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450
AGEORGEIIIHAREWOODANDMARQUETRYCONSOLETABLE
IN THE MANNER OF PIERRE LANGLOIS OR CHRISTOPHER FUHRLOGH, C.1770
of serpentine form,the top inlaid with stained coloured fruitwoods with a basket of fruit inside a scrolling cartouche flanked by two floral cartouches,with a brass
edge,three frieze drawers with floral inlay, on inlaid cabriole legs with brass sabots
77cmhigh,121cmwide,35cmdeep
Provenance Sotheby's London, 16th March 1984, lot 99. Formerly at Malmesbury House, The Close, Salisbury.
4,000-6,000
451
AMAHOGANYBOOKCASECABINET
IN GEORGE II STYLE, 19TH CENTURY with a broken pediment with a central vacant plinth above an egg and dart coving, a pair of arched, fielded panelled doors enclosing five adjustable shelves,on a conforming base on shaped bracket feet 256cm high,110cm wide, 45.8cm deep
452 A GEORGEIIIMAHOGANYKIDNEYSHAPEDDRAUGHTMAN'S TABLE
LATE 18TH CENTURY
the top with a central hinged adjustable slope on a ratchet with an integral hinged rest, above a frieze drawer, the sides with fold-out pen and ink compartments each with divisions,on leather roller castors 79.7cm high,108cm wide,59.5cm deep
300-500
453
A GEORGEIIIMAHOGANYCHEST C.1770
with a caddy moulded top above a brushing slide and four graduated long
drawers, on shaped bracket feet
80.5cm high,91cm wide, 53.7cm deep
400-600
454
AFINENEARPAIROFGEORGEIIMAHOGANYCHESTS
each with a moulded edge top above two short and three long graduated drawers with apparently original brass swan neck handles on bracket feet (2) 85cm high, 119.3cm wide, 54cm deep and 85cm high, 114cm wide, 56.4cm deep
Provenance The Right Hon. The Earl Howe, P.C., C.B.E., V.D., R.N.V.R.
Catalogue Note
Commander Chambre George William Penn Curzon (18th October 1898- 7th May 1976) known as George Curzon, was a Royal Navy Commander, actor and father of the presentEarl Howe.
4,000-6,000
455
AGEORGEIIIGILTWOODWALLMIRROR
18THCENTURYANDLATERADAPTEDFROMAPICTUREFRAME
the later bevelled plate within a Rococo carved frame decorated with scrolls,frosting and rocaille
200-300
456 A GEORGEIIIMAHOGANYSERPENTINEDRESSINGTABLE MIRROR
LATE 18TH CENTURY
inlaid with barber's pole stringing with a lateroval plate,the boxbase
fittedwiththree drawers
60.5cm high, 41cm wide, 21.5cm deep
150-250
457
A GEORGEIIIMAHOGANYLANCASHIRECOMMODE LATE 18TH CENTURY
with a hinged seat and a vacant compartment 75.4cm high, 54cm wide,46cm deep
100-200
458
TWOSIMILARMAHOGANYBEDSIDETABLES
LATE 18TH / EARLY 19TH CENTURY AND LATER
each with a three-quarter gallery pierced with a pair of handgrips above
anopenrecess(2)
61.7cm high, 38cm wide, 35.5cm (max)
459
AGEORGEIIIMAHOGANYFOURPOSTERBED
IN THE MANNER OF GILLOWS, LATE 18TH CENTURY AND LATER
the moulded cornice with foliate carved and tapering reeded foot posts,carved with the Order of the Garter surrounded by plumes of feathers above a reeded urn, with a silk lined tester, headboard and posts and with a bespoke set of silk curtains,bedspread and valance 221cm high,166cm wide,215cm long
Sotheby's, Gargrave House, Skipton,Yorkshire, 26-28 October 1982.
600-1,000
460 A GEORGEIIIMAHOGANYSQUARE WASHSTAND
LATE 18TH CENTURY
inlaid with boxwood stringing, the top pierced with
three washbowl apertures,above a drawer and a
shapedstretcher
81.5cm high,36.5cm wide,35cm deep
100-150
461 AGEORGEIIIMAHOGANYPEDESTALCHEST LATE 18TH CENTURY
of three drawers with raised brass escutcheons 90cm high, 50.2cm wide, 46cm deep 400-600
462 A GEORGEIIIMAHOGANYCHEST C.1770
the caddy moulded top above a brushing slide and four graduated long drawers with brass fretwork pulls and escutcheons, on shaped bracket feet 75cm high,75.8cm wide,45.8cm deep
400-600
463 A GEORGEIIMAHOGANYDRESSINGTABLEMIRROR LATE 18TH CENTURY
with an oval plate and applied with bone rondels, the serpentine box base with
asingledrawer
63cm high, 47.2cm wide, 21.5cm deep
200-300
464
APAIROFMAHOGANYWINDOWSEATS
ONE GEORGE III, THE OTHER OF LATER MANUFACTURE
each with scroll ends on fluted sabre front legs (2) 61.3cm high,99.2cm wide, 33.7cm deep
300-500
AGEORGEIIMAHOGANYPATIENCETABLE C.1800-10
with oval satinwood inlaid panels and banding, the twin hinged top supported on pull-out slides, revealing a baize lined playing surface, with a frieze drawer, on square taperinglegs and brass caps and castors 74.5cm high,45.2cm x 90cm (open)
400-600
466
inlaid with paterae and leaf spandrels,the crossbanded top above three drawers 89.5cm high, 136cm wide,68cm deep
300-500
468
on squat baluster turned stems and four splayed legs with line decoration, with two additional leaves
71cm high, 142.4cm wide, 335cm long (max)
1,500-2,500
467
AGEORGEIIIMAHOGANYANDBRASSBOUNDOVALWINECOOLER
ATTRIBUTED TO GILLOWS, LATE 18TH CENTURY
with lion's mask ring handles, on a later stand 45.5cm high,64.5cm wide, 41.5cm deep
200-300
470 A NEARPAIR OF GEORGE III MAHOGANYKNIFE BOXES LATE 18TH CENTURY
each of serpentine form, with satinwood and kingwood inlay to the edges, with white metal mounts and part fitted
interiors (2)
38.5cm high,22.3cm wide,31cm deep 200-300
469
painted with a scene from William Shakespeare's play Cymbeline depicting Imogen, Belarius, Guiderius and Arviragus before a cave, inside a thin border and a rim painted with classical anthemion and harebell swags between a pair of pierced handles, inscribed‘Cymbeline' lowerright 77cm wide, 60.6cm wide, 4.1cm high
469 A GEORGE III OVALTOLEPEINTETRAY C.1795
LILCI aLuIC
Illustrated in W.D. John and Jacqueline Simcox,'English Decorated Trays, p.107.
1,000-1,500
471 ALATEGEORGEIIISCOTTISH MAHOGANYSERPENTINE SIDEBOARD C.1800
inlaid with boxwood stringing,the raised back above a pair of frieze drawers flanked by a pair of deep drawers, one with a lead lined divided interior 83.5cm high,185.2cm wide,71cm deep
Provenance
The contents of The Grange, Wendover. 300-500
472
APAIROFSATINWOODANDMARQUETRYBEDSIDECABINETS
IN GEORGE III STYLE, 19TH CENTURY
inlaid withe-lassical scrolling foliate decoration,with ormolu laurelwreath ring handles, cornerappliques and sabots, ne with two cupboards,
the other with a cupboard above apair of drawers (2)
80cm high,58cmwide,48cm deep
Provenance
474 AGEORGEIIIMAHOGANYBOOKCASECABINET LATE 18TH CENTURY
the moulded cornice above a pair of astragal glazed doors enclosing adjustable
shelves, the base with a pair of doors with outline mouldings,enclosing
adjustableshelves
244.5cm high,113.2cm wide, 42cm deep
600-800
473
AGEORGEIIIMAHOGANYCYLINDERWRITINGTABLE LATE 18TH CENTURY
the tambour top revealing pigeonholes and fiddleback drawers and a hinged leather writing surface revealing two secret compartments, above a pair of frieze drawers, onleather roller castors 106cm high,99cm wide,71cm deep
475 AGEORGEIIIMAHOGANYANDSATINWOODSERPENTINE CHEST
C.1770-80
the frieze with floral inlay above four cockbeaded and graduated long
drawers, flanked by satinwood and conch shellinlaid angles, on shaped
bracketfeet
86cm high,89cmwide,50cm deep
800-1,200
476 A GEORGEIIIPURPLEHEARTANDPARQUETRYSECRETAIREBOOKCASE LATE 18THCENTURY
in a variety of woods, the broken swan neck pediment above a pair of astragal glazed doors enclosing adjustable shelving, the base with a secretaire drawer fitted with pigeonholes, drawers and a central cupboard, above two short and two long drawers,somewith laterfittings,onsquarefeet,withgeometric designs,feather andcrossbanding
240cm high,109.8cm wide,58cm deep
477
AGEORGEIIIGILTWOODWALLMIRROR
IN THE MANNER OF THOMAS CHIPPENDALE, C.1770
of cartouche shape,the plate insideascalloped frame withharebellswags,
betweena scrollingfoliate crest and terminal
78.8cmhigh,33cmwide
1,500-2,500
478 A GEORGEIIIMAHOGANYBOWFRONTCHEST ONCHEST C.1790
with a moulded cornice above two short and three
graduated long drawers, on abase with three graduated
long drawers and bracket feet
190.5cm high,109cm wide,55cm deep
800-1,200
479 AGEORGEIIIMAHOGANYCHEST LATE 18TH CENTURY
withfourgraduated long drawers 87.5cm high,85cm wide, 46.5cm deep 300-500
480 AGEORGEIIIMAHOGANYSERPENTINEFRONT DRESSINGCHEST
LATE 18TH / EARLY 19TH CENTURY
the top with a moulded edge above an arrangement of eleven drawers around a kneehole with a flame figured panelled door with stop fluted canted angles and ogee bracketfeet
85.5cm high,126cm wide,53.4cm deep
400-600
481
ACHINOISERIECORALJAPANNEDANDGILTBUREAUCABINET IN GEORGE III STYLE, 19TH CENTURY AND LATER
decorated in low relief with scenes of figures and birds in landscapes, the serpentine crest above a moulded cornice and a pair of felded panel doors enclosing a fitted interior of a central cupboard flanked byfauxmarble columns hiding secret compartments and surrounded by pigeonholes and drawers,the fall front enclosing a furtherfitted interior abovefourgraduated long drawers andbracketfeet 207cm high,94cm wide, 49.5cm deep
2,000-3,000
482
AFINEGEORGEIIISATINWOODANDMARQUETRYCOMMODE
ATTRIBUTED TO INCE AND MAYHEW, C.1775
of bowfront form with concave sides,thetopwith a large central patera inside a harewood and kingwood borderinlaid with scrolling foliage, above a pair of doors with aharewood frieze inlaid with honeysuckle and scrolling foliage and with oval fgural panels, the sides with oval paterae, on urn shaped feet inlaid with faux fluting 90.5cm high,132.7cm wide,60.2cm deep
Provenance
Sotheby's, London, Important English Furniture, 19th March 1982, lot 88.
Formerly at Malmesbury House, The Close, Salisbury.
Literature
See Hugh Roberts and Charles Cator,‘Industry and Ingenuity: The Partnership of William Ince and John Mayhew, p.310, pl. 161 for a commode of the same form probably made for the Earl of Caledon, Caledon Castle.
20,000-30,000
入483
ALATEGEORGEIIISATINWOODBREAKFRONTSIDECABINET C.1800-10
with rosewood crossbanding,four frieze drawers above apairf brass grille and pleated silk doors enclosing aninterior with two adjustable shelves,flanked byto
further conforming cupboards, on baluster turned feet
105cm,155.7cmwide,38.7cmdeep
Provenance
1,500-2,000
入484
ALATEGEORGEIIISATINWOODANDROSEWOODCARDTABLE C.1800
300-400
485
the ‘D'shaped crossbanded top on twin gateleg supports, revealing a baize
linedplayingsurface
71.4cm high, 89cm wide, 44cm deep
AGEORGEIIISATINWOODCARDTABLE
ATTRIBUTED TO GILLOWS, C.1790
of demi-lune form,the top with ebony and boxwood edging above a frieze with tulipwood crossbanded panels, on tapering square section legs 73cmhigh,91.5cm wide,45.3cm deep
1,000-1,500
486
AGILTWOODANDEBONISEDCONSOLETABLEINGEORGEIISTYLE
AFTER WILLIAM KENT, LATE 19TH / 2OTH CENTURY
the rectangular green marble top above a stiff leaf frieze and a shaped apron with a foliate and ^\circ C^{\prime} scroll cartouchewithentwined initialssupported by
a pair of eagles standing on rocks and scrolling foliate back legs, on faux green marble plinths
82.5cm high, 196.7cm wide, 69.8cm deep
Catalogue Note
A similar giltwood console table,dated as 18th century and later,was offered at part of the Collecting Arcadia:The Collections from Gatewick and Trethill House auction held by Dreweatts 1759 on 16th October 2024.
Other tables of a similar form, and known to be by William Kent, can be found at Chatsworth House, Derbyshire, and in the National Trust Collection at HatchlandsPark, Surrey.
The eagle motif probably derives from Ovid's Metamorphoses where Ganymede is carried away by an eagle to serve Jupiter. Its use as a design feature is popularly believed to have been developed by Wiliam Kent in the 1720s and has been used by furniture designers and makers ever since.
15,000-20,000
EARLY 19TH CENTURY
the circular tit-top with satinwood and kingwood banding on a turned stem and four fluted legs terminating in brass lion's paw caps and castors 72.5cmhigh,160.5cmdiameter
Provenance Purchased from William Bedford Antiques, London, 21st May 1992, for 10,250.
488
489
AGEORGEIIIGILTWOODANDCOMPOSITIONWALLMIRROR LATE18THCENTURY
AGILTWOODANDCOMPOSITIONWALLMIRROR
IN GEORGE II STYLE, 19TH CENTURY
the rectangular plate in a moulded frame applied with scrolling leaves and flowerheads and with an urn surmount
100-150
the later arched plate in a scrolling leaf frame with a stylised shell surmount 121.3 x 68.7cm
300-500
490
APAIROFIRISHSATINWOODBOWFRONTCABINETS
ATTRIBUTED TO PIETRO BOSSI, LATE 18TH CENTURY AND LATER
each with a whitemarble and scagliola topwith a patera inside scrollingfoliage centred by a ribbon-tied spray of flowers and a moulded edge, above a frieze with scrolling foliage,a pair of glazed doors withharebells and flowerheads,a bowed apron and swept shaped bracket feet (2)
80.6cm high, 78.2cm wide, 32.8cm deep
5,000-7,000
入491
each with arosewood banded drop-leaf top above afrieze drawer on lozenge inlaid square taperinglegs on brass caps and castors, one with indistinct
ink inscription‘TheStou...Stapleton'(2)
73cm high.89.7 x 107cm and 72.3cm high. 81.7 x 102cm
3,000-5,000
492
APAIROFGILTWOODCONSOLETABLES
入493
ATORTOISESHELLLONGCASECLOCK
BY JOHN MILLER, LONDON, LATE 17TH / EARLY 18TH CENTURYANDLATER
the brass eight day movement with six knopped pillars, with an outside countwheel and an anchor escapement, striking on a bell, the backplate with an anchor-shaped cut-out, the brass dial with a silvered chapter ring with black Roman hours and fleurs-de-lys half hour markers and a narrowminute chapter ring with Arabic five minutes,the matted centre with a subsidiary seconds dial and date aperture, inside winged cherub head spandrels and an engraved border, the lower edge inscribed John Miller Londini Fecit,the hood with a square glazed door flanked by barley twist columns, the trunk with a rectangular door with a circular lenticle, on a panelled base with shaped feet, with two weights and a pendulum, the movement and case possibly associated 210cmhigh
Catalogue Note
JohnMiller was apprenticed to SamuelKnibb in 1667 and, on Knibb's death,to Knibb's cousin Joseph being declared Free of the Clockmakers' Company in 1674. The present movement shows a number of similarities to movements by Joseph Knibb including the thin plates, form of the turned pillars and the anchor escapement cut-out in the back plate.
See Sotheby's London, 17th May 2022,Furniture, Silver, Clocks and Ceramics, lot 13 for a related longcase clock by John Miller with a similar dial and movement features including the numerals and markers and anchor escapement cut-out in the backplate.
2,000-3,000
494
AQUEENANNEMARQUETRYLONGCASECLOCK
BY DAVID LESTOURGEON, LONDON EARLY 18TH CENTURY
the brass eight day movement with five knopped pillars,
an anchor escapement and striking on a bell, the brass
12 inch dial with a silvered chapter ring with black Roman
and Arabic numerals and inscribed ‘D Lestourgeon,
London' around a matted centre with a subsidiary
seconds dial, date aperture and ringed winding holes, the
hood with walnut and gilt brass columns, bands of
marquetry and blind fretwork and square door on a trunk
with arectangular doorwith floral and bird marquetry
around a brass lenticle framed by scrolling foliage, the
walnut sides with crossbanding, on a base with a
marquetry urn issuing foliage, with a pair of brass
weights and a pendulum
221.5cm high
7,000-10,000
495
496
AGEORGEIIIMAHOGANYMUSICAL LONGCASECLOCK
BY DAVIE STEWARD, NEWPORT PAGNELL, C.1800
the brass eight day movement with six knopped pillars and an anchor escapement chiming on a nest of eight bells and striking on a ninth bell, with a 12 inch brass dial, the silvered chapter ring with black Roman and Arabic numerals and inscribed ‘Davie Steward Newport Pagnell, around a matted centre with a subsidiary seconds dial and date aperture inside gilt mask spandrels and flanked by ‘Chime Silent' and'4 bell 8 bell' levers, the arch with a silvered rondel engraved with a basket of flowers flanked by scrollingfoliate appliques, the hood with a caddy top, brass orb finials and blind fretwork panel above fluted canted corners, the trunk with an arched door and plinth base, with two weights and a pendulum
238cm(max)
ASCOTTISHGOTHICOAKLONGCASE CLOCK
EARLY 19TH CENTURY
the brass eight day movement withfour knopped pillars, an anchor escapement and striking on a bell, the 14 inch painted dial with black Roman numerals and subsidiary seconds and date dials, the circular hood with a waisted support above a trunk with a lancet door flanked by slender panels and on a panelled base, with two weights and a pendulum
212rmhioh
300-500
497 A MAHOGANYANDOAKLONGCASE CLOCK
BY JOHN MAY, SOUTHAMPTON, LATE 18TH CENTURY
the brass thirty hour movement with four knopped pillars, an anchor escapement, an outside countwheel and striking on a bell, with a 12 inch brass dial inscribed John May SOUTHAMPTON, the chapter ring with black Roman and Arabic numerals around a matted centre with a subsidiary date aperture, the hood with turned columns on a trunk with arectangular door and stepped base 196cmhigh
TOBESOLDWITHOUTRESERVE 100-200
498
A GEORGEIIIMAHOGANYLONGCASE CLOCK
BY THOMAS NEVITT, BRISTOL, LATE 18TH CENTURY
the brass eight day movement with four knopped pillars, an anchor escapement and striking on a bell,the brass 12 inch dial with a silvered chapter ring with black Roman and Arabic numerals around a matted centre with floral decoration,the silvered seconds dial inscribed ‘THOS. NEVITT BRISTOL' and a date aperture, inside scrolling foliate
spandrels and beneath an arch with a moonphase and inscribed‘HIGH WATER AT BRISTOL KEY, the case with an arched door with blind fretwork columns and frieze panel on a trunk with a
serpentine door,blind fretwork returns and
panelled base, with a pair of brass-cased weights and a pendulum
225.5cm high
2,000-3,000
499 AGEORGEIIJAPANNEDLONGCASE CLOCK
MID-18TH CENTURY
the brass eight day movement with four knopped pillars, anchor escapement and striking on a bell, on a 13 inch painted dial, the chapter ring with Arabic numerals surrounding a centre with chinoiserie actors ona stage,a subsidiary seconds dial and date aperture, inside shell painted spandrels and beneath an arch with a gilt building in a landscape and beneath a foliate border, the case with an arched door and turned and gilt columns on a trunk with a rectangular door with chinoiserie scenes in low relief and a circular lenticle and a pedestal base, the whole with gilt chinoiserie decoration on a faux tortoiseshell ground, with two weights and a pendulum 226.5cmhigh
600-1,000
500
AWALNUTANDINLAIDLONGCASECLOCK
BY THOMAS DAVIS, LONDON, LATE 17TH CENTURY AND LATER the brass eight daymovement with four knopped pillars, an anchor escapement and striking on a bell, the 11 inch brass dial with a silvered chapter ring with black Roman and Arabic numerals and inscribed 'Tho Davis London' around a matted centre with ringed windingholes,a subsidiary seconds dial and date aperture framed by engraved fruit and swags, inside cherub mask spandrels and scrolling foliate decoration, the hood with an ebonised fretwork panel and barleytwist columns, the crossbanded trunk with a rectangular door with a circular lenticle and ebonised frame,the plinth base inlaid with a star 208.8cmhigh
TOBESOLDWITHOUTRESERVE 400-600
501
AGEORGEIIIMAHOGANYBRACKETCLOCK
BY JOHN WARNE, LONDON, C.1770-80 the brass eight daytwinfuseemovement with a verge escapement and striking on a bell, the backplate engraved John Warne LONDON, the brass dial with a silvered chapter ring with black Roman and Arabic numerals around a matted centre with a date aperture and gilt foliate spandrels,the arch with subsidiary‘Strike Silent'and regulation dials, the case with a caddy top,gilt brass flowerbud finials and stop-fluted corners, the front and back doors with pierced, gilt brass and silk lined sound spandrels, on brass feet, with a pendulum
49cm high, 34.5cm wide, 23.8cm deep
502
ASMALLGEORGEIIIMAHOGANYMANTELCLOCK C.1780-90
the brass,eight day twin fusee movement with a verge escapement,brass bob pendulum, five knopped pillars and striking on a bell, the back plate engraved with a basket of flowers surrounded by scrolling foliage, the silvered dial with black Roman and Arabic numerals and inscribed “William Storr St James' Street LONDON'beneath an arch with a subsidiary‘Strike Silent' dial, engraved with harebell swags and floral spandrels, the domed case with a brass handle, cornersandfeet,with awinder
26cm high,19.3cm wide, 14.7cm deep
TOBESOLDWITHOUTRESERVE 500-700
503
AWILLIAMANDMARYEBONISEDBRACKETCLOCK
BY THOMAS MARTIN, LONDON, C.1700
the brass,eight day,single fusee movement with fiveknopped pillars,a verge escapement and repeat mechanism and chiming on two bells,the backplate engraved with scrolling foliage around the inscription‘Tho. Martin London', with a heart-shaped pendulum cock, the brass dial with a silvered chapter ring with black Roman and Arabic numerals and inscribed Tho. Martin London, around a matted centre with a mock pendulum and date aperture, inside gilt mask spandrels and beneath an arch with a subsidiary regulator dial, the case with a caddy top above silk lined fretwork sound spandrels and a stepped base,withapendulum
41cmhigh
1,500-2,000
入504
AFINEWILLIAMANDMARYREDTORTOISESHELLMUSICALTABLEORBRACKETCLOCK BYTHOMASMARTIN,LONDON,C.1700
thebrass eight daytwinfuseemovementwithfiveknopped pillars,avergeescapement,bobpendulum and
repeatmechanism,chiming ona nestof sixbells and strikingonaseventhbell,thebackplate engravedwith
a bird in scrolling foliage around the inscription‘Thomas Martin London'in a cherubcartouche,thebrass
dial witha silvered chapterringwith black Roman andArabicnumerals and a matted centre with a mock
pendulum aperture inscribedThos.MartinLondon， a date aperture and ringed windingholes,inside gilt
winged maskspandrels,thecasewithacaddytopwitha hingedmarked silvergilt handle above silk lined
fretworksoundpanelsandasteppedbase
35cmhigh,25.7cmwide,16.2cmdeep
The Wetherfeld Collection of Clocks, number 35.
Eric Bruton,FBHI,‘The Wetherfield Collection of Clocks -A Guide to Dating English Antique Clocks, p.95, illustration35.
10,000-15,000
505
AGERMANWALNUTPOLYPHONMUSICBOX
RETAILED BY SAMUEL HOWARD, MANCHESTER, C.1870-80
numbered '23604, the interior with a lithograph depicting classical cherubs in a garden setting, inscribed 'Polyphon, the case with a hinged lid marquetry inlaid with flowers above a geometric panelled front, together with a quantity of discs 34.5cm high,58.3cmwide,53.3cm deep
300-400
506
AVIENNAWALNUTREGULATOR
BY MILLER & SOHN, WIEN, 19TH CENTURY the brass four pillar,three train,eight day,quarterly repeating movement with a dead beat escapement, striking and chiming on two graduated gongs, on a “Y" shaped mount stamped ‘MILLER & SOHN, IN WIEN”, regulated by a brasspendulum on a chromed shaft,the case with a temple pediment above a two-pane front door and sides and a tapering terminal, with brass side adjusters,with a winder and brass weight 65cm high, 19cm wide, 11.4cm deep
400-600
507
ABRASSEPICYCLICTIMEPIECE 19TH CENTURY
the brass eight day chain driven single fusee movement on a 6 3/8inch skeletonised dial with black painted Arabic hours and 'dot' minutes, on a scrolling frame with chamfered edges and bifurcated brackets, the wheels with five crossings, on an oval base applied with a plaque inscribed “W. Wigston, Derby W. Strutt Esq, beneath a glass dome on a later marble base with bun feet,with pendulum 22cm high
The design of the movement makes use of the epicyclic gearing used in some steam engines allowing for the simultaneous gearing up of the escape wheel and gearing down of the hour wheel. Because of the complexity of the design, it is believed that only 20 or so were originally made.Fora nearidentical clock see Bonhams,28thJune 2011, Fine Clocks and Barometers, lot 107.
508
AVICTORIANGILTBRASSSTRUTTIMEPIECE
IN THE MANNER OF THOMAS COLE, C.1860-80
the movement stamped 'GUINAND & CO, GENEVA,
with a silvered oval dial with black Roman hours around
an engraved scrolling foliate centre,the pierced and
engraved frame with an easel back and shuttered
winding and adjustment apertures, in a leather bound
and silk lined case (2)
13.8cm high,10.5cm wide
100-200
509
AGEORGEIIIBLACKJAPANNEDANDGILTTAVERNORACTOFPARLIAMENTCLOCK
BY JOHN SIMPSON, READING, LATE 18TH CENTURY
the brass movement with rectangular plates and an anchor escapement, the 28.5 inch circular dial with black Roman and Arabic numerals, the case signed Jno. Simpson Reading' and decorated with a chinoiserie scene of buildings and figures, with a pendulum and weight
148cm high,72.5cm diameter
入510AWILLIAMIVROSEWOODANDBRASSMARQUETRYMANTELTIMEPIECE
BYWESTWOOD,LONDON, C.1835
with a brass eight day movement, the silvered dial with black Roman numerals and subsidiary seconds dial, signed “Westwood, London’ the case inlaid with scrolling leaves,flowers and pair of dolphins
44.5cm high, 38.2cm wide,16.5cm deep
200-300
511
ALATEGEORGEIMAHOGANYDIALWALLCLOCK BY WILLIAM HALL, LONDON, EARLY 19TH CENTURY
the brass eight day single fusee movement with four pillars, the silvered dial with black Roman numerals and inscribed ‘Wm. Hall London, with a pendulum 37\mathsf{cm} diameter
300-500
512
AFRENCHGILTMETALANDPORCELAINMANTELCLOCK BY BRUNFAUT, C.1870
the brass eight day drum movement by JapyFreres striking on a bell,the porcelain dial with black
Roman numerals around gilt and painted foliage,the case with Sevres style painted and gilded plaques
and surmounted by a cherub above masks, swags and a pair of doves, with an associated giltwood
stand and apendulum
43.5cmhigh.23.6cm wide.13.5cm deep
200-300
513
AFRENCHBRONZEANDMARBLEMANTELCLOCK
RETAILED BY POLTI FRERES A TOURS, MID-19TH CENTURY
the brass eight day drum movement with an outside countwheel, striking on a bell and with a Japy Freres pastille and stamped '594, with an enamel dial with blue Roman and Arabic numerals and inscribed ‘POLTIFRERES A TOUR, surmounted by a bronze figure, after Jean Jacques Pradier, of SapphoAssise with her lyre,on a black slate and green marble base,with a signature and Susse FreresFoundrymarks
57.5cmhigh,56cmwide,22.5cm wide
300-500
514 AFRENCHORMOLUANDPORCELAINMANTELCLOCK C.1870
the brass eight day drum movement by Vincenti & Cie with an outside countwheel and striking on a bell, the enamelled dial with blue Roman numerals, the case surmounted by a pair of doves and a flaming torch and inset with Sevres style porcelain plaques,with a pendulum 28cm high,21.5cm wide,13cm deep
200-300
515
AFRENCHBRASSANDSILVEREDFOURGLASSMANTELCLOCK
RETAILED BY JOHN BENNETT, LONDON, LATE 19TH CENTURY
the brass eight day drum movement stamped ‘Marti' and ‘2466'and striking on a bell, the enamelled dial with black Roman numerals, with a visible Brocot escapement and faux mercury pendulum, the casewith silveredflutedbands andcolumns
33.5cm high,19.4cm wide,14.7cm deep
516
A FRENCH CHARLESX GILTANDPATINATED BRONZE MANTEL CLOCK
FIRST HALF 19TH CENTURY
the eight day brass drum movement with a silk suspension, an outside
countwheel and striking on a bell, stamped with a pastille ‘Lons Medaille D'Or
1827, with a silvered dial with black Roman numerals,the case modelled with
a figure of a gladiator standing by rocks, with a helmet and sword, above a
lappet andscrolldecoratedbase
51.8cmhigh
250-350
入517
AFRENCHBOULLEMARQUETRYBRACKETCLOCKBY CHARLES VOISIN, PARIS, MID-18TH CENTURY
the brass eight day movement with an anchor escapement, an outside countwheel and striking ona bell,thebackplateinscribed‘CharlesVoisinParis，on agilt dial insetwithblue enamel Roman numerals around a centre inscribed‘Charles Voisin A Paris, the case inlaid with cut brass and tortoiseshell, with a turbanned figure finial above a waisted body with gilt metal mounts, with apendulum
I.:_1
400-600
518 AFRENCHCHARLESXGILTANDPATINATEDBRONZEMANTEL CLOCK
EARLY 19TH CENTURY
the brass eight day drum movement with an outside countwheel and striking on a bell, stamped '55 1113, with a ‘Lons Medaille D'Or 1827' pastille, a silvered circular dial with Roman hour numerals,the rectangular case surmounted by a horse, with a foliate band and scrolling feet 48.4cm high, 29cm wide, 1.8cm deep
200-300
519
A FRENCH GILTBRASSCARRIAGECLOCK
RETAILED BY THE GOLDSMITHS' COMPANY, LATE 19TH CENTURY thebrass eight dayrepeating movement with a silvered platform lever escapement and striking on a gong, the backplate stamped ‘Patent SJ Rety Poller' and ‘Paris 3792', the enamelled dial with black Roman numerals and inscribed'Goldsmith's Company 112 Regent Street London W.Paris Made, the case with bevelled glass panels, with its original red leather lined case (2) 16cmhigh
200-300
520
AFRENCHGILTBRASSCARRIAGECLOCK
RETAILED BY DENT, LONDON, LATE 19TH CENTURY the brass eight day repeating movement with a platform lever escapement and striking on a gong,the backplate and base stamped‘18773', the enamelled dial with black Roman numerals and inscribed ‘Examd. by Dent 61 Strand London', the case with bevelled glass panels, with its leather lined case (2) 13.5cmhigh
100-150
521
AFRENCHGILTBRASSCARRIAGECLOCK LATE 19TH CENTURY
the brass eight day,repeating and quarter chiming movement, with a platform lever escapement and chiming on a pair of graduated gongs, the silvered dial with black Arabic hour numerals,the case with a thick,top viewing window, with four bevelled glass panes, the underside with a ‘Strike Silent' lever 16.5cmhigh
300-500
522
ANAPOLEONIIIWHITEMARBLEANDORMOLUMANTELCLOCK FRENCH,C.1870
the brass eight day drum movement with a platform escapement,outside countwheel and striking on a bell, the backplate stamped'2644, on a white enamel dial with black Arabic numerals and floral swags,the stepped rectangular case with an ormolu basket of flowers finial, trophy mounts and toupie feet 29cmhigh
523
AFRENCHORMOLUPENDULED'OFFICIER
RETAILED BY JUMP & FILS, EARLY 19TH CENTURY
the brass eight day drum movement striking on a bell, stamped with serial number'3695' and a pastille of ‘Marque Deposit' around an ^{\prime}M^{\prime} theenamel dial with black Arabic numerals and inscribed Jump & fils Paris & 95 Mount St. London', the case with a snake handle and leaf and flowerhead appliques, onlion'spawfeet
18.5cm high, 13.2cm wide, 10.5cm deep
500-800
525
AFRENCHGILTBRASSOVALCARRIAGECLOCK
RETAILED BY WHITEHEAD & SONS, LATE 19TH CENTURY
the brass eight day movement with a repeat mechanism, a silvered platform
escapement and striking on a gong, the backplate stamped‘10595', the
enamel dial with black Roman and Arabic numerals and inscribed
WHITEHEAD &SONS SEVEN DAYS'inside an engraved frame with a
scrolling handle,the case with bevelled glass,engraved with scrolling foliage
andonaslightlysteppedfoot
13rmhiah
524
AFRENCHDIRECTOIREMARBLEANDORMOLUPORTICOCLOCK BYGUYD'AMOUR,PARIS,C.1800
the brass eight day movement with an outside countwheel striking on a bell, with a silk suspension,the white enamel dial with Arabic numerals and signed 'Guy Damour Paris, the case with urn finials and trophy appliques, with a laurel wreath pendant centred with a portrait of Napoleon, under a glass dome (2) 41.5cmhigh,27cmwide
Provenance
The contents of The Grange, Wendover. 300-500
300-500
526
ASWISSGILTBRONZEPENDULED'OFFICIER
RETAILED BY MEURON ET COMPAGNIE, EARLY 19TH CENTURY the brass eight day drum movement with a platform lever escapement and striking on a bell,the backplate stamped ‘1844, on an enamelled dial with black Arabic hours, minute intervals and inscribed ‘Meuron et Compe., in a square section case with foliate spandrels, oval flowerheads to the sides and a serpenthandle
Provenance A Private Collection.
600-800
527 AFRENCHGILTBRASSCARRIAGECLOCK MID-19TH CENTURY
the brass eight day movement with a platform lever escapement, repeat and alarm mechanisms and striking on a bell, the enamelled dial with black Roman numerals above a subsidiary alarm dial, the case with floral engraved decoration,with bevelled glass panels and a hinged handle 14.5cm high
Provenance
A Private Collection. 400-600
528
AFRENCHCHERRYWOODFARMHOUSE KITCHEN TABLE 19TH CENTURY
the extending rectangular draw-leaf top above an end drawer, with a plain frieze and tapering squarelegs 78cm high, 78.8cm wide, 388cm long (max)
Provenance A Private Collection.
500-800
529
530
APAIROFGEORGEIIIREVERSEGLASSPRINTSLATE 18TH CENTURY
of George Ill and Queen Charlotte, in moulded gilt slips and ebonised moulded frames,together with anothertitled‘CharlotteQueen of Great Britain', in a Hogarth style frame, and another small oval reverse print of Corporal Cartouch in a brass frame (4) 17x14cm (max)
Provenance
A Private Collection. 150-200
529
APAIROFGEORGEIIHAND-COLOUREDMEZZOTINTS
BY J MEYER AFTER RICHD. PURCIL, PUBLISHED BY ROBERTSAYER,LATE 18TH CENTURY
titled ‘George the ll, King of Great Britain &c. &c.' and ‘Charlotte Queen of Great Britain &c.&c., glazed and in Hogarth style frames (2)
36x25.5cm (max)
Provenance
A Private Collection.
100-150
530
531 APAIROFREVERSEGLASSPORTRAITSOFGEORGEII ANDQUEENCHARLOTTE
BY MEYER AND FRYE, LATE 18TH CENTURY
the King in profle facing left,the Queen with her head facing slightly left, above titles, in ebonised frames (2) 35.8 x 25.5cm (max)
Provenance
A Private Collection. 150-200
532 AFOLKARTWATERCOLOURPAINTINGOFANOFFICEROFAROYAL REGIMENTANDHISFAMILY C.1800-1820
he wearing a stovepipe shako with a plume and a cross belt over his blue faced
jacket, standing with his wife,son and daughter beneath floral swags and
drapes, in a glazed ebonised frame
20x16cm Provenance
A Private Collection. 100-150
534
A FRAMEDSETOFFOURVICTORIANNAVALTINSELPORTRAITSMID-19TH CENTURY
engravings heightened with watercolour, depicting Admirals Richard Earl Howe, John Jervis 1st Earl of St. Vincent, 1st Viscount Duncan and Lord Nelson, each in fabric and gilt metal foil dress uniforms, on a watered silk ground and inside a gilt rope frame, mounted in a single, moulded gilt frame 45.3x40.5cm
Provenance A Private Collection.
200-300
533 A COLLECTIONOFFRENCHCIRCULARCARDDRAGEE CONFECTIONERYBOXESANDCOVERS LATE 19TH CENTURY
the covers with coloured prints of various people including: Napoleon, Lamartine, Louis Napoleon, The Duke of Wellington and Prince Albert, together with three otherframed portraits of Prince Albert,Queen Victoria and Admiral Napier, another box and cover with a collage titled ‘Le Petit Chapeau'beneath a capital 'N', a bicorn hat, crossed swords and the names of various Napoleonicbattles and fourglass paperweights the bases applied with coloured prints of Prince Albert, Louis Napoleon, Empress Eugenie and another possibly also of Empress Eugenie (15) 8.5cmdiameter(max)
Provenance
A Private Collection. 200-300
535
APAIROFGEORGEIIIREVERSEGLASSPRINTS
PUBLISHEDBY ROBERT SAYER,LATE 18TH CENTURY
titled ‘Summer' and “Winter', in Hogarth style frames,together with another titled Jack got safe intoPort with his Prize, in an ebonised frame (3) 35.5x26cm(max)
Provenance
A Private Collection. 150-250
536
A SET OFTHREEGEORGEIIIREVERSE GLASSPRINTSOFMARRIAGEA-LA-MODE AFTER HOGARTH, LATE 18TH CENTURY
plates I, Il and Il,together with four further reverse glass prints to include two hunting scenes, one titled ’Going Out in the Morning, Morning - Le Matin'after Hogarth and ‘December Decembre, the image of a young lady playing cards on a table, all in Hogarth style frames (7) 36 x 25.7cm (max)
Provenance
A Private Collection. 200-300
537 A GEORGEIIIHAND-COLOURED MEZZOTINT
PUBLISHED BY HAINES & SON,‘1795′ titled ‘The Marriage Ceremony of their Royal Highnesses the Prince & Princess of Wales, togetherwith another titled ‘The Marriage Of The Prince Of Wales, To The Princess Of Brunswick, glazed and in moulded frames (2) 27 ×37.5cm (max)
Provenance
A Private Collection. 100-150
538 A COLLECTIONOFGEORGEIIIEIGHT HAND-COLOUREDMEZZOTINTS LATE 18TH CENTURY
including‘The Elopement, or a Tripp to Scotland, 'An English Man of War, taking a French Privateer', ‘Connubial Happiness, The Paring of Madelon & La Gloire, The Charms of a Red Coat,'Corporal Cartouch teaching Miss Camp-Love he Manual Exercise', Twelve At Night'and ‘Fibe In The Morning, all glazed and framed (8) 36x25.5cm (max)
Provenance
A Private Collection. 200-300
539
ASETOFFOURGEORGEIIIHAND-COLOUREDMEZZOTINTSOFTHOMPSON'SSEASONS PUBLISHED BY JOHN FAIRBURN, ‘1796'
titled ‘Spring', Summer, Autumn' and “Winter, framed as one in a glazed Hogarth style frame 35.3x25.7cm 41 × 114.8cm (overall)
Provenance
A Private Collection. 200-300
540
FIVEGEORGEIIIHAND-COLOUREDMEZZOTINTS
PUBLISHED BY SAYER, CARRINGTON BOWLES AND OTHERS, LATE18TH CENTURY
to include ‘The Family Concert, The Tea Gardens, 'Corporal Cartouch teaching
Miss Camp-Love her Manual Exercise' and ‘Ensign Rosebud reposing himself
after the Fatigues of the Parade', Corporal Cartouch glazed and in ebonised
frames with moulded gilt slips (4)
36x26.2cm (max) Provenance
A Private Collection. 150-200
541
A SET OFTHREE GEORGE III HAND-COLOUREDMEZZOTINTS
PUBLISHED BY LAURIE & WVHITTLE,DATED ‘1794'
titled The Prodigal Son taking Leave of his Father, 'The Prodigal Son in Misery' and ‘The Prodigal Son returned Home Reclaimed, in glazed gilt frames (3) 36.2x26.4cm
Provenance A Private Collection.
100-150
542
ABLACKJAPANNEDOCCASIONALTABLE IN REGENCY STYLE,2OTH CENTURY
A REGENCYBLACKJAPANNEDPAPIER-MACHETRAY BY CLAY,LONDON,C.1820
the oval tray top with a gilt fringe to the rim and on a faux bamboo base,
together with a papier-mache occasional table with a rectangular tray top on a
base with tapering square section legs (2)
49.5cm high, 51.2cm wide, 37.8cm deep (max) of oval form with a pair of brass handles, with gilt chinoiserie decoration of figures, deer, squirrels and birds, stamped 'CLAY LONDON' beneath a crown, on a later, ebonised and gilt faux bamboo stand
43.5cm high,50.5cm wide, 34.3cm deep Provenance
A Private Collection. 200-300 Provenance
A Private Collection. 100-150
545
544 AREGENCYBLACKJAPANNEDPAPIER-MACHETRAYTABLE EARLY 19TH CENTURY AND LATER
decorated with gilt foliage,fixed on a laterfaux bamboo stand,together with a black and gilt tole tray table, the detachable top on a later faux bamboo stand, eachwith a plateglasstop(2)
51.8cm high, 67.2cm wide, 47.5cm deep (max)
Provenance A Private Collection.
200-300
ABLACKJAPANNEDOVALWALLMIRROR IN REGENCY STYLE,2OTH CENTURY
with a bevelled oval plate, the frame decorated in gilt with chinoiserie style birds, scrolls and butterflies,together with a similarly decorated easel-back dressing table mirror(2)
54.5 × 47.2cm (max) Provenance
A Private Collection. 150-200
546
AREGENCYTOLEPEINTEDRESSINGTABLEMIRROR EARLY 19TH CENTURY
the rectangular plate inside an ebonised and gilt frame chinoiserie decorated with figures, an elephant, foliage and pagodas, with an easel back 56cmhigh,46cmwide
Provenance
A Private Collection. 150-250
548
A CHINOISERIEBLACKJAPANNED CABINET I ATE 1OTU CENITI IDV
with gilt decoration of figures amongst pavilions in gardens with a frieze drawer above pair of panelled doors, on short square tapering feet 92.5cm high, 86cm wide, 47.7cm deep
Provenance
A Private Collection. 200-300
A PAIROFFRENCHTOLEPEINTELAMPS LATE 19TH CENTURY
with ebonised and parcel gilt decoration,fitted for electricity (2) 38.5cmhigh
Provenance
A Private Collection.
200-300
549
IN REGENCY STYLE, LATE 19TH CENTURY of tapering cylindrical form with a shaped, gilt lined rim 32.7cm high,24cm diameter
Provenance
A Private Collection. 150-250
550
A MAHOGANYBREAKFASTTABLE
LATE GEORGE III AND LATER
the circular tilt-top on a turned urn stem above splayed and reeded
legswithbrasscastors
74rm hioh 11Qrm diamotor Provenance
A Private Collection. 200-300
551
A FOLK ART PIN-PRICK PICTURE
LATE 18TH / EARLY 19TH CENTURY
finely worked depicting a soldier on horseback with a plumed helmet, in agiltgessoframe
Provenance
A Private Collection. 100-150
552
APAINTEDFAUXBAMBOOARMCHAIR
IN BRIGHTON PAVILION STYLE, 19TH CENTURY AND LATER
with a squab cushion Provenance
A Private Collection. 200-300
553
APAIROFREDJAPANNEDTRAYSANDSTANDS
IN REGENCY STYLE, 2OTH CENTURY
each of octagonal form with gilt and painted decoration to the rim, on a faux bamboo stand (2) 49cmhigh,59.8cm wide,42cm deep (max)
Provenance A Private Collection.
200-300
554
AN INDIAN PAPIER-MACHE TRAY
POSSIBLY KASHMIRI, LATE 19TH CENTURY
of rounded rectangular form, with a painted and gilt scene of a polo match with spectators standing to both sides,the border with a continuous band of Arabicscript
23.5cm high, 35.5cm wide, 2.6cm deep
Provenance A Private Collection.
100-150
ORIENTAL FURNITURE & WORKS OF ART
555
A RAREANGLO-INDIANCALAMANDERDAVENPORT
CEYLONESE, MID-19TH CENTURY
557
ANANGLO-INDIANEBONYSCROLLENDSOFA
CEYLONESE, 2ND HALF 19TH CENTURY
carved with scrolling leaves, rosettes and shell motifs, the back with branded initials‘CD' 96.5cm high, 227.5cm wide,70.5cm deep
558 ATEAKANDBRASSMOUNTEDZANZIBAR'ORARABCHEST POSSIBLYSHIRAZ,18THCENTURY
the mounts with engraved decoration,the hinged top revealing an interior with a lidded till, the front with three short drawers and with side carrying handles, on four turned and painted feet
72cm high,110cm wide, 52.2cm deep (max)
800-1,200
入559A NORTHAFRICANROSEWOODANDWHITEMETAL MOUNTEDCASKET
POSSIBLYMAURITANIAN,LATE19TH/EARLY2OTHCENTURY
of rectangular form with a slightly domed cover, inlaid with geometric and
rondel decoration inside engraved borders
6.3cm high, 18.5cm wide,8.3cm deep
560 ANINDIANCARVEDHARDWOODLION LATE 19TH CENTURY
modelled standing with his arms outstretched 35.5cm high
100-150
AMOORISHWALNUTANDPARQUETRYBIJOUTERIETABLE
DAMASCUS, LATE 19TH / EARLY 20TH CENTURY
inlaid with various woods and mother of pearl with geometric designs with a
detachabletraytop
86.4cm high,66cm wide, 49.8cm deep
200-300
562 A CHINESEREDANDBLACKLACQUERALTARTABLE 19THCENTURY
the top carved and painted with a scene of figures in a garden flanked by a pair of floral panels on trellis grounds, above scroll ends, the frieze and shaped legs decorated with scrolling and flowering foliage 82cm high,124.8cm wide,44.5cm deep
200-300
563 A DUTCHCOLONIALHARDWOODDOCUMENTBOX PROBABLY LATE 18TH/ EARLY 19TH CENTURY
with white metal mounts, possibly paktong, with a hinged lid above a pair of
drawers with side carrying handles
37.7cmhigh,63cm wide,46cm deep
200-300
564
A CHINESEHARDWOODCABINET 19TH CENTURY
the plain panelled top above a pair of doors carved with extensive scrolling,fruiting and flowering foliage inside foliate carved borders and above a carved and pierced scrolling apron 88cm high, 124cm wide, 42.2cm deep
2,000-3,000
565 APAIROFCHINESECLOISONNEANDGILT BRASSQUAILCANDELABRA EARLY 2OTH CENTURY
each modelled as a bird with a twin branch candelabra
on a shaped rectangular base (2)
23cmhigh
300-500
566
AJAPANESEIMARIPORCELAINVASE 19TH CENTURY
of ovoid form, decorated with ogee cartouches of a lion dog and an exotic bird divided by ribbon bows and on a floralground
mhi\~h
150-250
567
APAIROFCHINESEPORCELAINFAUXBOISBOWLS
20TH CENTURY
each painted with butterfly cartouches on a gilt ground and with a stand, a coral ground “bamboo' bowl with a seal mark and an ivory effect snuff bottle (6) 14.3cm diameter (max)
200-300
568
A COLLECTIONOFCHINESEMOTHEROFPEARL COUNTERS
LATE 19TH CENTURY
in various shapes including fish, rondel, oval and
rectangular(153)
5.6cm long (max)
100-150
569 A PAIR OF CHINESEBLUEANDWHITEPORCELAIN VASETABLELAMPS 19THCENTURY
each of baluster form decorated with auspicious symbols and scrolling leaves, each later fitted for electricity (2) 31.3cmhigh
400-600
570ACHINESEBLUEANDWHITEPORCELAINTEMPLEJARANDCOVER19THCENTURY
of balusterform,painted with large flowerheads scattered amongst scrolling foliage above a lappet foot rim, the domed cover similarly decorated 64cmhigh
300-500
571 APAIROFCHINESEBLUEANDWHITEPORCELAINVASE TABLELAMPS 20THCENTURY
of ovoid form,each painted witha pair of dragons chasing aflaming pearl above waves and beneath applied dog head lugs, fitted for electricity (2) 46cmhigh
400-600
572APAIROFCHINESEHUALISIDECHAIRSIN MING STYLE, LATE 19TH CENTURY
each with an arched panelled back above a solid seat and scroll feet (2) 1,000-1,500
574
AQUARTETTONESTOFCHINESEHARDWOODTABLESLATE19TH/EARLY2OTHCENTURY
each with a carved and pierced frieze of scrolling bamboo and on faux bamboo
legs (4)
73.5cm high,51.6cm wide,36.7cm deep (max)
800-1,200
573 A CHINESEHARDWOODSCROLLCHEST LATE 19TH CENTURY
witha pair of drawers above apairof panelled doors,together with a Chinese
huali armchair and a low stand (3)
40.8cm high, 94cm wide,38.3cm deep (chest) Provenance
From a Private Collection, West Yorkshire, formed in the 1970s and 1980s. 200-300
575
A CHINESE PAINTED PANEL
LATE 19TH / 20TH CENTURY AND LATER MOUNTED
painted with three ladies painting a scroll in a pavilion,with otherfigures at various activities in a walled garden, in a painted faux bamboo frame 134 x 131.5cm (max)
300-500
