circular top on stretchered supports
60cm high, 45.5cm diameter
£150-250
259
260
261
262
77
263
A GERMAN BRONZE LION AQUAMANILE
IN 12TH / 13TH CENTURY STYLE
modelled with his head held high, with a spout emanating from his mouth, the top of the head open previously with a hinged lid, with a stylised mane
20cm high, 20cm long
Literature
See O. Falke and E. Meyer, ‘Romanische Leuchter und Gefässe Giessgefässe der Gotik’, Berlin, 1935, reprint. 1983, pp.109-110, 144, no. 353, fig. 328.
This aquamanile is virtually identical to an example in the Nationalmuseum, Munich (see Falke and Meyer, loc. cit.) dated to c.1200 and also an example in the
V&A Museum: accession number 1582-1904.
£2,000-3,000
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263
78
264
A TREEN BOXWOOD DOUBLE SHOE SNUFF
BOX
18TH CENTURY
the lid with chip carved decoration with a central
fan with a mask boss, the scroll handle with three
further masks, with applied white metal buckles
11cm long
£200-300
265
A VICTORIAN TREEN SPECIMEN WOOD
SNUFF BOX
PROBABLY SCOTTISH IN THE MANNER OF
CHARLES STIVEN, SECOND HALF 19TH
CENTURY
the hinged lid inlaid with thirteen samples of
wood each titled including: ‘Queen Mary’s Yew’,
‘Glasgow University Oak’ ‘Trysting Tree’, ‘Broom of
Cowden Knowes’ ‘Mauchline Pulpit Oak’, the
interior with a foil lining
8.5cm wide
Catalogue Note
A similar box was sold in these rooms Furniture,
Works of Art & Clocks, 12th January 2022, lot
250 for £1,300 (hammer).
£100-200
266
A GEORGE II COPPER TOBACCO BOX
C.1740-50
the hinged lid with Rococo engraving and with
owner’s name ‘Humy Hughes, Woodcoat’, the
interior with a printed paper label for the
‘Hornsby Collection 113’, together with a Dutch
mid-18th century example engraved with script
and coaching scenes (2)
16.5ccm wide (max)
£150-250
267
A GEORGE III TREEN LIGNUM VITAE AND
COPPER BOUND MEASURE OR TANKARD
C.1800
of cylindrical form, stamped ‘G’ beneath a crown
and above a dagger, inscribed ‘BURLINGTON’ to
the foot rim
18.5cm high
Catalogue Note
This tankard forms part of a set of similar tankards
or measures each inscribed with a different
market town. Others include Bedford, St. Neots,
East Dereham, Rutihn (sic) and Warminster.
The dagger verification mark is similar to those
used by the Founders Company and found on
wool weights of a similar date.
£200-300
268
TWO WELSH TREEN LOVESPOONS
LATE 18TH CENTURY AND LATER
one a double spoon example with two smaller
spoons inset, the back with a paper label
inscribed in ink ‘Prov. Krasinsky Lloyd Coll, Sold
Sotheby’s 14.9...., lot 453’ numbered ‘27’, with
losses, together with a lovespoon carved with two
horses and initials ‘M J J’ (2)
£100-150
264 265 266
267
268
79
269
A DOLL DIORAMA
FRENCH OR SPANISH, 18TH CENTURY
the tableau comprising of three dressed wax dolls (cires habiliees) depicting Saint
Anne, Saint Mary and Saint Catherine, wearing silk dresses with a gilt metal
flaming sacred heart, with a block printed polychrome wallpaper lined interior and
with a black and white floor, in a glazed oak case
55.2cm high, 70.5cm wide, 22cm deep
Provenance
Athelhampton House.
Sold by Dukes, Athelhampton House Sale, 9th October 2019, lot 265.
£600-800
270
MARY QUEEN OF SCOTS INTEREST. A
NEEDLEWORK FRAGMENT
POSSIBLY 16TH CENTURY
worked with mythical beasts and stylised trees
within decorative borders and in a later glazed
silver frame, hallmarked Birmingham, the reverse
with a handwritten postcard inscribed ‘This is part
of the border of a Bedspread worked by Queen
Mary of Scotland and given to my husband Cyril
Brett by the owner of the Bedspread’
9.5 x 13cm
£300-400
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272
A CHARLES II STUMPWORK NEEDLEWORK PICTURE
C.1660-70
worked with a central figure of a mother with her three children within a
grapevine arbour, with flowers and butterflies and with a lion and leopard
flanking a lake, in a later glazed mahogany frame
43 x 54.8cm
£200-400
271
MARY QUEEN OF SCOTS INTEREST. A CREWELWORK NEEDLEWORK FRAGMENT
16TH CENTURY AND LATER
the fragment worked with flowers and leaves on a velvet ground, later mounted in a glazed gilt composition
frame, with a handwritten paper label in a 19th century hand, inscribed ‘A piece of the Bed-Hanging
embroidered by Mary Queen of Scots and her Ladies. Brought from Scone Palace about 1820’
12.5 x 9cm (the fragment), 32 x 19.5cm (the frame)
Provenance
Athelhampton House.
Sold by Duke’s, Athelhampton House Sale, 9th October 2019, lot 226.
£400-600
269
270
271
272
80
273
AN ITALIAN CARTOON FOR A
TAPESTRY
BY ERULO EROLI (ITALIAN 1854-
1916), LATE 19TH / EARLY 20TH
CENTURY
depicting the Madonna & Child, The
Madonna with a fine medieval style
dress of ‘gold embroidery’, flanked by
upper spandrels of lion masks
surrounded by foliate, enclosed by
narrow borders, with the words ‘ Ave
Maria’ beneath and signed 'Erylo Erolo'
172 x 85cm
Catalogue Note
Erulo Eroli (1854–1916) was an
Italian painter, tapestry designer and
ceramicist whose career was closely
connected with the artistic life of
late-19th- and early-20th-century
Rome. Born in Rome on 31 August
1854, he was the son of the sculptor
Pio Eroli and studied at the School of
San Michele a Ripa under Alessandro
Ceccarini, where he developed skills
in painting, mosaic, ceramics, stained
glass and tapestry.
£300-400
273 275
277
274
276 278
274
A VICTORIAN PATCHWORK
QUILT
LATE 19TH CENTURY
worked in silk and cotton, with a
hexagonal polychromatic field of
various fabrics, enclosed by black
borders, with a paper label inscribed
‘Made out of pieces of dress of
Harriet Eliza Wainwright of Hoe
Place, Old Woking 1810-1894, Given
me by Desmond Nairn....1938’
220 x 186cm
£100-150
275
A REGENCY NEEDLEWORK
SAMPLER
BY SUSANNAH NICHOLLS
DATED ‘1807’
worked with alphabets, numbers, a
religious verse, birds and thistles, in a
later glazed green painted frame,
together with a small needlework
alphabet sampler (2)
39.7 x 26.6cm (max)
Provenance
Property from a Deceased Collector.
£100-200
276
A NEEDLEWORK SAMPLER
LATE 18TH / EARLY 19TH
CENTURY
worked with coloured silks on a linen
ground, with alphabet, numbers,
birds, urns of flowers, and two
religious verses, in a later glazed
ebonised frame
40 x 32.2cm
Provenance
Property from a Deceased Collector.
£100-200
277
A LATE REGENCY QUAKER
NEEDLEWORK SAMPLER
OF ACKWORTH TYPE, BY ANN
HALL, DATED ‘1818’
worked with octagonal medallions
decorated with birds and flowers one
imscribed ‘A Token of Love 1818’,
interspersed with letters, in a later
glazed and ebonised double sided
frame
51.5 x 53.5cm
£200-300
278
TWO EARLY VICTORIAN
NEEDLEWORK SAMPLERS
DATED ‘1843’ AND ‘1849’
one worked by Mary Brown Borrows,
titled ‘On Friendship’ and decorated
with urns of flowers, grape pickers
and Adam and Eve, signed ‘Mary
Brown Borrows Work Aged 16 Feby
11 1843 Mareham’, together with a
sampler by Mary Ann Baker aged 11,
worked with a deers, peacocks, dogs
and a religious verse, both in later
glazed frames (2)
40.5 x 33cm and 42.2 x 32.2cm
£200-300
81
281
A GEORGE III WOOLWORK
NEEDLEWORK PICTURE
LATE 18TH / EARLY 19TH
CENTURY
depicting a young shepherd
asleep with flock in a landscape
setting, with watercolour details
and background together with a
similar picture of a young lady
beside a river, each in a glazed
gilt frame (2)
43.2 x 30.5cm (max)
£100-150
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282
A GEORGE III SILKWORK NEEDLEWORK PICTURE
LATE 18TH / EARLY 19TH CENTURY
depicting a pastoral scene with a countryman smoking a pipe accompanied by a young woman
holding a pitcher, with painted facial and hand details, in a glazed gilt frame
55 x 37.5cm
£100-150
279
A PAIR OF BROCADED SILK AND METAL THREAD LADY’S SHOES
C.1720-40
with curved heels and green edging, together with a handwritten label ‘Pair of Shoes
1722’ (2)
12.5cm high, 21.5cm long
Provenance
By repute from the Penrose Estate, nr. Porthleven, Cornwall.
£1,200-1,800
280
A VICTORIAN NEEDLEWORK APPLIQUE PICTURE OF DASH THE KING
CHARLES SPANIEL
C.1850
Victoria’s favourite spaniel depicted lying in a basket, in a glazed bird’s eye maple
frame
19 x 24cm
£100-150
279
280
281
282
82
283
A GEORGE III SILKWORK NEEDLEWORK OVAL PICTURE
LATE 18TH / EARLY 19TH CENTURY
depicting a young boy holding a palm frond in a landscape setting, together with a silkwork picture of
a young lady fishing, each in a later glazed gilt frame (2)
31.5 x 28cm (max)
£100-200
284
A GEORGE III SILKWORK
NEEDLEWORK OVAL PICTURE
LATE 18TH / EARLY 19TH
CENTURY
depicting a mother and daughter
beside stream with raised work and
painted details, together with a
smaller silkwork picture of a young
girl picking fruit, each in a later
glazed and gilt frame (2)
29.8 x 24cm (max)
£100-150
285
THREE GEORGE III SILKWORK
NEEDLEWORK PICTURES
LATE 18TH / EARLY 19TH CENTURY
of figures in landscapes, with painted facial
details, each in a verre eglomise and gilt frame
(3)
43.7 x 37.5cm
£100-200
286
AN ENGRAVED MAP OF KENT
AFTER JOHN SPEED (1552-1629), C.1676
hand coloured and titled ‘Kent with her Cities and
Earles described and observed’, with plans of
Canterbury and Rochester, in a later glazed gilt
frame
37.7 x 50.5cm
£150-200
287
FIVE SATIRICAL PRINTS
EARLY 19TH CENTURY
each hand-coloured engravings or etchings, comprising: ‘A Rustic Retort or A Wit Outwited’
by Charles Williams, ‘The Exciseman and the Countryman’ and ‘Unlawful Union’ by George
Cruikshank and ‘A Glee’ and ‘A Going! A Going!’ by Thomas Rowlandson, each in a later
glazed moulded ebonised frame (5)
25.5 x 36.3cm
£150-250
283
284
285
286
287
83
288
ANTI-SLAVERY INTEREST. A RARE NEEDLEWORK SAMPLER
EARLY 19TH CENTURY
worked with coloured wools, depicting a kneeling chained slave and with an inscription ‘On africa’s
wide plains where the lions now roam..Freedom stalks forth the vast desert exploring, I was dragged
from my hut and enchained as a Slave in a dark floating dungeon up on the salt waves, spare a
halfpenny to blind negro’, within a floral border, unframed
50.5 x 67cm
Catalogue Note
A related sampler can be found in the Colonial Williamsburg Foundation.
Although women could not hold public office at the time, needlework provided a means of expressing
political and moral convictions. This poignant picture depicts a kneeling enslaved African man, derived
from Josiah Wedgwood’s celebrated abolitionist seal, modelled by William Hackwood in 1787. The
image was widely reproduced in abolitionist broadsides and prints, one of which likely inspired this
embroidered example. The inscription is taken from the opening verse of Desponding Negro, a poem
and song by John Collins, published in London in 1792. The work offers a striking example of the role
of women’s needlework in communicating the humanitarian ideals of the abolitionist movement.
£800-1,200 289
ANTI-SLAVERY INTEREST. AN ABOLITIONIST’S SILK RETICULE OR BAG
C.1820-30
the front with a transfer printed scene of a slave in chains, with four slaves being beaten in the background,
on the reverse is an inscription ‘Thus man devotes his brother and destroys, And worse than all, and most to
be deplored, As human nature’s broadest foulest blot, Chains him and whips him and exacts his sweat, With
stripes, that Mercy, with a bleeding heart, Weeps when she sees inflicted on a beast’
25 x 24.5cm
Catalogue Note
See the V&A Museum for two similar bags produced by the Female Society of Birmingham as part of their
campaign for the abolition of slavery. The Society was founded in 1825 (originally called the Ladies Society
for the Relief of Negro Slaves) in West Bromwich, near Birmingham. The bags were made by women at
sewing circles where objects decorated with abolitionist emblems were produced to decorate their homes
and for distribution as part of their campaigning activities.
£500-800
290
ANTI-SLAVERY BRISTOL INTEREST. A GEORGE IV BRASS PLAQUE
DEDICATED TO EDWARD PROTHEROE JNR ESQ., DATED ‘1830’
one side is engraved with a kneeling chained slave with the words ‘Come Over & Help Us’ coming from his mouth and
inscribed ‘Injured Brethren from your chains, you shall Freedom know. The arm of Liberty is strong. To crush its mightiest
Foe’, the other side inscribed ‘To Edward Protheroe Junr Esqr, We the undersigned unbiased Free men in the employ of
Messrs Wasbrough, Hale & Co. Brass Founders & Coppersmiths. Present this small Tribute of our Esteem for your very Able
and Manly conduct in the late Election for this City’, with fifteen names and ‘Bristol Augt. 17th 1830’, with a suspension ring
19.2 x 14cm
Catalogue Note
Edward Protheroe Junior (1798-1852) was a British Radical and Whig politician, merchant, plantation owner, antiquary and
prominent advocate of liberal and abolitionist principles. The only son of the Bristol merchant and politician Edward
Protheroe senior (1774–1856), he entered Parliament as Member for Evesham in 1826, subsequently representing Bristol
and, from 1837, Halifax. Protheroe was an active supporter of parliamentary reform, religious liberalism and the abolition of
slavery. His political career was particularly closely associated with the anti-slavery cause, which featured prominently in the
contested Bristol election of 1830 and his subsequent political activities in Halifax.
£200-300
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291
ANTI-SLAVERY INTEREST. A PAIR OF COLOURED MEZZOTINTS
AFTER GEORGE MORLAND, ENGRAVED BY J. R. SMITH, C.1814
titled ‘Slave Trade’ and ‘African Hospitality’, each in a later glazed parcel gilt frame, the backs with
printed trade labels for ‘The Parker Gallery, 3 Albermarle Street London’ (2)
47.5 x 64cm
Catalogue Note
The first image shows the brutality of a captive slave being beaten and separated from his wife
and child. The second is of African natives saving a white English family from a storm that has
shipwrecked them. An anti-slavery polemic in the form of a pair of powerful allegorical engravings.
£200-300
288
289
290
291
84
292
A PRIVATE COLLECTION OF PAPIER-MACHE
294
295
296
293
292
AN EARLY VICTORIAN PAPIERMACHE DESK SET
MID-19TH CENTURY
painted to simulate walnut, with gilt
brass strapwork mounts, comprising: a
penbox, a stationery casket and a
blotter, together with three door plates,
two by ‘Jennens & Bettridge’ and two
Russian lacquer boxes (8)
28.5cm max
Provenance
A Private Collection of Papier-Mache.
£100-150
293
AN EARLY VICTORIAN PAPIERMACHE TRAY
BY JENNENS & BETTRIDGE, C.1850
inlaid with mother of pearl and
decorated in gilt with Rococo motifs,
with impressed marks, together with
three smaller trays and a pair of small
trays by ‘Clay’ (6)
44cm (max)
Provenance
A Private Collection of Papier-Mache.
£100-200
294
THREE EARLY VICTORIAN PAPIERMACHE PLATES
BY JENNENS & BETTRIDGE,
C.1850-60
one painted with a house in a
woodland scene titled
‘Northumberland’, another with
landscape vignettes, together with an
example by ‘Clay’ and a crumb brush
and pan (6)
34cm max
Provenance
A Private Collection of Papier-Mache.
£100-200
295
A LARGE EARLY VICTORIAN
PAPIER-MACHE TRAY
BY CLAY, C.1850
of shaped outline and decorated in
gilt with flowers and leaves, with
impressed marks ‘Clay, Kings St. Covt
Garden’
58 x 81cm
Provenance
A Private Collection of Papier-Mache.
£100-150
296
THREE EARLY VICTORIAN PAPIERMACHE BLOTTERS
MID-19TH CENTURY
one depicting Norwich Cathedral,
titled with initials ‘J&B’, another of
Raglan Castle, Wales and one with
Rococo decoration, together with a
small notelet cover with a white
metal pencil (4)
Provenance
A Private Collection of Papier-Mache.
£100-150
85
300
A LARGE EARLY VICTORIAN
PAPIER-MACHE TRAY
C.1850
painted with an urn of flowers
and a bird with gilt borders
63 x 81.3cm
Provenance
A Private Collection of PapierMache.
£150-250
Visit www.woolleyandwallis.co.uk to read the full Terms & Conditions
301
SEVEN EARLY VICTORIAN PAPIER-MACHE BASKETS
FIRST HALF 19TH CENTURY
each with a gilt metal swing handle and with various
decoration including landscape scenes, figures in a garden,
birds and flowers and an Ottoman titled ‘Tomb of the Bereed
Kings Bidar’, two by Jennens & Bettridge and one by
‘Mapplebeck & Lowe’ (7)
30cm diameter (max)
Provenance
A Private Collection of Papier-Mache.
£150-250
297
A LATE REGENCY PAPIER-MACHE TRAY
EARLY 19TH CENTURY
gilt decorated with birds and a butterfly with
leaves and flowers
50 x 67.8cm
Provenance
A Private Collection of Papier-Mache.
£150-250
298
AN EARLY VICTORIAN PAPIER-MACHE
INKSTAND
BY JENNENS & BETTRIDGE, C.1850-60
decorated with gilt and polychrome, with two
glass inkwells, the underside with impressed
‘Jennens & Bettridge Birmm & London’, beneath a
crown, together with another similar (2)
Provenance
A Private Collection of Papier-Mache.
£150-250
299
A SMALL COLLECTION OF EARLY VICTORIAN
GREEN PAPIER-MACHE ITEMS
MID-19TH CENTURY
decorated with flowers, birds and gilt borders,
comprising: a pair of spill vases, two gilt handled
baskets, two trays and a wall pocket (7)
28.5cm max
Provenance
A Private Collection of Papier-Mache.
£100-150
297 298
300
299
301
86
306
305
302
303
304
302
A PAIR OF EARLY VICTORIAN PAPIERMACHE LETTER RACKS
C.1850
each decorated with a bird above a
landscape scene and flowers, with a base
drawer, together with a pair of spill vases by
‘Clay’ and another and an etui case, a tray
and a small box and cover (8)
28.3cm (max)
Provenance
A Private Collection of Papier-Mache.
£100-150
303
FOUR PAPIER-MACHE SPECTACLE
CASES
MID-19TH CENTURY
three containing spectacles, two silver with
French marks, together with a watch holder,
napkin ring, sewing shuttle, a wall pocket
and a lorgnette (12)
20cm (max)
Provenance
A Private Collection of Papier-Mache.
£100-150
304
A GEORGE III MAHOGANY TEA CHEST
LATE 18TH CENTURY
inlaid with fan paterae, the interior with
three pewter canisters, together with
another tea caddy, with a bone escutcheon
and a Victorian walnut stationery casket (3)
26cm wide (max)
£100-150
305
A PAIR OF EARLY VICTORIAN PAPIERMACHE FACE SCREENS
C.1850
painted with possible ‘Dr.Syntax’, one in a
village setting beside a school, each with a
turned wood and parcel gilt handle (2)
40.7cm high
Provenance
A Private Collection of Papier-Mache.
£100-150
306
AN EARLY VICTORIAN PAPIER-MACHE
STEREOSCOPIC VIEWER
C.1850
inlaid with mother of pearl and decorated
with flowers, together with a quantity of
viewing cards, of mainly Irish and
Continental views
18cm high
Provenance
A Private Collection of Papier-Mache.
£100-200
307
NO LOT
87
Visit www.woolleyandwallis.co.uk to read the full Terms & Conditions
λ 308
TWO PAIRS OF EARLY VICTORIAN PAPIERMACHE FACE SCREENS
C.1850
each of shaped outline, one pair decorated with
an exotic bird and flowers and with turned
rosewood handles, the other pair painted with
flowers (4)
42.6cm high (max)
Provenance
A Private Collection of Papier-Mache.
£100-150
309
TWO PAIRS OF EARLY VICTORIAN
FACESCREENS
C.1850
each painted with landscape scenes, one pair
titled ‘Upper Lake, Killarney’ and ‘Glengariff’, both
signed with initials ‘J&B’, the other pair titled
‘Loch Katrine’ and ‘Loch Achnay’, with turned
handles (4)
40.5cm high (max)
Provenance
A Private Collection of Papier-Mache.
£150-250
310
AN EARLY VICTORIAN PAPIER-MACHE POLE
FIRESCREEN
C.1850
the adjustable screen painted with a Highland
landscape scene, together with a mahogany pole
firescreen with a silkwork panel and a Victorian
papier-mache child’s chair (3)
137cm high (max)
Provenance
A Private Collection of Papier-Mache.
£100-150
311
AN EARLY VICTORIAN PAPIER-MACHE
GAMES TABLE
C.1850
the circular tilt-top inlaid with a mother of pearl
chequer board on a faceted baluster stem
73.5cm high, 61.5cm diameter
Provenance
A Private Collection of Papier-Mache.
£200-300
312
THREE EARLY VICTORIAN PAPIER-MACHE
TEA CADDIES
19TH CENTURY
one by Jennens & Bettridge, with faux walnut
decoration (3)
25.5cm wide (max)
Provenance
A Private Collection of Papier-Mache.
£200-300
313
TWO EARLY VICTORIAN PAPIER-MACHE
WINE TRAYS
C.1850
one by Jennens & Bettridge, with gilt and
polychrome decoration, with impressed marks,
‘Jennens & Bettridge, Makers to the Queen’
beneath a crown and printed mark of ‘Richard
Redgrave’, together with a similar example (2)
72.5cm wide (max)
Catalogue Note
Extract from ‘Japanned Papier-mâché and Tinware
c.1740-1940’, by Yvonne Jones (2012). ‘Amongst
the goods exhibited by Jennens & Bettridge at the
Birmingham Exposition of 1849, was “a new
shape of wine tray designed by Richard Redgrave
in 1847, under the auspices of Felix Summerley’s
Art Manufacturers, which the Art Union had
featured the year before. Decorated with ‘vine
and grapes’ and incorporating ‘compartments to
receive the decanters and prevent their shifting
among the glasses’, the tray was shaped to fit
comfortably round the waist when carried, and
thus provided ‘the convenience of horse-shoe
tables. Instead of the painful sight of waiters
holding trays of wine and cake at a long stretch ...
we shall now see them in a state of ease, if not an
attitude of grace.’” Richard Redgrave CB RA
(1804-1888) worked first as a designer; he was
elected to the RA in 1851. His reputation as an
artist was established in zdriving forces
behind the reform of art education in the mid
19th century. In 1847 he became art director of
the South Kensington Museum (now the V&A)
and was instrumental in establishing and securing
the future of the museum as well as designing a
new gallery. He was offered, but refused, a
knighthood in 1869.
Provenance
A Private Collection of Papier-Mache.
£200-300
308 309
310
311
312 313
88
DAY 2
8TH OCTOBER 2026
LOTS 314-628
89
THE SELECTED CONTENTS OF A MANOR HOUSE,
THE INTERIORS DESIGNED AND SUPPLIED BY
GUY GOODFELLOW.
LOTS 314-380
317
316
315
314
90
314
A PAIR OF ITALIAN PAINTED AND PARCEL GILT TABLE
LAMPS
19TH CENTURY AND LATER
each in the form of a fluted urn, with a brass twin light fitting (2)
54cm high (excluding fittings)
Provenance
The Selected Contents of a Manor House, the interiors designed
and supplied by Guy Goodfellow.
£300-500
315
A FRENCH LOUIS XV PROVINCIAL WALNUT COMMODE
C.1770
fitted with three long drawers with moulded fronts
83.8cm high, 116.3cm wide, 63cm deep
Provenance
The Selected Contents of a Manor House, the interiors designed and
supplied by Guy Goodfellow.
£600-800
316
A FRENCH CAST IRON TABLE
19TH CENTURY
the marble top with a moulded edge above three stretchered legs cast with
marks ‘Bouvot Lyon’
70cm high
Provenance
The Selected Contents of a Manor House, the interiors designed and supplied
by Guy Goodfellow.
£400-600
λ 317
A REGENCY MAHOGANY PEMBROKE TABLE
EARLY 19TH CENTURY
the frieze drawer fitted with a pen tray and with an ivory escutcheon
66.8cm high, 37.5cm wide, 45.7cm deep
Provenance
The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.
Ivory Registration number: L9TCGFKM
£100-150
91
318
A PAIR OF CHAISE LONGUES IN VICTORIAN STYLE
BY HOWE, OF RECENT MANUFACTURE
each button-upholstered in Guy Goodfellow lichen Fez fabric, on turned walnut legs and
brass castors stamped ‘Howe London’ (2)
67.3cm high, 174cm wide, 96cm deep
Provenance
The Selected Contents of a Manor House, the interiors designed and supplied by Guy
Goodfellow.
£800-1,200
319
A PAIR OF STONE BALUSTRADE TABLE LAMPS
LATE 20TH CENTURY
with moulded decoration and shades (4)
64.2cm high (excluding fittings)
£300-500
320
AN UPHOLSTERED OCTAGONAL STOOL
OF RECENT MANUFACTURE
covered with Guy Goodfellow Indus pattern fabric, on brass
castors
49cm high, 90.2cm wide
Provenance
The Selected Contents of a Manor House, the interiors
designed and supplied by Guy Goodfellow.
£300-500
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318
320
319
323
324
322
321
321
A WHITE PAINTED SERPENTINE
SOFA
IN GEORGE III STYLE, MODERN
upholstered with pale mint Stanhope
damask, with a moulded frame on
fluted legs
94cm high, 198cm wide, 68cm deep
Provenance
The Selected Contents of a Manor
House, the interiors designed and
supplied by Guy Goodfellow.
£600-1,000
322
A FAMILLE ROSE
VASE TABLE LAMP
LATE 19TH
CENTURY
together with a blue
glazed pottery table
lamp (2)
42.2cm high (max,
excluding fittings)
Provenance
The Selected Contents
of a Manor House, the
interiors designed and
supplied by Guy
Goodfellow.
£150-250
323
A GEORGE III FADED
MAHOGANY TRIPOD
TABLE
C.1760
the circular tilt-top
revolving on a birdcage
above a turned stem
71.5cm high, 91.5cm
diameter
Provenance
The Selected Contents of a
Manor House, the interiors
designed and supplied by
Guy Goodfellow.
£150-250
324
A CARPET OF USHAK DESIGN
20TH CENTURY
the ivory lattice field of floral vines enclosed by olive
green borders of meandering vines flanked by guard
stripes
402 x 345cm
Provenance
The Selected Contents of a Manor House, the interiors
designed and supplied by Guy Goodfellow.
£700-1,000
93
325
A LARGE PAIR OF FRENCH CAST IRON
ORANGERIE VERSAILLES PLANTERS
BY PAUL, BORDEAUX, C.1920-30
signed ‘Paul Bordeaux’ (2)
74.3cm high, 71cm wide
Provenance
The Selected Contents of a Manor House, the
interiors designed and supplied by Guy Goodfellow.
£2,000-3,000
326
A PAIR OF SIMULATED GREY MARBLE COLUMNS
OF RECENT MANUFACTURE
111cm high, 38.5cm square (2)
Provenance
The Selected Contents of a Manor House, the interiors
designed and supplied by Guy Goodfellow.
£400-600
327
A WHITE PAINTED BERGERE ARMCHAIR OR
DUCHESS BRISE
IN LOUIS XV STYLE, MODERN
upholstered in pale mint fabric, together with a
matching footstool (2)
Provenance
The Selected Contents of a Manor House, the
interiors designed and supplied by Guy
Goodfellow.
£400-600
Visit www.woolleyandwallis.co.uk to read the full Terms & Conditions
326
327
325
330
331
329
328
94
λ 328
A REGENCY MAHOGANY SERPENTINE SIDEBOARD
EARLY 19TH CENTURY
with crossbanding and inlaid with stringing, fitted with
two deep drawers flanking a central frieze drawer, with
ivory escutcheons
90.1cm high, 175cm wide, 76cm deep
Ivory Registration number:
Provenance
The Selected Contents of a Manor House, the interiors
designed and supplied by Guy Goodfellow.
Ivory Registration number: KY64HLT9
£400-600
329
A SET OF FOUR VICTORIAN WALNUT SIDE CHAIRS
LATE 19TH CENTURY
each with buttoned leather upholstery, on sprial twist
front legs (4)
Provenance
The Selected Contents of a Manor House, the interiors
designed and supplied by Guy Goodfellow.
£200-400
330
A GEORGE III MAHOGANY PEMBROKE TABLE
C.1790-1800
with a frieze drawer to either end, on brass roller
castors
69.7cm high, 57.5cm wide, 91cm deep
Provenance
The Selected Contents of a Manor House, the interiors
designed and supplied by Guy Goodfellow.
£200-300
331
A PAIR OF BRASS TABLE LAMPS
20TH CENTURY
each of slender baluster form, with an hexagonal base
(2)
58.8cm high (excluding fittings)
Provenance
The Selected Contents of a Manor House, the interiors
designed and supplied by Guy Goodfellow.
£200-300
95
332
AN ITALIAN GILTWOOD WALL MIRROR
POSSIBLY VENETIAN, 18TH CENTURY
the rectangular plate in a foliate carved moulded
frame with an elaborate Rococo surmount with
male figures to the corners
157.5 x 119cm
Provenance
The Selected Contents of a Manor House, the
interiors designed and supplied by Guy
Goodfellow.
£600-1,000
333
A PAIR OF ITALIAN ALABASTER COLUMN
TABLE LAMPS
20TH CENTURY
each on a stepped base (2)
51.3cm high (excluding fittings)
Provenance
The Selected Contents of a Manor House, the
interiors designed and supplied by Guy
Goodfellow.
£300-400
334
AN ITALIAN WALNUT COMMODE
LATE 18TH / EARLY 19TH CENTURY
with two drawers inlaid with stringing on shaped
legs
83cm high, 115.4cm wide, 52cm deep
Provenance
The Selected Contents of a Manor House, the
interiors designed and supplied by Guy
Goodfellow.
£400-600
Visit www.woolleyandwallis.co.uk to read the full Terms & Conditions
334
333
332
339
338
336
337
335
96
335
A REGENCY BIRD’S EYE MAPLE LAMP TABLE
EARLY 19TH CENTURY
inlaid with stringing and with a frieze drawer to
either end and ribbed quarter angles, on brass
castors
68.2cm high, 65cm wide, 48cm deep
Provenance
The Selected Contents of a Manor House, the
interiors designed and supplied by Guy
Goodfellow.
£400-600
336
A CONTINENTAL WALNUT TRIPOD TABLE
EARLY 19TH CENTURY
with a dished tilt-top, together with a similar
fruitwood example (2)
68.5cm high, 77.8cm diameter and 71cm high,
79.2cm diameter
Provenance
The Selected Contents of a Manor House, the
interiors designed and supplied by Guy
Goodfellow.
£300-400
337
A CHINESE BLUE AND WHITE VASE TABLE
LAMP
19TH CENTURY
with a brass twin light fitting, together with a
Victorian cut glass table lamp (2)
56.5cm high (excluding fittings)
Provenance
The Selected Contents of a Manor House, the
interiors designed and supplied by Guy
Goodfellow.
£300-400
338
AN UNUSUAL KILIM
PROBABLY NORTH WEST PERSIA, THIRD
QUARTER 20TH CENTURY
the ivory stepped diamond lattice field enclosed
by raspberry borders of reciprocal angular vines
478 x 270cm
Provenance
The Selected Contents of a Manor House, the
interiors designed and supplied by Guy
Goodfellow.
£250-350
λ 339
A PAIR OF WILLIAM IV ROSEWOOD
OCCASIONAL TABLES
IN THE MANNER OF GILLOWS,
C.1830-35
each with a baluster and ribbed stem
on a triform base (2)
68.5cm high, 45.3cm wide, 37.5cm
deep
Provenance
The Selected Contents of a Manor
House, the interiors designed and
supplied by Guy Goodfellow.
£300-500
97
340
A MAHOGANY FOUR POSTER BED
IN GEORGE III STYLE
BY BEAUDESERT, MODERN
the front posts with cluster columns
and carved with stiff leaves and
wheatsheaves, hung with tendril
pattern linen fabric probably by Soane
Britain with matching valance and tiebacks, the bespoke UK super-king
mattress by Beaudesert
256cm high, 183cm wide, 210cm deep
Provenance
The Selected Contents of a Manor
House, the interiors designed and
supplied by Guy Goodfellow.
£1,000-2,000
341
A PAINTED AND GILT SERPENTINE
SOFA
IN GEORGE III STYLE, MODERN
the frame with guilloche and husk
decoration and upholstered with pink
chequered fabric
86.5cm high, 205.5cm wide, 72cm deep
Provenance
The Selected Contents of a Manor House,
the interiors designed and supplied by Guy
Goodfellow.
£500-800
Visit www.woolleyandwallis.co.uk to read the full Terms & Conditions
341
340
343
344
342
345
98
342
A REGENCY MAHOGANY BOWFRONT SIDE
CABINET
EARLY 19TH CENTURY
with a pair of frieze drawers with later divisions
above a pair of pleated silk and gilt brass lattice grille
doors enclosing a shelf, flanked by a pair of giltwood
fluted pilasters
90.4cm high, 147.2cm wide, 48.5cm deep
Provenance
The Selected Contents of a Manor House, the
interiors designed and supplied by Guy Goodfellow.
£800-1,200
343
A VICTORIAN CUT GLASS TABLE
LAMP
LATE 19TH CENTURY
of faceted baluster form, together
with a simulated marble table lamp
with a twin light fitting (2)
50cm high max, (excluding fittings)
Provenance
The Selected Contents of a Manor
House, the interiors designed and
supplied by Guy Goodfellow.
£200-300
344
A PAIR OF BEECHWOOD FAUTEUIL
IN LOUIS XV STYLE, OF RECENT
MANUFACTURE
covered in green paisley linen (2)
Provenance
The Selected Contents of a Manor House, the
interiors designed and supplied by Guy
Goodfellow.
£500-800
λ 345
A REGENCY PAINTED AND SIMULATED
ROSEWOOD SIDE CABINET
EARLY 19TH CENTURY
with a faux marble top above painted faux
pleated silk and brass grille doors
89cm high, 95.2cm wide, 46cm deep
Provenance
The Selected Contents of a Manor House, the
interiors designed and supplied by Guy
Goodfellow.
£400-600
