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576
ANANGLO-CHINESEHUANGHUALISOFATABLE EARLY 19TH CENTURY
inlaid with stringing and satinwood banding,the drop-leaf top above three frieze drawers, on panelled trestle ends with lions paw feet and brass castors 75.8cm high, 92.5cm wide,61.5cm deep
Literature
For a very similar table see Christopher Claxton Stevens and Stewart Whittington,'18th century English Furniture,The Norman Adams Collection'p.351.See also Carl L. Crossman,'The Decorative Arts of the China Trade, p.237fora related sofa/ games table.A similar Chinese Export huanghuali sofa table was sold by Dreweatts,Fine Furniture, 30th March 2022, lot 398, for 19,000 hammer.
modelled holding a child, on a hardwood
stand, mounted as a table lamp with an oval
ormolu base and figural finial
81.5cm high
800-1,200
LATE 19TH / 2OTH CENTURY
A CHINESE BLANCDE CHINEFIGURE OFGUANYIN
579
APAIROFCHINESEBRONZEANDHARDWOODTABLELAMPS IN ARCHAISTIC STYLE, 2OTH CENTURY
578 A PAIR OF CHINESEBLUEANDWHITE PORCELAINJARS 19TH CENTURY
150-200
of fangyli form with stylised decoration in relief, fitted for electricity with twin
lights,with shades (2)
66cmhigh
each decorated with three Double Happiness
shuangxi characters on a ground of scrolling
foliage (2)
20.5cm high
300-500
580 APAIROFCHINESEBRASSTABLELAMPS 20TH CENTURY
cast as three graduated spheres with foliate decoration, on three lion mask and
paw feet,fitted for electricity (2)
78cmhigh
100-200
582
LATE 19TH OR 20TH CENTURY
of bottle vase form under a rich red glaze, with a domed cover and a Louis XVI
style foot, fitted for electricity, with a shade
51cmhigh
300-500
583 A PAIROFCHINESECANTONFAMILLEROSEPORCELAINVASE TABLELAMPS
19TH CENTURY
each enamelled with figures,trophies and flowers beneath applied dragon handles, with later gilt metal mounts, fitted for electricity (2) 51cmhigh
1,200-1,500
584
A CHINESESANGDEBOEUFVASETABLELAMP
PROBABLY 19TH CENTURY
of shouldered form with a short foot, reticulated hardwood cover and stand,
fittedforelectricity
A75rmhiah
800-1,200
585
APAIROFCHINESECLOISONNEANDORMOLUVASES EARLY19THCENTURY
each of ovoid form, decorated with five-clawed dragons chasing flaming pearls amongst clouds, onablue ground above a band of waves to the foot,
with French mounts,the base drilled for electricity (2)
40.3cmhigh
5,000-8,000
586
587
588
589
586 AVICTORIANCASTIRONLION DOORSTOP LATE 19TH CENTURY
cast with a seated lion resting a paw on a shield,
naturalistically painted
41cm high
150-200
587
APAIROFVICTORIANBRASS
DOORSTOPS
MID-19TH CENTURY
each with a hoop handle above a plain stem and
bell-shaped foot (2)
48.4cmhigh
150-200
588
AVICTORIANCASTIRONLIONRAMPANT
DOORSTOP
LATE 19TH CENTURY
37cm high,25.5cm wide
100-150
589
ABRASSLION'SPAWDOORSTOP
IN REGENCY STYLE, 19TH CENTURY
with a foliatestem and handle
38.5cmhigh
100-150
590
AVICTORIANBRASSCUPIDDOORSTOP
LATE 19TH CENTURY
Cupid holding a bow and standing on a bell
shaped base with rope twist bands
29cm high
100-150
592
ACORNISHSERPENTINEDOORSTOP
LATE 19TH / EARLY 2OTH CENTURY
with a brass ring handle
23.5cmhigh
300-400
593
20TH CENTURY
of capstan form with an acorn finial, together with a tobacco jar and cover and
afootedbowl(3)
20.5cm high,26cm diameter(max)
150-200
594
A CORNISHSERPENTINEDOORSTOP
LATE 19TH / EARLY 20TH CENTURY
of bell form, with a brass ring handle
19.5cm high
200-300
595 AVICTORIANBRASSDOORSTOP
BY WVILLIAM TONKS & SON, LATE 19TH CENTURY
with a scrolling handle above a pierced stem and
bombe foot, stamped‘WT&SRd527089'
33cmhigh
100-150
597 597 AVICTORIANBRASSSHIPDOORSTOP LATE 19TH CENTURY
596 THREEBRASSDOORSTOPS LATE 19TH CENTURY AND LATER
one in the form of Hercules, one with Guy the Earl
of Warwick above his coat of arms the other in the
form of a youngboy (3)
37cmhigh (max)
150-250 in the form of the Mayflower with a serpent handle and rope twist stem,together with a bowling ball doorstop with a silvered stem and handle (2)
58.2cm high (max)
100-200
598 A REGENCYBRASSANDIRONBOOT SCRAPER EARLY 19TH CENTURY
modelled as a pair of griffins supporting the scraper, in an oval iron dish 25.5cm high, 34cm wide, 22cm deep 300-400
600 ANOAKANDBRASSLOGBINSTOOL LATE 19TH CENTURY
of circular form, the lift-off leather seat on a tapering base with brass bands 48cm high,48cm diameter
599 AVICTORIANCASTIRONBOOTSCRAPER BY KENRICK &SON,LATE 19TH CENTURY
model number'677, with a central urn shaped
scrape,‘Rd No.38035,together with another with
a Gothic style scrape (2)
23.5cm high, 41cm wide, 28.5cm deep (max)
150-250
601
ANCASTIRONFIRECOMPANIONSET
BY HARRY BANKS, EARLY 2OTH CENTURY in the form of a member of the Household Calvary,the poker protruding as the plume on the helmet and with a brush and tongs, with registration number ‘335372'and stamped‘Banksway'and numbered‘357” 79.8cm high
150-200
602
AN ELEPHANT FOOTSTICKSTAND
LATE 19TH / EARLY 2OTH CENTURY
with a lift-out wood and brass ten division stick support 60.5cmhigh
400-600
ACASTIRONINFANTHERCULESANDSERPENTUMBRELLASTAND
AFTER A DESIGN BY EDWIN & THEOPHILUS SMITH, SHEFFIELD, LATE 19TH CENTURY
the foliate drip tray inscribed J M....BOLTON' 82.3cm high, 47.3cm wide, 23cm deep
800-1,000
604 A LATEVICTORIANOAKCOUNTRYHOUSE STICKSTAND LATE 19TH CENTURY
605 ANARTSANDCRAFTSHAMMEREDCOPPER ANDBRASSSTICKSTAND LATE 19TH CENTURY
606 AMAHOGANYWHIPANDBOOTSTAND 19THCENTURY
with six divisions and a slatted front, with a lift-out
metal liner
76cm high,115.6cm wide, 22.8cm deep
300-500
with an Art Nouveau style foliate design in relief
between a copper flaring rim and foot, stamped
mark to the base
66cmhigh
200-300
with a brass handle
102cm high,62cm wide,32cm deep
150-200
607
ALATEVICTORIANBRASSSTICKSTAND
LATE 19TH CENTURY
with five divisions with a zigzag decorated cast iron base 62cm high, 42.5cm wide, 20.5cm deep
200-300
608
ALATEVICTORIANBRASSANDIRONSTICKSTAND LATE 19TH CENTURY
with turned fnials and four divisions, the base with a painted tin liner, marked
‘Rd.No.271825'
70cm high,22.5cm wide, 22.5cm deep
200-300
609
A BRASSANDIRON STICKSTAND 20TH CENTURY
with turned finials and four divisions above a drip tray 60cm high,22cm wide,22cm deep
150-200
611
610
APAIROFBRASSANDIRONS
POSSIBLY AMERICAN, IN REGENCY STYLE, LATE 19TH CENTURY
each with a turned finial above a reeded orb, baluster stem and scrolling front legs (2)
51cm high, 18.5cm wide, 22.5cm deep 100-150
612
APAIROFFRENCHGILTBRASSANDIRONS
IN LOUIS XIV STYLE, 19TH CENTURY
each with an urn with a flowerbud finial above a female mask and scrolling foliate feet,
lacking iron brackets (2)
58cm high, 27.5cm wide,11.5cm deep Provenance
A Private Collection. 600-800
611 A PAIROFLATEVICTORIANBRASS ANDIRONS
IN ADAM STYLE, LATE 19TH CENTURY
each with a fluted, two handled urn above crossed trumpets, on a pair of faun legs, the back leg with an urn finial (2) 45.5cm high,26.5cm wide,23.4cm deep 200-300
613
A PAIR OF POLISHED STEEL ANDIRONS
IN GEORGE III STYLE, LATE 19TH CENTURY
each with an urn finial above a pair of scrolling and cylindrical legs (2) 31.8cm high,12.6cm wide, 21cm deep 150-200
614
A PAIR OFBRASSANDIRONS
POSSIBLY 18TH CENTURY AND LATER
each with a circular shield above a twisting
column and pierced Gothic style feet,with
an iron bracket (2)
44cm high, 21.3cm wide, 37cm deep
100-200
615
616
ASETOFREGENCYOAKANDBRASSPEATBELLOWS EARLY19THCENTURY
with a six-spoke winding wheel, tapering spout and shield shaped foot, together with a set of Alexander Clark Patent tin bellows (2) 51.5cm long (max)
150-250
617 ASETOFGEORGEIIIMAHOGANYANDBRASSPEATBELLOWS POSSIBLY IRISH, EARLY 19TH CENTURY
with a five-spoke winding wheel, an open sided cylinder and a tapering spout 68cmlong
150-200
618
ASETOFTHREELATEGEORGEIIISTEELFIRETOOLS EARLY19TH CENTURY
619 ASETOFTHREEVICTORIANSTEELANDCOPPERFIRETOOLS MID-19THCENTURY
with faceted mushroom finials and baluster turned shafts, the shovel with a
piercedblade(3)
76cmlong(max)
200-300
the turned handles with mushroom finials, the blade to the shovel with pierced
decoration(3)
68.3cmlong(max)
200-300
620 ASETOFTHREEVICTORIANBRASSFIRE TOOLS
LATE 19TH CENTURY
with claw and ball finials, the shovel blade with chased scrolling foliate decoration(3) 70.5cm long (max)
100-200
621 APAIROFBRASSFIRETOOLS POSSIBLY EARLY 18TH CENTURY
with twisting decoration to the shafts and finials, comprising: a shovel and pair of tongs,together with anothershovel with turned decoration to the shaft(3)
73.2cm long(max)
200-300
622 ASETOFTHREEPOLISHEDSTEELFIRE TOOLS
EARLY 19TH CENTURY
each with a turned finial, the shovel with a pierced
blade(3)
61.5cm long (max)
200-300
623
ASTEELANDBRASSFIREGRATE
IN GEORGE II STYLE, EARLY 2OTH CENTURY
with a cast iron back, urn finials and a pierced serpentine frieze; together with a steel serpentine fenderwithpierced latticedecoration(2) 56.5cm high, 55cm wide, 30cm deep (the fregrate); 86cm wide (the fender)
300-500
624
THREEFRENCHBRONZEFIREPLACEAPPLIQUES
EARLY 19TH CENTURY
one in the form of a pair of bacchanalian masks, a grapevine and staffs, two modelled as a pair of
arrows supporting flames above a serpent and an anthemion motif (3)
78.5cmhigh (max)
400-600
625
ALATEVICTORIANBRASSBOWFRONTFENDER
IN GEORGE III STYLE, LATE 19TH CENTURY
with pierced decoration of a flaming urn flanked by griffins and scrolling foliage and swags beneath a frieze of Vitruvian style scrolls, each end with a branched support for fire irons 45cm high,136.5cmwide,43cm deep
200-300
A PRIVATE COLLECTION
626
627
AFRENCHGILTWOODSIDETABLE IN LOUIS XVI STYLE, 19TH CENTURY
AFRENCHGILTWOODCONSOLETABLE IN LOUIS XV STYLE, 19TH CENTURY
the Spanish brocatelle marble top above a frieze decorated with ribbon tied laurel swags and rosettes on fluted tapering legs inscribed in pencil twice ^{\prime}M deChamp181'
89 high,167.5cm wide,76cm deep
Provenance A Private Collection.
600-800
the rougeroyalemarbletopwith a moulded edge abovea pierced frieze carved with rocaille on scrolllegs united by a stretcher decorated with a cartouche
84cm high,113.5cm wide,62cm deep Provenance
A Private Collection. 400-600
628
AFRENCHKINGWOODANDMARQUETRYCYLINDERBUREAU IN LOUIS XVI STYLE, LATE 19TH CENTURY
inlaid with scrolling leaves, flowers and ribbon tied trophies, with a Spanish brocatelle marble top, the interior fitted with drawers and pull-out leather lined writing slide, above an arrangement of four frieze drawers 109cm high,89.3cm wide, 46.6cm deep
Provenance
A Private Collection. 500-800
629
AFRENCHWALNUTEBONISEDANDMARQUETRYOVALTABLEAOUVRAGE IN LOUIS XVI STYLE, LATE 19TH CENTURY
with gilt metal mounts,thehinged lid inlaid with a basket of flowers,the interiorbird’s eye maple veneered and with a mirror to the underside of the lid, above two drawers 73cmhigh,57cmwide,38cmdeep
Provenance
A Private Collection. 200-300
630
AFRENCHPAINTEDANDGILTWOOD SALONSUITE
IN LOUIS XVI STYLE, LATE 19TH / EARLY 2OTH CENTURY
each piece with a double caned back,the frames carved with leaves,husks and
paterae, comprising; a canape, a pair of tub armchairs and four side chairs (7)
87.8cm high,113cm wide, 61cm deep (the canape)
Provenance
A Private Collection.
800-1,200
631 AFRENCHGILTWOODANDAUBUSSONTAPESTRY SALONSUITE
IN LOUIS XVI STYLE, LATE 19TH CENTURY each with a floral and ribbon carved frame above foliate carved arms and supports, bowfront seat and stiff leaf and fluted legs,with Aubusson style tapestry upholstery including scenes from Aesop's Fables, comprising: a canape and fourfauteuils(5)
Provenance
Purchased from Harrods, London, on 11th November 1996. Previously at Sotheby's, 6th October 1995, lot 246.
A PrivateCollection.
1,500-2,000
632
A FRENCHGILTWOODCANAPE
IN LOUIS XVI STYLE, LATE 19TH CENTURY decorated withflowers,scrolls and leaves,togetherwith a French giltwood music chair with a lyre shaped back and a pair of giltwood fauteuil(4) 105.5cm high,152cm wide,62.5cm deep
Provenance A Private Collection.
1,000-1,500
633
APAIROFBROCCATELLODIMARANMARBLECOLUMNS EARLY2OTHCENTURY
of turned cylindrical form with detachable tops and stepped circular feet (2) 91.5cm high, 40cm diameter
Provenance A Private Collection. 1.500-2.000
634
AFRENCHFIORDEPESCOMARBLEANDGILTBRONZECOLUMN LATE19THCENTURY
the detachable revolving square top on a Corinthian column with a turned
stem and stepped plinthbase
115.3cm high, 29.5cm square Provenance
A Private Collection. 400-600
635
APAIROFITALIANCARRARAMARBLECOLUMNS 19THCENTURY
of turned cylindrical form with a moulded base and square foot (2) 125cm high, 24cm diameter (top), 37.5cm square (base)
Provenance
Purchased from Anthony Outred. A Private Collection.
800-1,200
636
APAIROFITALIANMARBLEALLEGORICALFIGURES
BY RINALDO RINALDI (1793-1873)
depicting Agriculture and Seafaring,each in the form of a maiden, one holding a compass and standing on a conch shell,the other with a spade and wearing an
animal pelt on a grapevine base, signed ‘CAV.RINALDO RINALDI F. Roma' (2)
102.4cmhigh(max) Provenance
Purchased from Anthony Outred. A Private Collection.
Catalogue Note
Rinaldo Rinaldi was born in Padua in 1793, studied at the Venetian Academy of Arts under Pietro Zandomeneghiand later under Cavona before becoming an academicianofSanLucain1830.
4,000-6,000
637
A FRENCHBRASSANDLACQUEREDMANTELCLOCK LATE 19TH CENTURY
the brass eight day drum movement by Japy Freres with an outside countwheel and striking on a bell, with an ivorine dial with black Roman hour numerals and an embossed gilt centre,the case surmounted by a lobed urn with fruiting handles, the black lacquered case with gilt ^{\prime}C^{\prime} scroll appliquesand winged dragon and lion paw feet, with a pendulum 56cmhigh
Provenance A Private Collection.
638
IN REGENCY STYLE, 19TH CENTURY each with an ebonised beaded top on ring turned legs and a curved stretcher (4)
69.4cm high,49cm wide, 34cm deep
Provenance A Private Collection.
200-300
639
AGILTWOODANDGESSOCONVEXWALLMIRROR
IN REGENCY STYLE, 19TH CENTURY
the circular plate in a reeded ebonised slip with a ball decorated and moulded
frame,with an eagle and leaf cresting
115×75cm
Provenance A Private Collection. 600-1,000
640
AFRENCHPARQUETRYANDPORCELAINMOUNTEDGUERIDON IN LOUIS XVI STYLE, LATE 19TH CENTURY
with ormolu mounts and inlaid with lattice parquetry, with two tiers inset with Sevres style panels in the‘rubans bleu celeste'pattern of flowers,fruits and birds and with a frieze drawer
75.7cm high,34cm wide Provenance
Purchased from Sotheby's, 6th October 1995, lot 184. A Private Collection.
600-800
641
AFRENCHGILTANDPATINATEDBRONZEMANTELCLOCK
IN LOUIS XV STYLE, RETAILED BY WILLIAM BAUMGARTEN & CO, MID-19TH CENTURY
the later brass eight day drum movement on an enamelled dial with black Arabic hour numerals, floral swags and inscribed “Wm. Baumgarten & Co., New York, in a Rococo gilt case supported by a cherub seated on a scrolling andpiercedbasestamped‘6896'
36cmhigh
Provenance A Private Collection.
800-1,200
642
A PAIROFFRENCH‘EMPIRE'GILTANDPATINATEDBRONZEURNS EARLY 19THCENTURY
each with alappet rim above a pair of masks,butterfly wings,ivy swags,a pair of ram's head handles and a socle base, on a green and white veined marble plinth with a stepped foot (2)
46.4cmhigh
Provenance A Private Collection.
1,000-1,500
643
AVICTORIANMARBLEPORTRAITBUSTOFAGENTLEMAN
BY WILLIAM CALDER MARSHALL(1813 - 1894), DATED ‘1852
sporting sideburns and wearing a classical toga on a turned socle, signed and dated
“W.C.MARSHALL1852'
81rmhiah Provenance
Purchased from Anthony Outred. A Private Collection.
Catalogue Note on a turned socle 71.9cm high
Purchased from Anthony Outred.
A Private Collection.
644
A MARBLEGRANDTOURPORTRAITBUSTOFHIPPOCRATES MID-19TH CENTURY
William Calder Marshall (1813-1894) was born in Edinburgh and by 1834 has moved to London where he studied under Edward Hodges Baily and Sir Francis Chantrey. As was normal, he then spent a few years honing his skills in Rome before returning to London where, in 1844 he was elected to the Royal Academy. He became a full member of the Academy in 1852 after he had a marble sculpture of Sabrina,goddess of the River Severn, exhibited at the Great Exhibition in 1851 - a photograph of which is held by the Royal Collections Trust, RCIN 28001155.
Throughout his life-time, he designed and produced a variety of sculptures'after the antique, including Sabrina, many of which were adapted by Copeland Porcelain for production in parian, together with a number of public works including for St Paul's Cathedral and the newHouses ofParliament.
1,000-1,500
1,000-1,500
645
AGILTWOODSIDETABLE
IN GEORGE II STYLE, LATE 19TH / EARLY 20TH CENTURY
the inverted breakfront breche marble top above six acanthus and guilloche
carvedscrollegs
91.4cm high, 131.5cm wide, 68.3cm deep
Provenance A Private Collection.
1,000-1,500
APAIROFGILTWOODARMCHAIRS
each with a padded back,seat and armrest covered in ivory silk,the frame decorated with laurel leaves,acanthus and paterae (2)
Provenance
Purchased from Harrods, Knightsbridge, London. A Private Collection.
647
A GILTWOODPIERMIRROR
IN GEORGE II STYLE, AFTER WVILLIAM KENT,PROBABLY19TH CENTURY
the later oval plate inside an egg-and-foliate frame, the crest with a central crowned,bearded mask beneath a triple plume and before a scallop shell, the base centred by a scrolling foliate and floral pendant and oak leaf swags
183cmhigh,75.5cm wide
A Private Collection.
Catalogue Note
See Victoria & Albert Museum,accession number W.86-1911, and Christie's New York, The Exceptional Sale, 1st February 2024,lot 36,for similar mirror dated to c.1735-40, with carving attributed to John Boson.
1,500-2,000
648
A PAIROFGILTWOODHALLBENCHES
AFTER WILLIAM KENT, LATE 2OTH CENTURY each with the back centred by a head of Amphitrite above carved fish scales and scrolling foliage, above similarly carved and slightly outswept arms, on foliate carved 'S' scroll legs and a deep apron of a pair of Nereids flanking an urn issuing a plant, with seaweed stretchers, upholstered in a red and gilt silk damask (2) 107cm high,160cm wide,78cm deep
Provenance
Purchased from Anthony Outred. A Private Collection.
Catalogue Note
The original set of eight settees, of which this pair is a copy, were designed byWilliamKent forRichard Child,Viscount Castlemaine, between 1725 and 1730,to go into his newly completed Wanstead House in Essex. The contents of the house were sold in 1822, prior to the house being demolished in 1824. The catalogue described eachsetteeas“anelegantsquaresettee,insuperbmassive carved and gilt frame,with scrolled elbows,the back stuffed in costly crimson Genoa velvet, and squab to correspond, on scroll legs, the frame ornamented with mermaids [sphinxes], and festoons of flowers". Six of these eight settees were eventually bought by Catherine Woronzow, wife of the 11th Earl of Pembroke,as part of her refurbishment of Wilton House, Salisbury. The remaining two are now at Rievaulx, Yorkshire.
649
APAIROFGILTWOODCONSOLETABLES
IN GEORGE II STYLE, LATE 19TH / EARLY 2OTH CENTURY
each with a later serpentine marble top on a base with an archer's bow apron centred by a floral foliate cartouche on a trellis ground,on cabriole legs with ^{\prime}C^{\prime} scroll cartouche abovea tight scroll,foliate carvedknees and feet onrectangularpads (2)
88cmhigh,124cmwide,63cmdeep
Provenance
Purchased from Harrods, London, on 11th November 1996.
A PrivateCollection.
3,000-5,000
650
ADUTCHWALNUTANDMARQUETRYBOMBECOMMODE
IN 18TH CENTURY STYLE, PROBABLY LATE 19TH / EARLY 2OTH CENTURY
inlaid overall with flowers, scrolls,birds and butterflies and fitted with
threelongdrawers
87.3cm high,128.5cm wide,49.5cm deep
800-1,200
入652 A DUTCHWALNUTANDMARQUETRYSILVERTABLE 18THCENTURY
the dished top inlaid with a floral spray with ivory and mother of pearl highlights above an end frieze drawer on cabriole legs and pad feet
71.3cm wide,69cm wide,61cm deep
\*This item is offered forsalein accordance with the IvoryAct 2018 and hasbeen assigned anexemptioncertificate.
651 A DUTCHBURRWALNUTDEMI-LUNESIDETABLE LATE 18TH/ EARLY 19TH CENTURY
300-400
the crossbanded top inlaid with feather stringing above a pair of
compartmentswithtambourslides
76cm high,79cm wide,43.5cm deep
200-300
653
ANORTHEUROPEANFIELDMAPLEANDWALNUTBUREAU BOOKCASE
POSSIBLY SWEDISH, 18TH CENTURYAND LATER
inlaid withbanding,thedouble domed topwith apairof arched doors
enclosing pigeonholes, adjustable shelves and an arrangement of fourteen
drawers above a pull-out hinged slide inset with a leather writing surface with
hinged supports and two inkwells, above a smaller hinged slide and three
shallow drawers and a pair of candle slides, the hinged fall revealing a pull-out
interior with a leather writing surface,drawers,pigeonholes and inkwell
compartments,above an inverted breakfront base with an arrangement of
short and long drawers onbun feet
202cm high,106cm wide,61cm deep Provenance
A Private Collection, an apartment on Cadogan Square, London. 2,000-3,000
654 ADUTCHPAINTEDOAKHANGINGCORNERCUPBOARD 18THCENTURY
with a pair of doors decorated with classical figures, angels and cherubs revealing a painted interior with three shelves 92.2cm high,58.2cm wide,38.4cm deep
300-500
655
A DUTCHMAHOGANYANDMARQUETRYTABLECABINET EARLY19THCENTURY
inlaid with panels of musical trophies and instruments, the panelled door
enclosingtwoshelves
50.5cm high, 47.2cm wide, 33.9cm deep
200-300
656
ASWEDISHROCOCOWALNUTANDKINGWOODBOMBE COMMODE
18TH CENTURY
with ormolu mounts and brass bands, the top inlaid with a parquetry panel above a brushing slide and three pine lined long drawers 85.2cm high,101.5cm wide,60cm deep
1,200-1,800
657 ACONTINENTALGILTWOODMIRROR POSSIBLY GERMAN, 18TH CENTURY
the shaped rectangular plate inside a slightly scrolling moulded frame beneath ahigh,Rococo stylecrest of ^{\prime}C^{\prime} scrolls and fruitingfoliage 132×68cm
300-400
658
ADUTCHBURRWALNUTCOMMODE 18TH CENTURY
the archer's bow moulded edge top above four long ripple moulded drawers,
the lowest one with a palm motif
84.5cm high,83cm wide,54cm wide
500-800
659
AFRENCHPROVINCIALCHERRYWOODARMOIRE
BY CHARLESALLORY(1783-1853),RENNES,BRITANNY, EARLY19THCENTURY
the double domed top with a central, scalloped surmount, above a pair of doors each with two scrollingpanels and floral carved decoration closing on a central panel signed and dated “FAIT PAR CHARLES ALLORY 1833', above a scrolling apron and short legs, with brass door furniture 241cm high,154cm wide,62cm deep
Provenance
A Private Collection, an apartment on Cadogan Square, London.
Catalogue Note
Charles Allory (1783-1853) worked in Rennes, Britanny, in north west France. Country furniture from this area is often signed and dated by the makers and is characterisedby theuseof cherrywood and featuring double domed or archedcornices.
200-300
660
AFRENCHBEECHWOODCOUNTRYHOUSECOATANDHATSTAND BYALLEZFRERES,C.188O
the base with a pair of lift-out liners
222cm high
150-250
661
AFRENCHREGENCEGILTWOODWALLMIRROR EARLY 18THCENTURY
the rectangular plate within a‘C'scroll,flower and lattice panel frame 62.5×51.2cm
100-200
入662 ASPANISHWALNUT,ROSEWOODANDTORTOISESHELL CABINETONSTAND
IN BAROQUE STYLE, 18TH / 19TH CENTURY AND LATER with gilt bronze mounts and ebonised mouldings, the galleried top with flaming urn finials above six drawers flanking an architectural niche door decorated with Solomonic columns and with a plaque of the Virgin Mary, enclosing four drawers on claw and ball feet, with iron side carrying handles, on a later ebonised stand with spiral twist supports and a wrought iron stretcher 80cm high,111cm wide,31cm deep (the cabinet) 78cm wide, 131cm wide,50cm deep (the stand)
The contents of The Grange, Wendover.
663
AFRENCHLOUISPHILIPPEMAHOGANYCHEVALMIRROR C.1830-40
the arched plate within a column frame with gilt bronze capitals, lion's claw feet
andoncastors
162.5cm high,58.3cm wide, 57.6cm deep
500-800
664
A FRENCHAUBUSSONTAPESTRYPANEL
MID-18TH CENTURY
worked with four figures possibly commedia dell'arte, in a carved giltwood frame 110.8 x 75cm(thetapestry)
300-500
665APAIROFFRENCHKINGWOODANDMARQUETRYVITRINES
IN LOUIS x\vee STYLE,EARLY2OTH CENTURY with gilt metal mounts, each with a serpentine front with a hinged door revealing a plush lined interior with three adjustable shelves (2) 142.5cm high, 79cm wide,38.5cm deep
300-500
666 AFRENCHKINGWOODANDMARQUETRY OVALTABLEAAMBULANTE AFTER CHARLES TOPINO. 19TH CENTURY
with bronze mounts, the top inlaid with a chinoiserie scenein variousfruitwoods and mother of pearl Chinese courtly figures seated on a kang table, with ash crossbanding above an endfrieze drawer fitted with a writing slope, the undertierinlaid withvases andewers 74.5cm high,65.5cm wide, 47.5cm deep
667 AFRENCHKINGWOODANDMARQUETRY GAMESTABLE
IN LOUIS XV STYLE, EARLY 2OTH CENTURY
with gilt metal mounts,the hinged fold-over top
inlaid with a floral spray revealing a baize lined
playing surface above a frieze drawer with a
leather backgammon board, with divisions for
counters
79cm high, 82cm wide, 59cm deep
300-500
2,000-3,000
671 on stand
670 AKINGWOODANDMARQUETRYBUREAU PLAT
IN LOUIS XV STYLE, C.1870 with gilt brass mounts and inlaid with scrolling leaves, shells and fleur-de-lys, the top inset with a gilt tooled greenleather writingsurface above a pair of frieze drawers and on brass castors 74cm high,139.5cm wide,75.5cm deep
600-800
671
AFRENCH SERPENTINEURN
IN NEO-CLASSICAL STYLE, LATE 19TH CENTURY
of ovoid form with a flower bud finial, the body applied with gilt metal winged female masks tied by floral swags, socle base and square foot, with an associated mahogany torchere stand 52cm high (urn), 100.5cm (stand)
150-250
672AFRENCHKINGWOODANDMARQUETRYVITRINE
IN LOUIS XV STYLE, LATE 19TH CENTURY with ormolu mounts and inlaid with scrolling leaves, flowers and birds, with an urn surmount above a glazed serpentine doorenclosing a plush lined interior with two shelves and a mirrored back 174cm high, 75cm wide, 41cm deep
500-700
673
675
AFRENCHGILTWOODCONSOLETABLE
IN LOUIS XVI STYLE, LATE 19TH / EARLY 20THCENTURY
the breakfront white marble top above a fluted frieze centred with a tablet with a ribbon tied swag of flowers on fluted tapering legs united by a stretcher centred with an urn 99.5cm high,130cm wide,59cm deep
200-400
674 A FRENCHEMPIREBRASSANDWHITE MARBLEGUERIDON EARLY 19TH CENTURY
the circular top above a frieze with scrolling laurel leaves on an ebonised ground interspersed with female masks, on cylindrical legs with spiralling fruiting laurel leaves with an undertier and with deerhooffeet
76.2cm high,43.5cm diameter
1,200-1,500
A FRENCHKINGWOODANDMARQUETRY BUREAUDEDAME
IN LOUIS XV STYLE, LATE 19TH / EARLY 20TH CENTURY
of bombe form and with ormolu mounts, the hinged fall revealing a greenleather writing surface, three drawers and a divided well with three sliding covers
82cm high, 60cm wide, 41.5cm deep
1,000-1,500
入676AFRENCHEBONYANDBOULLEMARQUETRYCENTRETABLE
IN LOUIS XIV STYLE, LATE 19TH CENTURY with ormolu mounts and inlaid with red tortoiseshell on a silvered ground with scrolling leaves and husks centred with a classical scene of Aurora accompanied by two horses and a winged cherub, with a frieze drawer 76.5cm high,141cm wide,81.5cm deep
500-700
入677AFRENCHNAPOLEONIIIBOULLEMARQUETRYANDEBONISEDSECRETAIREC.1870
in the style of a semanier with ormolu mounts, inlaid with cut brass scrolling leaves on a red tortoiseshell ground, the hinged fall revealing two shelves and three drawers above four drawers 125cm high,62cm wide,35cm deep 400-600
入678AFRENCHEBONISEDANDROSEWOODDECANTERBOX
LATE 19TH CENTURY
of rectangular form,with gilt line decoration,the hinged cover enclosing a fitted interior and hinged sides enclosing four glass decanters and stoppers and sixteen glasses, on turned feet 26.7cm high, 30cm wide, 22cm deep 200-300
679 ANITALIANWALNUTANDMARQUETRY COMMODE
IN THE MANNER OF MAGGIOLINI, LATE 18TH / EARLY 19TH CENTURY of rectangular form, the top with a central rondel of an urn issuing flowers on a quarter veneered ground insideinlaid and crossbanded borders, above a frieze drawer inlaid with portrait rondels, urns and foliate swags, over two further long drawers inlaid with a central rondel of a classical soldier and his lady inside a foliate inlaid border, on short, tapering square sectionlegs
88.3cm high,121cm wide, 57.3cm deep
Formerly at Malmesbury House, The Close, Salisbury. 3,000-5,000
680 A PAIROFITALIANWALNUTSGABELLOHALL CHAIRS IN RENAISSANCESTYLE
IN THE MANNER OF LUIGI FRULLINI, LATE 19TH CENTURY
each carved with a male mask flanked by a pair of angels on conforming front supports(2)
300-500
入681A NEARPAIROFITALIANWALNUTANDIVORYINLAIDSAVONAROLACHAIRS
IN RENAISSANCE STYLE, LATE 19TH CENTURY
each inlaid with scrolling leaves and geometric designs with an arched back decorated with a panel of a Florentine swordsman(2)
\*This itemis offered forsalein accordancewiththeIvoryAct 2018and has been assigned an exemptioncertificate.
1,500-2,000
682 ANITALIANGILTWOODWALLMIRRORINBAROQUESTYLE FLORENTINE, 19TH CENTURY AND LATER
the later rectangular plate within a pierced scrolling leaf frame decorated with scallop shells above a later breakfront base 131x160cm
400-600
683 ANITALIANGILTWOODANDPOLYCHROMEBLACKAMOOR TORCHERE
VENETIAN, LATE 19TH CENTURY
painted with flowers and leaves 95.5cm high
200-300
683A ANITALIAN GILTWOOD AND POLYCHROMEBLACKAMOOR TORCHERE
VENETIAN,LATE19TH/EARLY2OTHCENTURY
in the form of a turbanned ladyholding a torch and a tray,together
with a later ebonised plinth (2)
179.6cm high
300-500
684
AFRENCHCRESCENTMOONANDDRAGONMIRROR
IN THE MANNER OF GABRIEL-FREDERIC VIARDOT, C.1900
the carved hardwood dragon with bone spines climbing around the moon and
facingasnake
80cm high.59cmwide
Provenance
Purchased by the currentvendorfrom Christie's,Ellel Grange,Galgate, Lancashire, 22nd and 23rd October 1979, lot 37.
300-500
685
ANITALIANPIETRADURAOCCASIONALTABLE FLORENTINE, C.1880
the circular top marquetry inlaid with varioushardstones depicting a pair of goldfinches amidst branches of flowers and a further bird, inset into a painted and giltwood tripod table
78.4cmhigh,51cm diameter
600-800
685A
APAIROFFRENCHMARBLECASSOLETTES
IN LOUIS XVI STYLE, LATE 19TH CENTURY
each with a baluster body surmounted with a pierced flowerbud finial above a pair of swan-head handles tied by floral swags, on a socle foot and square base(2)
52.5cm high
800-1,200
THE HANS JOACHIM HOMMCOLLECTION OF CARPETS
PART ONE TO BE SOLD WITHOUT RESERVE
HANS JOACHIM HOMM
One of Hans Joachim Homm (Hajo)'s frst encounters with oriental rugs began when he was 15. A traveller came to the family home offering to sell some oriental rugs. The prices asked by the gypsy woman where huge and the rugs were modern commercial pieces. The Homm family already owned rugs and carpets and Hajo realised that his parents' collection was vastly superior and valuable. He also realised that he could make money from buying rugs and carpets and began, as a hobby to study how they were made. This also led to him learning to restore them. Homm developed a good eye for what to buy and his South German neighbourhood proved a rich picking ground. Over the years his passion turned into a successful business, and he travelled widely through Europe, America and Asia in pursuit of his passion. He remains fascinated by the subject.
The Homm collection offered by Woolley and Wallis has been put together over many years and is now offered in twoparts.
686
ANAGRA RUG
NORTH / CENTRAL INDIA, C.1890
687
ANINGXIASEATCOVERORBAGFACE
NORTH CHINA, LATE 19TH CENTURY
the lemon diamond lattice field centred by a rondel enclosed by reciprocal
T'motif borders
62x59cm Provenance
The Hans Joachim Homm Collection. 200-300
688
A NINGXIA RUNNER
NORTH CHINA, C.1900
the pale coral pink field with a row of stepped polychrome medallions flanked by stylised plants framed by floral borders and indigo guard stripes 281×95cm
Provenance
The Hans Joachim Homm Collection. 400-600
689
A PEKING CARPET
EAST CHINA, C.1910
the field sparsely decorated with Taoist motifs centred by a pictorial rondel enclosed byborders of urns issuingflowers and sprays 238×154cm
Provenance The Hans Joachim Homm Collection.
500-800
690
A FINECHINESESILKANDMETALTHREADFIVEDRAGONRUG LATF OING DYNASTY. C.1900
the champagne feld with dragons chasing flamingpearls enclosed by polychrome waterand mountain borders, signed with four characters
Tai He Dian Yong' translating as Made for the Tai He Palace' in the outer guard stripes
215 ×121cm
Provenance The Hans Joachim Homm Collection.
Catalogue Note
2,000-3,000
691
A GABBEH RUG
LORI OR KASHGAI, WEST / SOUTH WEST PERSIA, C.1900
the abrashed indigo field with three columns of polychrome saw tooth panels containing \mathbf{\omega}^{\prime}x\mathbf{\omega} motifs surrounded by hexagons enclosed by ivory borders of boteh and octagons flanked by reciprocal guard stripes, chequered skirts to theends
175121cm
Provenance The Hans Joachim Homm Collection.
300-500
692
A BALUCH RUNNER
PERSIAN / AFGHAN FRONTIER, C.1920
the polychrome diamond lattice field enclosed by ivory borders of cruciform devices
Provenance
The Hans Joachim Homm Collection. 200-300
693
ATURKMENJOLLAR
MIDDLE AMU DARYA REGION, C.1900
the madder feld with twelve stepped guls enclosed by narrow borders, the
plain elem abovelongpolychromefringes
37x95cm
200-300
694
AHAJIJALILITABRIZCARPETNORTH WEST PERSIA, C.1890
the ivory feld of flowering vines around a large flowerhead medallion framed by spandrels and ivory borders of meandering vines flanked by carnation
andmeanderingvineguardstripes
24575m
695
A BEZALEL RUG
JERUSALEM, C.1900
the pale mint green field of large and small flowerheads within a vine lattice enclosed by lemon borders of meandering floral vines flanked by ivory guard stripes
22410/m
500-800
A BEZALEL RUG
JERUSALEM, C.1900
the pale walnut feld centred by the Menorah framed by narrow borders 106×69cm
Provenance
The Hans Joachim Homm Collection.
300-500
697
A KAZAKRUG
SOUTH CENTRAL CAUCASUS, C.1900
the indigo feld with a column of stepped polychrome medallions flanked by tribal and zoomorphic motifs enclosed by ivory leaf and calyx borders and rosetteouterguard stripes
215136rm
400-600
698
AMEGRIRUG
WEST ANATOLIA, C.1890
the compartmentalised field with an apple green and an indigo elongated panel, one containing a linked column of serrated diamond medallions, the other with octagons of stellar devices, framedbytriplenarrowborders
197x132cm Provenance
The Hans Joachim Homm Collection. 500-800
699 A CHELABERD'CLOUDBAND'KARABAGHRUG SOUTHCAUCASUS,C.1880
the terracotta feld with two shaped medallions, each containing cloud band motifs, enclosed by narrow ivory borders of stellar motif angular vines flanked by barber poles 178 ×141cm
Provenance
The Hans Joachim Homm Collection. 500-800
700
ATURKMENWHITECHYRPY
PROBABLY TEKKE,FIRST QUARTER 2OTH CENTURY
the cream ground richly worked with stylised plants and flowers backlength118cm
Provenance The Hans Joachim Homm Collection.
701
A KAZAK KILIM
CENTRAL SOUTH CAUCASUS, C.1890
the field of wide and narrow bands of polychrome hexagons and latch hook
devicesdividedby angularvines
346×174cm
Provenance The Hans Joachim Homm Collection.
600-900
702
A SHAHSAVAN SOUMAKH BAG
NORTH WEST PERSIA, C.1890
theivoryfield centred bya madder cruciform medallionframed bylemon spandrels and deep indigo borders of stellar motifs flanked by barber poles, together with a similar Shahsavan Soumakh panel (2) 57x44cm (max)
Provenance
The Hans Joachim Homm Collection. 500-800
