User Manual Economical mixing console KG06W/08W/10W/12W

Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

The symbol is used to indicate that some hazardous live terminals are involved within this apparatus, even under the normal operating conditions, which may be sufficient to constitute the risk of electric shock or death.

The symbol is used in the service documentation to indicate that specific component shall be replaced only by the component specified in that documentation for safety reasons.

Protective grounding terminal

～Alternating current/voltage

4 Hazardous live terminal

ON: Denotes the apparatus is turned on

OFF: Denotes the apparatus is turned off.

WARNING: Describes precautions that should be observed to prevent the danger of injury or death to the operator.
CAuTioN: Describes precautions that should be observed to prevent danger of the apparatus.

1. IMPORTANT SAFETY INSTRUCTIONS

• Read these instructions.

• Keep these instructions.

• Heed all warning.

• Follow all instructions.

• Water & Moisture

The apparatus should be protected from moisture and rain, can not used near water, for example: near bathtub, kitchen sink or a swimming pool, etc.

· Heat

The apparatus should be located away from the heat source such as radiators, stoves or other appliances that produce heat.

• Ventilation

Do not block areas of ventilation opening. Failure to do could result in fire. Always install accordance with the manufacturer's instructions.

• Object and Liquid Entry

Objects do not fall into and liquids are not spilled into the inside of the apparatus for safety.

• Power Cord and Plug

Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong is provided for your safety. If the provided plug does not fit into your outlet, refer to electrician for replacement.

• Power Supply

The apparatus should be connected to the power supply only of the type as marked on the apparatus or described in the manual. Failure to do could result in damage to the product and possibly the user.

Unplug this apparatus during lightning storms or when unused for long periods of time.

Where the MAINS plug or an appliance coupler is used as the disconnect device, the disconnect device shall remain readily operable.

· Fuse

To prevent the risk of fire and damaging the unit, please use only of the recommended fuse type as described in the manual. Before replacing the fuse, make sure the unit turned off and disconnected from the AC outlet.

• Electrical Connection

Improper electrical wiring may invalidate the product warranty.

• Cleaning

Clean only with a dry cloth. Do not use any solvents such as benzol or alcohol.

• Servicing

Do not implement any servicing other than those means described in the manual. Refer all servicing to qualified service personnel only.

• Only use accessories/attachments or parts recommended by the manufacturer.

Product Introduction:

Thank you for purchasing SOUNDKING's KG series with wireless microphone and AES67 mixer. This mixer is designed to be compact and lightweight, with a built-in wide voltage power supply of 100-240V, making it very convenient to carry and use. Each microphone channel has a newly added compression adjustment function, which can maintain a crisp and pleasant sound when the microphone is used for singing. Each microphone channel comes with a handheld wireless microphone receiver, which can accommodate up to 4 sets of A/B wireless microphones. The mixer can connect to SD card/USB/Bluetooth to play music, and it can also record the sound or music from the microphone and line inputs to SD card/USB. It can also connect to a computer to play songs and recordings. This mixer comes with AES67 functionality, and it has two network ports that can form a 2x2 configuration Digital interface for channels. This mixer boasts the most comprehensive and professional features, capable of meeting the requirements of various applications, whether it's solo performances, small to medium-sized band performances, or conference recording.

Application:

It can be used for public broadcasting or indoor recording applications, such as film/television /music recording, and can be applied in theaters, dance halls, bars, conference recording, etc.

Main functions:

1) 2-8 channels of MIC/line input and 2 channels of stereo input.

2) The microphone channel features a compression function with a compression control range of 0-9dB.

3) Built-in USB/SD card/Bluetooth playback/recording functions.

4) The 48V phantom power supply meets the requirements for condenser microphones.

5) Equipped with 16 digital effectors, the delay time is adjustable, making the sound of the concert more pleasant and melodious.

6) The main output is equipped with two rows of 2x8 precise indicator lights, which can monitor the output level.

7) The machine is designed to operate with a wide voltage power supply ranging from 100V to 240V.

8) The USB interface of MP3 can be connected to a computer for playback and recording.

9) 1-4 sets of wireless microphone receivers, supporting up to 4 sets/8 wireless microphones input.

10) Supports the reception and transmission of AES67 digital audio signals, with two inputs and two outputs.

1. Gain control knob

Adjust the input signal level to achieve the optimal balance between signal-to-noise ratio and dynamic range. For optimal operation, set this control such that the PEAK LED flashes occasionally,which can prevent distortion in the input channel. The gain adjustment range for microphone input is 6\~50dB,and for line input, it is +10\~-34.

2. Wireless microphone button

Press the button to turn on the wireless microphone, and the ON indicator will light up green. When the wireless microphone is connected, the corresponding LED lights for channels A/B will illuminate.

3. COMP control

Adjust the channel compression by turning the knob to the right to increase the compression ratio, and the output gain will automatically adjust to make the sound smoother. Properly select the attack time.

4. high-pass filter

This switch enables the high-pass filter to be turned on or off, and can activate an 80 Hz low-frequency filter with a slope of 18 dB per octave. You can use this device to reduce hum caused by the main power supply, or stage noise caused when using microphones.

5. Equalizer control

HI: When you adjust this knob to its maximum, the corresponding electrical frequency of 12 KHz is boosted to +15dB When this knob is adjusted to its minimum setting, the corresponding radio frequency attenuation at 12 KHz is -15dB.

MID: When you adjust this knob to its maximum, the corresponding electrical frequency at 2.5KHz is boosted to +15dB. When you adjust this knob to its minimum, the corresponding electrical frequency at 2.5KHz is attenuated by -15dB. LOW: When you adjust this knob to its maximum, the corresponding electrical frequency at 45Hz is boosted to +15dB. When you adjust this knob to its minimum, the corresponding electrical frequency at 45Hz is attenuated by -15dB.

6. AUX-DSP (Auxiliary) control knob

These four auxiliary control knobs are used to adjust the level of independent signals sent to the AUX-DSP bus. The signals are directly sent to external effects or processor devices. DSP can also be allocated internally On the effector module, the DSP knob can also control the level of the single DSP channel.

7. PAN (Panoramic Audio Balance) control knob

This is the abbreviation for single-channel PANORAMA control, often referred to as PAN control. Keep this control in the middle position, and the signal will be positioned in the center of the stage. You can also control the signals outputted to the left and right.

8. PEAK indicator light

Measure the peak level of the signal after EQ. When the level reaches 3dB before clipping, the PEAK indicator light will turn red.

9. MUTE button & LED indicator

Each channel is equipped with a MUTE button. Pressing this button mutes the signal input to the channel (with no output), and the MUTE LED will illuminate.

10. FADER channel attenuator

This attenuator will adjust the overall level of this channel and set the amount of signal sent to the main output. Note: Set the attenuator slider of unused channels to the lowest to reduce noise.

Stereo channel control section

1. -10/+4 sensitivity selection switch

This switch is a sensitivity selection switch. When pressed, it increases the input sensitivity by 10dB compared to the original input.

2. Signal selection switch

The first stereo channel features a selection switch for LIN/USB/MP3. When the switch is popped up, it is set to stereo line input; when pressed, it switches to USB/MP3 Bluetooth input.

The second stereo switch is a LINE/AES67signal selection switch. When the switch is up, it is set to stereo line input; when the switch is pressed, it switches to AES67 signal input.

3. Equalizer control

HI: When you adjust this knob to its maximum, the corresponding electrical frequency of 12 KHz will be boosted to +15dB When this knob is adjusted to its minimum setting, the corresponding radio frequency attenuation at 12 KHz is -15dB.

Low: When you adjust this knob to its maximum, the corresponding 60Hz frequency is boosted to +15dB When this knob is turned to its minimum setting, the corresponding attenuation of the 60Hz electrical frequency is -15dB.

4. AUX-DSP (Auxiliary) control knob

This auxiliary control knob is used to adjust the level of the independent signal sent to the AUX-DSP bus. It directly sends the signal to an external effect or processor device. The DSP can also be assigned to an internal effector module, and the DSP knob can also control the level of a single DSP channel.

5. BALANCE (sound image balance) control knob

This is the abbreviation for single-channel BALANCEcontrol, often referred to as BAL control. Keep this control in the middle position, and the signal will be placed in the center of the stage. It can also control the signals output from the left and right.

6. PEAK indicator light

Measure the peak level of the signal after EQ adjustment. When the level reaches 3dB before clipping, the PEAK indicator light will turn red.

7. MUTE button & LED indicator

Each channel is equipped with a MUTE button. Pressing this button mutes the signal input to the channel (no output), and the MUTE LED will light up.

8. FADER (Channel Attenuator)

This attenuator will adjust the overall level of this channel and set the amount of signal sent to the main output. Note: Set the attenuator slider of unused channels to the lowest to reduce noise.

Output And Backplane Control Section

1. Microphone/Line single channel input (channels 1-6)

These are balanced XLR microphone input jacks (1: ground; 2: positive phase; 3: negative phase). The KG08W is equipped with four low-noise microphone pre-amplifiers (KG06W has two; KG10W has six; KG12W has eight) and features an optional phantom power with 45dB gain and a signal -to-noise ratio exceeding 100 dB. You can connect any type of microphone. Dynamic microphones do not require phantom power. Condenser microphones use phantom power, but before connecting the microphone, make sure the phantom power switch is turned off. Phantom power can damage your dynamic microphone, so please read the MIC instruction manual before using phantom power, and use the phantom power switch to turn it on/off. These channels are also equipped with "TRS" Balanced/unbalanced LINE-IN plugs are used to connect line level devices such as electronic keyboards, drums, and effects units.

2. Wireless microphone antenna stand

3. Stereo channel input

This stereo channel is a non-balanced input interface. When inputting through the LEFT/MONO jack, there is output on both the left and right channels. When inputting through the RIGHT jack alone, there is only output on the right channel. You can connect and use it with electronic keyboards, drums, effects units, etc.

4. ST RETURNS input

Using these stereo 1/4" phone jacks, you can return stereo signals from an effects device to the Main Mix. Alternatively, you can use the AUX RETURN level control as a volume control, treating them as an additional auxiliary input. The signals will be sent directly to the MAIN MIX control.

5. PLAYBACK

It adopts an unbalanced RCA and a 3.5mm socket input for connecting devices such as CDs and computers.

6. RECORD

It adopts an unbalanced RCA socket output for connecting recording equipment and the like.

7. MAIN MIX output

Provided by XLR balanced XLR, it is controlled by the Main Mix level.

8. AES67 interface

AES67 SECONDARY network interface.

9. AUX SENDS output

These 1/4" phone jacks are used to transmit signals from the AUX bus to external devices, such as effects units or stage monitors.

10. DSP output

This 1/4" phone jack is used to output DSP signals, and the signal level is controlled by the channel DSP.

11. AES67 interface

AES67 PRIMARY network interface.

12. CTRL ROOM output

These 1/4" phone jacks will be used to transmit Control Room signals to the recording studio for monitoring speakers.

13. Power socket

Connect the mixer to the main power supply AC terminal using a power cord for power supply.
It comes with a fuse. When replacing the fuse, please use a fuse of the same specification.

14. POWER: Power switch

This switch is used to turn off or turn on the main power supply.

1. +48V phantom power switch / Red light illuminates when the switch is turned on It is only used for XLR MIC socket condenser microphone operation. Before turning on the phantom power, ensure that all attenuators are turned to the minimum, so as to protect your stage monitor and main speakers. 2. Stereo return volume control This potentiometer can control the strength of the stereo return signal. 3. AUX master volume control This potentiometer controls the level of AUX output. 4. Playback volume control It can control the signal level of the playback input 5. CTRLMP PHONES control It can control the output level of the monitor and headphones. 6. PLAYBACK switch Press the switch to distribute the audio input signal to both the monitor and headphone outputs. 7. MAIN MIX switch The signal from pressing the switch MAIN is distributed to both the monitor and headphone outputs. 8. headphone output The signal from this JACK is sent to the headphone output. 9. DSP On switch Press the switch to activate the effector, and the green light will illuminate.

10. DSP fader

This fader is for DSP master volume, and adjusting the fader up or down can change the level output of the effector

11. PARAMETER control:This potentiometer is used to control the length of the delay time.

12. Effect unit (16 and effect unit)

1. MODE button

This button has four modes to switch between: SD card, USB, Bluetooth, and recording.

a) SD/USB mode: Music can be played directly by inserting an SD card/USB.

b) Bluetooth mode: Select Bluetooth with the button, then pair and connect with a Bluetooth device to start playingmusic.

c) Recording mode: Press the button to select the recording mode, input the signal from the microphone or line, then press the playback button to enter the recording state. The recording mark on the display screen flashes, indicating that recording has begun.

2. Play/Pause button

3. Stop button

4. Loop playback button

5. Previous song button

6. Next button

7. SD card input socket, SD interface can play and record audio

8. USB input socket, USB interface can be connected to a computer for playback and recording

Pairing method for multiple sets of microphones of KG08W/10W/12W models:

1. All wireless microphone switches on the mixer are popped up, but the ON indicator light is not illuminated

2.The wireless handheld microphone with the Chang'an POWER button marked with an A is turned on. Shortly pressing the POWER button sets the transmission frequency of the microphone. The two microphones must be set to different frequencies. As shown in the figure below:

3. Select a microphone with a frequency of 640.0 MHz, and press and hold the POWER button to turn off the microphone.

4. Press the wireless microphone button "WIRELESS MIC2" on the mixer, turn on the wireless receiver, and the "ON" indicator light will be constantly on, as shown in the following figure:

5. The microphone with a frequency of 655.0 MHz automatically connects to the A2 channel of the WIRELESS MIC2 group, and the A2 indicator light will be constantly on.

6. Long press the POWER button on the previously turned-off microphone, and the displayed frequency after turning it on is 640.0MHz.

7. Press the WIRELESS MIC1 button on the mixing console to activate another wireless receiver. The ON indicator light will be constantly on, and the microphone at 640.0MHz will automatically connect to channel A1, with the A1 indicator light constantly on.

8. At this point, the pairing of microphones for both sets of Channel A has been completed.

9. If you do not use one of the handheld microphones, please first turn off the wireless switch on the mixer, and then press and hold the POWER button to turn off the handheld microphone.

10. Every time multiple sets of microphones are used, they need to be re-paired in order of frequency, starting with the higher frequencies and then the lower ones. Otherwise, the same microphone may be picked up by multiple sets of receivers.

11. The microphone settings for Group B are the same as those for Group A.

Install

1. There should be no obstacles in front of the speaker, and it is best to use a stand to elevate the speaker for optimal sound quality.

2. Use professional equipment to hang or install the speaker. Please take precautions to prevent the speaker from falling and injuring people. Use it carefully to avoid damaging the speaker or its components.

3. Use high-quality cables to ensure the best sound quality.

4. Use an amplifier with power and impedance that matches the speaker. This ensures the best sound quality and prolongs the lifespan of components. Check the power requirements of the speaker.

5. Do not aim the microphone at the speaker to prevent feedback.

Connection Diagram

Either a 1 / 4 " TRS connector or an XLR connector can be used to connect in balanced or unbalanced mode. Please refer to the following diagram for connection instructions.

1 / 4 " connector

XLR connector

TS unbalanced

TRS balanced

TRS unbalanced

XLR unbalanced

XLR balanced

Line connection

In these applications, the machine provides 1 / 4 " TRS and XLR connectors, which can be easily connected to professional audio equipment. The following examples can be used for your specific connections;

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