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920 AFOLKARTSHIPDIORAMA LATE 19TH / EARLY 2OTH CENTURY
depicting a three masted schooner titled ‘Elizabeth', in a glazed bird's
eyemapleboxframe
38.8×73.5cm
300-400
921 A FOLKARTPAINTEDWOODSHIPDIORAMA LATE 19TH CENTURY
depicting the three masted ship ‘PITRE' with a painted hull and wooden sails and flying various flags, being escorted by two smallsteam ships, in aglazedboxframe
51.5x61.6cm
100-150
922 AFOLKARTSHIPDIORAMA LATE 19TH / EARLY 20TH CENTURY
923 AVICTORIANSAILOR'SWOOLWORKPICTURE SECOND HALF 19TH CENTURY
depicting a three masted schooner titled‘Annie' sailing towards an island lighthouse, in a glazed bird's eye maple box frame 40.2x82.3cm
300-400
depicting a three masted ship flying various ensign flags within a meandering flower and leaf border, in a later glazed frame 30.8x43.5cm
300-400
924
A WOODPONDYACHT
EARLY 2OTH CENTURY
the‘carvel' planked and pinned hull with a bar keel, rudder, the 'planked' deck
with an access hatch and a brass plaque inscribed ‘DAYSTAR Ill, C.1896,
RESTORED 1999 3.H.B. BROLE, with a wooden mast, bow sprit and spars,
linen sails and gaff rigging, with a bespoke stand
203cm high,132cm long (max)
Provenance
Purchased from these rooms 4th July 2018 lot 365.
The Estate of the late John Henry Bruce Prole.
300-500
925
A WOODPONDYACHT
EARLY 2OTH CENTURY
probably of the Lake District Sharpie ‘Mavis, the hard chine hull with a
weighted drop keel, planked and screwed deck with brass cleats and eyes and
fitted cockpit, the mast with rigging, a yard boom and brick coloured linen sails,
with a detachable rudder and a pair of oars
145×134cm (approx)
Provenance
Purchased by the current vendor at Charles Miller Ltd,Maritime and Scientific Models, Instruments and Art, 1st May 2018, lot 336.A copy of the catalogue is included with this lot.
500-700
926
AMAHOGANYBOOKCARRIER
IN REGENCY STYLE, LATE 19TH CENTURY
with a fretwork divider and ends, beaded edge and bun feet 20cm high, 28.5cm wide, 34.3cm deep
200-300
927
AVICTORIANPINEANDBRASSWINECOOLER MID-19TH CENTURY
of oval form with a broad rolled-over, oyster-effect rim and brass bands 17.3cm high, 51.2cm wide, 40cm deep
150-200
入928
AVICTORIANTUNBRIDGEWAREROSEWOOD TABLECABINET
IN THE MANNER OF EDMUND NYE, C.1870 the top decorated with a floral spray inside a scrolling border, above a pair of doors with oval floral panels enclosing three drawers,on discfeet 16cm high, 17.2cm wide, 15.1cm deep
250-350
929
AVICTORIANPAINTEDPAPIER-MACHETEACADDY C.1850
decorated with bands of faux malachite and flowers and leaves, the domed top revealing twin lidded divisions 15.2cm high, 21.4cm wide, 13.2cm deep
300-500
930
AREGENCYSPECIMENWOODWRITINGSLOPEPOSSIBLYTUNBRIDGEWARE,C.1820
the hinged cover decorated with cube parquetry,enclosing a fitted and paper-lined interior with two stoneware inkwells,together with a mahogany tea caddy,the cover inlaid with a butterfly navette panel enclosing a twin interior withcovers(2) 10.1cm high,33.5cm wide, 30.7cm deep (max)
200-300
931 AVICTORIANMAHOGANYMINIATURECHEST 19THCENTURY
with three long drawers above a shaped apron and tapering legs, together with an amboyna miniature bowfront chest, in George Il style, c.1900, with three long drawers (2) 30.5cm high,33.3cm wide,14.5cm deep (max)
150-200
932
AWILLIAMIVCOROMANDELANDBRASSMOUNTEDTEACHEST C.1830-40
the cover with a central crest and brass Greek key decoration to the borders, enclosing a pair of satinwood canisters with domed covers and brass plaques inscribed‘B'and'G'
15.1cm high,25.3cm wide,15cm deep
200-300
934
AVICTORIANCOROMANDELTEACADDY C.1860-70
with brass strapwork mounts, the interior with a pair of domed lidded
compartments
14cm high,22.8cm wide
936
AVICTORIANEBONYANDBRASSMOUNTEDTEACHEST BY JENNER&KNEWSTUB, MID-19TH CENTURY
with strapwork mounts, the cover enclosing a pair of hinged, lift-out canisters flanking a glass sugar bowl, a plaque inscribed Jenner & Knewstub 33 St James'Street'
16.1cm high, 32.3cm wide, 16.6cm deep
Catalogue Note
Established around 1856 by Frederick Jenner and Fabian James Knewstub, they were located at 33 St James's Street,and then later in 1862,at 66 Jermyn Street, London. Their work was displayed at the International Exhibition of 1862 and at the International Exposition of 1878 in Paris.
933
AVICTORIANPAPIER-MACHETEACADDY
BY JENNENS & BETTRIDGE, MID-19TH CENTURY
of bombe form with mother of pearl inlaid line decoration and gilt highlights,
the hinged cover enclosing a twin lidded interior, the underside stamped
Jennens&Bettridge,9'andnumbered‘828'
14cm high,19.5cm wide,14cm deep
Provenance
Purchased through these rooms Furniture, Works of Art & Clocks, 21st September2010,lot636.
935
AVICTORIANPAPIER-MACHEANDMOTHEROFPEARLTEACADDY C.1860
the serpentine front decorated with floral sprays and scrolling foliage, the hinged lid painted with a titled view of 'Eton College'and enclosing a twin lidded interior with mother of pearl flowerhead finials and a silver lock 12.3cm high, 19.7cm wide, 14cm deep
937
AVICTORIANPAPIER-MACHETEACADDY
BY JENNENS & BETTRIDGE, MID-19TH CENTURY of bombe sarcophagus form, decorated with garden scenes in gilt and mother of pearl, the hinged cover enclosing a twin lidded interior, the base impressed JENNENS & BETTRIDGE MAKERS TO THE QUEEN' 15cm high, 24.5cm wide, 17.4cm deep
80-120
938
AFRENCHKINGWOODANDMARQUETRYTEACADDY LATE18THCENTURY
with brass lined strapwork decoration, with a twin canister interior 12.5cm high, 25.2cm wide, 12.6cm deep
200-300
939
A GEORGEIIIMAHOGANYDECANTERBOX LATE 18TH CENTURY
of rectangular form, the hinged cover enclosing three square section glass decanters and stoppers,with a fretwork brass escutcheon and a pair of swing handles
21.8cm high, 31.5cm high, 14cm deep
入940AFRENCHNAPOLEONIIIBOULLEANDEBONISEDTEACADDYTHIRDQUARTER19TH CENTURY
of rectangular form, inlaid with brass and tortoiseshell marquetry with scrolling decoration, the cover with a central plaque initialled “MV' and enclosing a twin liddedrosewood interior
12cm high, 23.3cm wide,12.2cm deep
941
AREGENCYWALNUTANDINLAIDWORKBOX EARLY 19TH CENTURY
of rectangular form,the cover inlaid with specimen wood triangles and
enclosing a lift-out ftted tray
13.6cm high, 30.5cm wide, 24.1cm deep
942 A GEORGEIIMAHOGANYTEACHEST C.1780
of rectangularform, the twin canisters with hinged covers flanking a glass
sugarbowl
19cm high, 36cm wide, 18.5cm deep
943 ANANGLO-INDIANANTLERANDSANDALWOODTEACADDY PROBABLYVIZAGAPATAM, MID-19TH CENTURY
80-120
of tapering form, the hinged cover enclosing a twin lidded interior 12.6cm high,21cm wide,13cm deep
100-150
SCULPTURE & GRAND TOUR
944
944 TWOPLASTERGRANDTOURCASTS OFAFRIEZE 20TH CENTURY
depicting a battle scene with soldiers,
horses and a chariot,together with another
with a scene of Aphrodite, Adonis and
Cupid inside a Greek key border (3)
62.3 × 120cm (max)
400-600
946 ANITALIAN TERRACOTTA GRAND TOURGROUPOFAFATHERAND DAUGHTER
BY GIOVANNI MOLLICA, LATE 19TH CENTURY
standing on a rocky base, together with two terracotta figures by Giustiniani, mid-19th century,of Spinario and Venus Bathing, each stamped to their bases(3) 36.5cm high (max)
945 AN ENGLISH PORCELAIN GRAND TOURWARWICKVASE MID-19TH CENTURY
in white with gilded raised decoration and handles on a square black foot 26.5cm high, 36cm across the handles
250-300
200-300
947 APAIROFITALIANTERRACOTTA GRANDTOURBUSTS LATE 19TH CENTURY
titled‘Giunone' and‘Psiche, together with a terracotta bowl in the manner of Giustiniani with Greek style red figure decoration and a charger with black figure style decoration (4)
33.7cm diameter(max)
150-200
948
A LARGEFRENCHBRONZEGRANDTOURFIGUREOFMERCURY
the classical god holding a caduceus in his left hand, signed Jean de Bologne'
on a black marble plinth relief decorated classical figures, together with an
associatedwoodenmoulded circular plinth
145.5cm tall (statue), 175.2cm tall (overall)
2,000-3,000
949
ABRONZEDGRANDTOURGROUPOFTHERAPEOFTHESABINEWOMEN AFTER GIAMBOLOGNA, (FLEMISH 1529-16O8), FIRST HALF 2OTH CENTURY
dramatically modelled with three figures together with a black marble, onyx and bronze
mounted pedestal with a revolving top (2)
110.1cm high (sculpture), 11.5cm high (the pedestal)
800-1,200
950
ANITALIANBRONZEGRANDTOUREQUESTRIANGROUPOFTHE BARTOLOMEOCOLLEONIMONUMENT
AFTER ANDREA DEL VEROCCHIO (ITALIAN 1435-1488), SECONDHALF 19THCENTURY
in a walking pose 34.5cm high, 34cm long 400-600
951 ANITALIANMARBLEGRANDTOURPORTRAITRELIEFBUST LATE 19TH / EARLY 2OTH CENTURY
depicting a Roman man,in a later wooden frame 12x6.8cm
100-150
952 ANITALIANALABASTERGRANDTOURPORTRAITBUSTOF GERMANICUS
18TH CENTURY
carved wearing a laurel crown and a toga, above the title'Germanico', on a
green serpentine socle and giallo antico foot
34.5cmhigh Provenance
Property of an Irish Country House. 800-1,200
入953
ANITALIANSICILIANGILTCOPPER,CORALANDENAMELCAPEZZALE TRAPANI,SECONDHALF17THCENTURY
withacentralgroupof theMadonaandChildwearinggiltcrownswithpearlorbsinsideaborderofcoralandenamelflowerheadstheoctagonalframe
surrounded by foliate scrolls,the reverse engraved with foliate strapwork in a glazed hardwood box frame
49.5×34.5cm
CatalogueNote
From the end of theMiddle Ages.the cityof Trapani on the west coast of Sicilybecame an important artistic centre due to its coral reefs.A guild of coral workerswas established inTrapani in1628.Coral was prizedforboth its colourand unusual texture and it wasbelieved to have thepowertoword off the‘evil eye.Oneof themost popularobjectswerecapezzale,a devotional plaque decorated withreligious fguressetinengraved copper frameswith richcoral inlaybutothersecularitemssuchasjewellery,casketsand inkstandsweremadeandfound theirwayintogrand Europeancollections.Fora similarexampleseeChristie's.Paris,SculptureetObjetsD'ArtsEuropeens,16thJune2015,lot44.
10,000-15,000
954
AFRENCHBRONZEFIGUREALLEGORICALOFSUMMER
AFTER PIERRE-ALEXANDRE SCHOENEWERK (FRENCH 1820-1885)
modelled kneeling picking flowers with a basket to one side, on a naturalistic oval base, signed and with‘L Marchand Ed'foundry mark 26.2cm high,25.5cm wide,13cm deep
300-500
955
APAIROFITALIANBRONZEFIGURESOFCHILDREN MID-19TH CENTURY
emblematic of Autumn, one carrying a sheaf of corn,the othera sickle and a
vine branch, on Siena marble bases (2)
21.5cm high
200-300
AFRENCHBRONZEFIGUREOFAMAIDEN
LATE 19TH CENTURY
modelled standing wearing a headdress and holding a shallow bowl 30.4cmhigh
200-300
957
A FRENCH BRONZE FIGURE OFA MAIDEN
AFTER FRANCOIS ALEXANDRE DEVAUX (FRENCH 1840-1904), LATE 19TH CENTURY
modelled seated on arocky outcrop beside a large flower, signed to one side 33.5cm high, 35.1cm wide, 20cm deep
200-300
depicted wearing a turban and classical toga 80cmhigh
with a revolving square top,the stepped base decorated with a laurel leaf and
stamped'AG167'
103cm high,27.7cm square
200-300
960 APAIROFITALIANALABASTERGRANDTOURFIGURALGROUPS ONSTANDS I △TE 1OTH CFNITI IDV
each modelled as a romantic classical couple on a cylindrical base carved with
flowers and ribbon swags (2)
41cm high (max)
200-300
961 APAIROFFRENCHBRONZEBUSTSOFVOLTAIRE ANDROUSSEAU EARLY 19TH CENTURY
each on a fluted cylindrical column with square feet (2)
26.5cm high (max)
200-300
962 A FRENCH PATINATEDBRONZE BUST OFA YOUNG LADY LATE 19TH CENTURY
looking slightly to her left, on a floral banded stem and socle
base
40.5cmhigh
400-600
of rectangular form, cast with a bust of Christ giving the
sacrament beneath Gothic spandrels, with a suspension
hoop
12x8.4cm
100-150
964 ASPELTERFIGUREOFTHEDUKEOFWELLINGTON AFTER RENE CHARLES MASSE (1855-1913)
titled“Waterloo' with polychrome decoration 43.5cmhigh
80-120
965
APAIROFFRENCHBRONZEGRANDTOURHORSES
IN THE MANNER OF JACQUES CAFFIERI, PROBABLY EARLY 19TH CENTURY
each rearing horse with a gilt tasselled saddle cloth on a rouge griotte plinth (2) 26.2cm high,25.5cm wide,10cm deep
For a pair of very similar bronze horses mounted as firedogs see Geoffrey du Ballaigue, The James A. De Rothschild Collection at Waddesdon Manor, Furniture Clocks and Gilt Bronzes Il, pp. 720-21.
300-400
966 ABRONZEGRANDTOURGROUPOF TUMBLINGBOYS
LATE 18TH / EARLY 19TH CENTURY
the boys modelled back-to-back and top-to
toe
11cm high, 12.5cm wide, 8.2cm deep
300-500
967 APAIROFFRENCHPATINATEDAND POLISHEDBRONZEMARLYHORSE GROUPS
AFTER GUILLAUME COUSTOU (FRENCH 1677-1746), MID-19TH CENTURY
each on a naturalistic base (2) 49cm high, 39cm wide, 18cm deep (max) 1,500-2,000
968 ANITALIANPIETRADURAPANEL BY FANTECHI, 2OTH CENTURY
with three butterflies in a variety of semi-precious stones set into a black marble ground, in a gilt frame 14×9cm
100-150
969 AFRENCHPATINATEDBRONZEFIGUREOFA MEDIEVALLADY
LATE 19TH CENTURY
standing wearing an escoffion style head-dress, on a stepped marble base with a dove at her feet
100-150
970 ANITALIANBRONZEGRANDTOURFIGUREOFAMAN MID-19THCENTURY
modelled standing with his cloak around his waist and a foot
resting on a rock, on a later base
26.2cmhigh
500-700
971 ASANDSTONESCULPTURE 20TH CENTURY
of a figure sat crossed legged 50cm high,25.5cm square
150-250
972
AFRENCHBRONZEBUSTOFSPARTACUS
AFTER RICARDO AURILLI (ITALIAN 1834-1914)
the bearded figure wearing a helmet,the reverse with a foundry
pastille inscribed ‘vrai bronze garanti Paris', his left shoulder signed
‘H. Aurilli' and on a separate Doric capital with an applied label
inscribed ‘Spartacus par R. Aurilli, together with a verde antico
marbleplinth
49cmhigh (max)
600-1.000
973 ANITALIANALABASTERCOLUMN EARLY 2OTH CENTURY
the revolving top with canted corners above a fluted stem with a stylised Greek key band 117.3cm high,36cm wide
300-500
974
ANARTNOUVEAUALABASTERPORTRAITBUSTOFALADY EARLY2OTHCENTURY
on a turned socle and with an alabaster column (2) 63.4 high (the bust), 102.5cm high (column)
200-400
ANAUSTRIANCOLDPAINTEDBRONZEFIGUREOF
LATE 19TH CENTURY standing facing to his left
ANAUSTRIANCOLDPAINTEDBRONZEARABAND MONKEYDESKSTAND
IN THE MANNER OF FRANZ BERGMAN, LATE 19TH
ABRONZEFIGUREOFALEAPINGCARP
on a natural stone base, indistinctly signed and dated
AVICTORIANGILTBRONZEFIGUREOFAYOUNG
MID-19TH CENTURY
on an ebonised wood base,together with two bronze
BY CHARLES VALTON (FRENCH 1851-1918)
979AFRENCHBRONZEANIMALIERMODELOFAWOUNDEDLIONESS
on a naturalistic base signed 'C. Valton' and with foundry stamp‘Siot. Paris X379', on a polished granite base
980
A FRENCH BRONZEANIMALIER MODELOFACALLINGSTAG
BY CHARLES VALTON (FRENCH 1851-1918)
on a naturalistic base, signed'C. Valton， together with an associated wooden plinth 43.7cm high, 35cm wide
981 APAIROFBRONZEMODELSOFHERALDICLIONSRAMPANT 19THCENTURY
each mounted on a wooden plinth base (2) 33.5cm high
200-300
982 A LIFESIZEBRONZESCULPTUREOFALURCHER 2OTHCENTURY
modelled standing with his head turned to the right,with a gilt collar 79cm high,90cmwide
983AVICTORIANCOALBROOKDALECASTIRONORANGERYTABLELATE 19TH CENTURY
the white marble top on a reticulated baluster stem with a scrolling tripod
base,withregistration diamonds
76cm high,76cm diameter
250-350
984
AFRENCHCASTIRONANDZINCLOUISVUITTON'BISTROTABLE IN ART DECO STYLE, EARLY / MID-2OTH CENTURY
the circular top on a geometric base with stylised rose flower decoration,with
an‘LV'mark to thebase
72.5cm high,100cm diameter
300-500
985
AFRENCHCASTIRONPATIOTABLE
LATE 19TH CENTURY
the later Carrara marble top on a quatrefoilbase cast with foliage and lion's
pawfeet
72cmhigh,81cm diameter
250-350
986
AVICTORIANCASTIRONORANGERYTABLE
PROBABLY COALBROOKDALE, LATE 19TH CENTURY
the circular sheet top on a scrolling foliate base with a concave trefoil foot,
oncastors
69.5cmhigh,48cm diameter
400-600
987
A FRENCH CASTIRON AND GILTMETAL CONSOLETABLE
IN REGENCE STYLE, 19TH CENTURY
with a breche d'alepmarble top with a moulded edge
above a pierced frieze centred with a cartouche with
scrollingleaves
94.4cm high, 181cm wide,57cm deep
600-800
988 AFRENCHCASTIRONMEDICIGARDEN URN 19TH CENTURY
with an egg and dart rim above a body cast with figures above scrolling foliage and between a pair of handles,a gadrooned knopped stem and fluted foot 77cmhigh,60.5cm diameter
300-500
989ACOALBROOKDALECASTIRONANDMARBLECONSOLETABLE
LATE 19TH CENTURY AND LATER the later white marble top with a moulded edge above a white painted pierced and scrolling base with gilt highlights, with diamond registration marks and serial numbers 76 cm high, 122cm wide, 52cm deep
250-350
990
ASETOFFOURFRENCHCASTIRONGARDENURNS 19THCENTURY
eachwitha broad rimwith archedfoliate decoration abovea shallowbowl witha gadrooned base,withapairof large scrollingfoliate handles,onareededfoot
and square plinth, with a bronzed finish (4)
47cmhigh.80cmwide
200-300
991
with fluted decoration 75cm high, 22.5cm diameter 200-300
992
A CASTIRONPATIO TABLE
IN COALBROOKDALE STYLE, LATE 19THCENTURY
of circular form, with pierced strapwork and floral decoration, on a spreading base and foot 75.5cm high,55cm diameter
200-300
996A SET OFTHREEFRENCH ORMOLU WALLLIGHTSIN LOUIS XV STYLE, 19TH CENTURY
each with a foliate scroll backplate issuing three scrolling branches with leaf
scroll urn nozzles,fitted for electricity (3)
50cm high,35.5cmwide
250-350
997
APAIROFFRENCHGILTBRASSWALLLIGHTS
IN LOUIS XVI STYLE, LATE 19TH CENTURY
each with a pair of foliate branches supporting urn shaped nozzles on a
tapering wall plate, together with another pair of French wall lights each cast
as a pair of flowerheads on foliate stems tied to a tassled ribbon wall plate,
fitted forelectricity (4)
69cmhigh (max)
200-300
998
A BRASSAND CUT GLASS CHANDELIER 20TH CENTURY
with nine scrolling branches with brass nozzles and glass swags issuing from
a ball with nine further light fittings,beneath two tiers of glass swags on
scrollingsupports,fitted forelectricity
75cmhigh,55cmwide
100-200
999
APAIROFFRENCHGILTBRONZETWIN-BRANCHWALLLIGHTSIN LOUIS XVI STYLE, LATE 19TH CENTURY
each with a flaming urn finial above a satyr mask and scrolling foliate
branches, fitted for electricity (2)
43.5cm high,26.8cmwide
150-250
1000
APAIROFSILVERPLATEDGONDOLALIGHTS19THCENTURY
each of tapering hexagonal form, with a flaming urn flue above a domed cover, a band of copper winged cherub heads,three etched and three plain panes, on gothic style brass hinged brackets (2) 78cm high (the lanterns)
400-600
1001
ABRASSGOTHICSTANDARDLAMPANDCORONETSHADE IN VICTORIAN STYLE, 2OTH CENTURY
the light fitting above a crown drip-pan on a column surrounded by six
shorter columns with fleur-de-lys finials, on scrolled trefid feet, the
shade with coloured glass cabochons,four scrolling brackets and a
suspension hoop, fitted for electricity (2)
162.5cm high, the shade 41cm high
Provenance
Formerly at Malmesbury House, The Close, Salisbury.
1,500-2,000
1002
APAIROFFRENCHTOLEPEINTELANTERNS 2OTHCENTURY
of hexagonal form with applied scrolling foliage and twisting columns,
with distressed ochre painted decoration (2)
75cm high.33.5cm wide (max)
200-300
1003
AVICTORIANBRASSTABLELAMP
LATE 19TH CENTURY
the knopped stem with quatrelobe decoration on a spreading base with Gothic style decoration and an hexagonal foot,ftted for electricity 52.5cmhigh(max)
200-300
1004
ANEDWARDIANBRASSTELESCOPICCORINTHIANCOLUMNTABLELAMP BY J. HINKS & SON, EARLY 2OTH CENTURY
model number'3290, with a reeded column on a stepped square plinth with laurel wreath appliques, stamped to the base,fitted for electricity 57.5cmhigh
300-400
1005
AVICTORIANGILTBRASSANDCERAMICAGATEWARECORINTHIAN COLUMNTABLELAMP LATE 19TH CENTURY
on a stepped square foot,together with a brass Corinthian column table lamp,fitted for
electricity(2)
42.5cmhigh(max)
200-300
1006 No lot
1007
A GILTMETALAND GLASSPLAFFONIER
IN REGENCY STYLE, LATE 19TH CENTURY the cut glass shadewithradiating decoration suspended by chains from a scrolling foliate ceiling boss, together with a Louis XVl style gilt metal and brass Versailles' lantern, fitted for electricity (2) 40cm diameter(max)
300-500
1008
A PAIROFFRENCHGILTBRONZEVERSAILLES'CEILING LANTERNS
IN LOUIS XVI STYLE, EARLY 2OTH CENTURY
of hexagonal form surmounted by a fleur-de-lys corona and with
foliate appliques (2)
26rmhiah
1,500-2,000
1009
ANEARPAIROFLATEVICTORIANADJUSTABLEBRASS STANDARDLAMPS
LATE 19TH / EARLY 20TH CENTURY
eachwithareeded stem witha Corinthiancapital ona steppedbase
withclaw and ballfeet(2)
140cm high, 37cm wide (max)
300-500
1010 APAIROFFRENCHORMOLU CANDELABRA
IN EMPIRE STYLE, 19TH CENTURY each with a central urn nozzle surrounded by five further nozzles on scrolling foliate branches, the tapering stem on a domed foot with foliate lappets and a fine foliate rim (2) 67cmhigh
300-500
1011A PAIROFWHITEOPALINEGLASSANDGILTMETALMOUNTEDTABLELAMPS20TH CENTURY
the amphora shaped body with a pair of
scrolling handles on a square plinth base, fitted
forelectricity (2)
53.5cm high (max)
200-300
1012 A FRENCH PORCELAIN AND GILTMETAL MOUNTEDVASEANDCOVER IN SEVRES STYLE, 2OTH CENTURY
the ovoid body with a pair of female mask handles beneath a waisted neck and domed cover with a flowerbud finial, on a fluted socle base and squarefoot with concave corners 70cmhigh
Provenance Koller, A Swiss Private Collection, 13-17th March 2008, lot 126. Christie's,Robert de Balkany & The Cote D'Azur, 23rd March 2017, lot 156.
400-600
1013 APAIROFFRENCHLOUIS-PHILIPPE BRONZEANDSIENAMARBLE CANDLESTICKS C.1830-40
each with a foliate nozzle above a tapering marble column,a scrolling foliate tripod base and a concave triangular plinth (2) 25cm high
Provenance
A Private Collection, an apartment on Cadogan Square, London.
100-200
1014 APAIROFBOHEMIANGLASSLUSTRES EARLY 2OTH CENTURY
each with a baluster shade on a base with cut glass lustres around a baluster stem and domed foot, with cut and gilded decoration with painted °C^{\prime} Scroll highlights (2)
66cm high
150-250
1016 AVICTORIANBRASSANDENAMELLED ALTARCROSS
1015 ABOHEMIANGLASSANDORMOLU TABLELAMP 20TH CENTURY
IN THE MANNER OF A.W.N. PUGIN, LATE 19THCENTURY
of inverted baluster form in blue cut through to clear with gilt highlights on areeded flowerhead shaped foot, together with a pink marble and gilt metal mounted table lamp, with Bacchanalian satyr head handles, both fitted for electricity (2) 66.5cm high (max)
cast with foliage,a central crown on a blue ground surrounded by four pink rose heads applied with cut clear glass stones,flanked by a pair of spires with amethyst glass finials, on an octagonal base inscribed “In Memorium Edith Rose Barcley 27.5.85, on winged lion feet 29.8x36cm
200-300
200-300
1017 A RUSSIAN‘OLDTESTAMENTTRINITY' ICON
TEMPERA AND GILT ON PANEL
the Father and Son with a dove and surrounded
by angels and archangels
35.3x31cm Provenance
With an applied paper label for Maria Andipa's Icon Gallery, 162 Walton Street, London SW3' 200-300
1018
AMAHOGANYBOOKCASECABINET
IN GEORGE IIISTYLE, PROBABLY 19TH CENTURY
the pierced fretwork swan neck cornice above a pair of astragal glazed
doors enclosing three adjustable shelves, above a frieze drawer and
cupboardsbelow
211.2cm high,82.8cm wide, 42.2cm deep
500-800
1019 ANEARLYGEORGEIIIMAHOGANYTRIPODTABLE C.1760
the circular tilt-top with a pie-crust moulded edge revolving on a birdcage on a baluster stem the legs carved with scrolls and leaves 74.2cm high,74.5cm diameter
500-800
1020
A MAHOGANY KNEEHOLE DESK
IN GEORGE II STYLE, MID-19TH CENTURY
inlaid with boxwood stringing and goncalo alves banding with an
arrangement of seven drawers around a central cupboard revealing a
shelf,on shaped bracketfeet
76.8cm high, 99cm wide, 47cm deep
500-800
1021
AWALNUTANDGILTWOODWALLMIRROR
IN GEORGE II STYLE, 19TH CENTURY
therectangular bevelled plate within a Kentian frame decorated with oak leaves and acorns with a swanneck cornice centred with a cartouche 162x82cm
400-600
1022
AMAHOGANYSIDECHAIR
IN GEORGE II STYLE, LATE 19TH / EARLY 2OTH CENTURY
the padded back and seat with petit and gros point needlework on shell capped cabriole legs and claw and ball feet
150-250
1024
A PERSIAN RUG
KIRMAN OR HORASAN, FIRST QUARTER 2OTH CENTURY
the ivory ground with a one-way design of an urn issuing flowers and vines flanked by birds, enclosed by ivory meandering vine borders and flowerhead guardstripes
194139cm
300-500
1023
AMAHOGANYWINGARMCHAIR
IN GEORGE III STYLE, LATE 19TH CENTURY
with a barrel back on moulded front legs 300-500
1025
A MAHOGANY STOOL
IN GEORGE II STYLE, LATE 19TH CENTURY
with a needlework drop-in seat on acanthus and cabochon carvedcabriolelegs and claw and ballfeet 48.5cmhigh,88cm wide,52cm deep
200-300
1026
A GILTWOODWALLMIRROR
IN GEORGE II STYLE, 19TH CENTURY
the arched plate in a scroll decorated frame with a shell surmount 113x66.8cm
300-400
1028
AVICTORIANMAHOGANYWINECOOLER
IN GEORGE II STYLE, MID-19TH CENTURY
all-overcarved with leaves, scrolls,flowers with latticepanelswith a lead lining and stylised dolphin head and brass ring handles on elaborate scroll feet and brass castors, with a later mahogany top (2)
42.5cm high, 64.5cm wide, 49cm deep
500-800
1027 AVICTORIANWHITEPAINTEDCOMPOSITIONWALLMIRROR IN GEORGE III STYLE, LATE 19TH CENTURY
the oval plate inside a scrolling foliate frame with floral swags and ten shelves
forvases
116×96c.m
150-200
1029
ALARGEVICTORIANMAHOGANYTWINPEDESTALPARTNER'SDESK 19THCENTURY
the top inset with black tooled leather above an arrangement of twelve drawers to
eitherside
76.5cm high,162.5cm wide,140.5cm deep Provenance
The contents of The Grange, Wendover. 300-500
1030 ANEARLYVICTORIANWALNUT ANDPARCEL-GILTTUB ARMCHAIR
IN THE MANNER OF HOLLAND &SONS, C.1850
with carved Rococo decoration and brasscastors
150-250
1031
AVICTORIANOAK
METAMORPHICLIBRARYCHAIR
LATE 19TH CENTURY
with a bar back, the seat hinged to
reveal four treads
100-150
入1033ANEARLYVICTORIANROSEWOODARMCHAIRC.1840
1034 AVICTORIANWALNUT METAMORPHICLIBRARY CHAIR LATE 19TH CENTURY
the padded back,seat and armrests covered in Gothic needlework on brass castors
with a bar back, the seat hinged to
reveal four treads
80-120
300-500
1032
AVICTORIANMAHOGANYPARTNER'SDESK
IN THE MANNER OF GILLOWS, MID-19TH CENTURY
the writing surface with a moulded edge above twin pedestals,each side with
four graduated, fielded panelled drawers with brass handles, with a pair of
slidestoeachend
82.2cm high,180.5cm wide,120cm deep
600-800
1035 AVICTORIANWALNUT CANTERBURYWHATNOT C.1860-70
1036
with three tiers,the base with a drawer
on ceramiccastors
105.4cm high, 61.2cm wide, 44.4cm
deep
200-300 each with arectangular beaded top on ring turned legs and united by a curved stretcher
76cm high,53.2cm wide, 30.5cm deep 200-300
1037AVICTORIANMAHOGANYCOACHINGTABLELATE 19TH CENTURY
the oval hinged top on turned legs,
with a brass registration mark and
the underside of one stretcher
stamped'Shewstead'
69cm high, 83.2x69.2cm
100-150
1038 A CHINESESILK RUG 20TH CENTURY
the cream ground centred by a dragon chasing a flaming pearl, flanked by four other dragons, enclosed by borders of Taoist motifs and royal bloom guard stripes 309×251cm
200-300
1039
1040
APAINTEDSATINWOOD PEMBROKETABLE
IN THE MANNER OF MALLETT, 2OTH CENTURY
IN SHERATON STYLE, LATE 19TH CENTURY
with two archer's bow shaped tiers, on castors
57.5cm high, 40cm wide, 32.2cm deep 500-800
decorated with bands and swags of flowers, the drop-leaf top with an ovall panel depicting 18th century style figures on a terrace,with a frieze drawer 72.3cm high, 41.8cm wide, 47cm deep
600-800
1041 A CHINESE CARPET C.1920
a peach field with central rondel framed by semi-naturalistic sprays and vine
spandrels, enclosed by lemon borders of stylised plants and plain deep indigo outer guard stripe
299 x197cm
400-600
1042 AVICTORIANWALNUTBUTLER'S TRAY
SECOND HALF 19TH CENTURY with four hinged sides each pierced with a handgrip on an associated folding stand 86cm high,69.5cm wide,42.2cm deep 200-300
1043
A LATEVICTORIANEASY ARMCHAIR
IN THE MANNER OF HOWARD & SONS, LATE 19TH CENTURY
red leather upholstered on turned oak legs and ceramic castors
300-500
1044
ANEARLYVICTORIAN MAHOGANYSTOOL C.1840-50 the probably original needlework seat on baluster turned legs
51.7cm high, 40cm wide, 34.5cm deep 100-200
1045 AMAHOGANYANDBRASSMOUNTED DAVENPORT
19TH CENTURY AND LATER
the swivel top with a hinged writing slope
revealing an interior with four drawers,the
right side with a hinged pen and ink
compartment above a leather-lined slide and
four drawers,on castors
82.8cm high,55.2cm wide, 54cm deep
400-600
1046
A GILTWOODWALLMIRROR
IN GEORGE II STYLE, 19TH CENTURY
the later bevelled arched plate within a relief
decorated frame with leaves and shells, the
base with a pair of sconces and with a
cartouchesurmount
113.5x62.8cm
800-1,200
each with an oval plate inside a ribbon-tied foliate frame (2) 45.5x31.2cm
200-300
1048 AVICTORIANPAINTEDCREAMANDGILTWOODBIJOUTERIETABLE BY JETLEY, IN LOUIS XVI STYLE, C.185O-70
decorated overall with classical paterae and with pierced legs and stretcher, the top with a hinged glass lid revealing a plush lined interior with a brass label inscribed Jetley,Designer &Manufacturer, 8 North Audley St.,London’ 74.8cm high, 52cm wide, 32 cm deep
200-300
1049
APAIROFLATEVICTORIANSATINWOODARMCHAIRS IN SHERATON STYLE, LATE 19TH / EARLY 2OTH CENTURY each with a triple vertical bar back above a stuffed-over seat on panelled front tapering legs (2)
200-300
1050
A KORASAN RUG
EAST PERSIA, C.1920
the raspberry field centred by a flowerhead medallion framed by vines, enclosed by deep indigo borders of meandering floral vines, flankedby guard stripes
600-800
1051
A KURDISH CARPET
WESTPERSIA,SECOND HALF2OTH CENTURY
the stepped ivory Heratifield enclosed bymidnight blue spandrels and raspberry borders of geometric motifs, flanked by boteh guard stripes
317×208cm
200-300
1052
AHAJIJALILITABRIZRUG
NORTH WEST PERSIA, C.1920
the cream ground centred by a cusped Herati medallion framed by similar spandrels and meandering vine borders flanked by flowerhead guardstripes
174×128cm
200-300 入1053
GILLOWS, IN WVILLIAM AND MARY STYLE, LATE 19TH / EARLY 2OTH CENTURY each with engraved gilt brass mounts, hinges and escutcheons with a pair of doors enclosing two shelves in one,the other with a single shelf, on an ebonised integral stand, ftted with a frieze drawer, on bobbin turned legs united by conforming peripheral stretchers, one stamped Gillows'(2)
143.3cm high,91.5cm wide, 40cm deep,the other 143.3cm high,91cm wide, 39cm (
1058
SOUTH EAST PERSIA, C.1930
the tan feld with a one way design of flowering vines and cloud bands,enclosed by meandering vine borders and similar double guard stripes 422x294cm
1059
AVICTORIANGILTWOODANDCOMPOSITIONWALLMIRROR IN CHIPPENDALE STYLE, SECOND HALF 19TH CENTURY
the shaped plates within a scroll, leaf and column frame with a ho-ho bird surmount 110×56.3cm
300-500
1060
AVICTORIANGILTWOODANDGESSOWALLBRACKET MID-19TH CENTURY
decorated with a Bacchanalian cherub before flower and fruiting foliate ^{\prime}C^{\prime} Scrolls
beneathaserpentine shelf
56cm high,43.5cm wide,23.5cm deep
150-200
the three graduated,mirror-backed tiers,with gadrooned frames and gilt gesso
rocailleshelfedges
121.5cm high,28cm wide each way
200-300
入1062
AFINEPAIROFVICTORIANEBONISEDFRUITWOODANDMARQUETRYSIDECABINETS ATTRIBUTED TO HOLLAND& SONS, C.1870-80
each with ormolu mounts and of arched breakfront form,the galleried top above a central doorinlaid with fruitwood and ivory with an elaborate urn of leaves and flowers beneath swags of husks and tassels flanked by inlaid columns with urn finials and curved glazed compartments each with plush lined shelves andmirrorbacks(2)
137.8cm high,135.2cmwide,43.2cm deep
\*This itemis offered forsaleinaccordance withtheIvoryAct 2018and hasbeenassigned anexemptioncertifcate.
1,500-2,500
ITEMS FORMERLY IN THE COLLECTION OF THE LATE JOHN FOWLER
1063
TWOBIRD'SEYEVIEWENGRAVINGS
AFTER JOHANNES KIP (1653-1722)
to includeDidmarton,the Seat of Robert Codrington, Esq?'and ‘Amney, the Seat of Robert Playdell,Esq.,both in Colefax and Fowler painted frames, together with asea chart of the west coast of Morocco titled‘Maroca, after Johannes van Keulen, with some hand-colouring, in a glazed ebonised frame (3) 51.1x59cm (max)
Provenance
John Fowler at The Hunting Lodge, Odiham, Hampshire and left in his will to his assistant Antony Ormiston.
150-200
1064 TWOWATERCOLOURSKETCHESOFYOUNGLADIES 19THCENTURY
one depicting a lady chasing a dog, the other of three ladies in a garden, in Colefax and Fowler painted frames,together with an oil on tin miniature portrait of a Naval Officer before a window and an engraving of a lady (4) 31.5x25.5cm (max)
Provenance
The two sketches were given to John Fowler as a gift from the interior designerMickyRaymond.
John Fowler at The Hunting Lodge, Odiham, Hampshire and left in his will to his assistant Antony Ormiston.
100-200
1065
ASETOFFOURHAND-COLOURED BOTANICALENGRAVINGS
BY ELIZABETH BLACKWELL, MID-18TH CENTURY
titled‘SmoothSow-thistle'The Smaller Spurge,“Hounds-tongue' and “Valerian, in Colefax & Fowler painted and gilt frames (4) 30.5x19.5cm
Provenance
John Fowler at The Hunting Lodge, Odiham, Hampshire and left in his will to his assistant Antony Ormiston.
200-300
1067
APAINTEDHEXAGONALWASTEPAPERBIN
BY COLEFAX& FOWLER, SECOND HALF 2OTH CENTURY
with fauxpanel decoration in tones of blue and grey 31.3cm high, 33cm wide
Provenance
John Fowler at The Hunting Lodge, Odiham, Hampshire and left in his wil to his assistant Antony Ormiston.
150-200
87.3cm high
1066
each with a caned back and seat painted in cream with green line detail and an upholstered cushion (2)
APAIROFBEDROOMCHAIRS
BY COLEFAX AND FOWLER, EARLY 20TH CENTURY AND LATER
John Fowler at The Hunting Lodge, Odiham, Hampshire and left in his will to his assistant Antony Ormiston.
200-300
1068
A PAINTED BEDSIDE TABLE
BY COLEFAX AND FOWLER, SECOND HALF 2OTH CENTURY
with a slide above a single drawer and a shelf stretcher,incream with green
line detail
57cm high,51cm wide,32cm deep
John Fowler at The Hunting Lodge, Odiham, Hampshire and left in his will to his assistant Antony Ormiston.
150-200
1070
A REGENCYPAINTEDBOXWOODBOXANDCOVER EARLY 19THCENTURY
of circular form,black and red painted with figures hunting a crocodile among
trees,with the remains of a paper lining
11cm high, 17.8cm diameter
Provenance
John Fowler at The Hunting Lodge, Odiham,Hampshire and left in his willto his assistant Antony Ormiston.
150-200
1069
APAINTEDHEXAGONALWASTEPAPERBIN
BY COLEFAX& FOWLER, SECONDHALF 2OTH CENTURY
with faux panel decoration in tones of green and grey 31.3cm high,33cm wide
Provenance
John Fowler at The Hunting Lodge, Odiham, Hampshire and left in his will to his assistant Antony Ormiston.
150-200
1071
ATOLEPEINTECRUETSET
LATE 19TH CENTURY
with three glass bottles and stoppers,togetherwith a pearlware tankard,an engraved glass beaker and a blue glass and brass cornucopia (4) Provenance
John Fowler at The Hunting Lodge, Odiham, Hampshire and left in his will to his assistant Antony Ormiston.
150-200
1075
19TH CENTURY AND LATER
later converted into a display plinth, together with a sculptor's
plinth with an adjustable stem (2)
117.3cm high (max)
100-200
1076
1075A A SCANDINAVIANPAINTEDBIRCH DOMEDMARRIAGETRUNK 19TH CENTURY
painted with two hearts above swags,a pair of birds and flowers on a base painted with a basket of flowers and a pair of birds 30cm high,54cm wide, 33.8cm deep
400-600
APAINTEDWOODSTANDARDLAMP
IN THE MANNER OF COLEFAX & FOWLER, FIRST HALF 2OTH CENTURY
decorated to simulate green marble 151.7cm high
100-150
1077
APAIROFPRINTEDLINEN CURTAINS
BY ROBERT KIME LTD, 2OTH CENTURY
lined, each with a pair of urns issuing a stylised plant in ‘Mihrab' shaped panels, surround by further floral and foliate designs,predominantly in muted tones of pink and taupe (2)
258cm drop,73cm wide gathered, 139cm at hem 300-500
1078
TWOVICTORIANBLACKJAPANNED PAPIER-MACHETRAYTABLES
MID-19TH CENTURY AND LATER
gilt decorated with foliage inside lined rims, on later
Regency style ebonised and gilt fauxbamboo stands
(2)
48.5cm high, 81.5cm wide, 64.5cm deep (max)
150-200
1079 A PAIROFFRENCHPORCELAINVASETABLE LAMPS
PROBABLY FROM COLEFAX &FOWLER, 20TH CENTURY
decorated with exotic birds and insects amongst
leafing branches, fitted for electricity (2)
56cmhigh
200-300
1080
A LEATHERSERPENTINE STICKSTAND
FIRST HALF 2OTH CENTURY
with brass studded decoration and twin divisions with alift-out tray 74.5cm high, 49.5cm wide, 22.5cm deep
300-500
1081 THREEGRADUATEDSHONAPOTTERYSTORAGEPOTS ZIMBABWE,2OTHCENTURY
of ovoid form with incised and painted decoration (3) 35cm high,48cm diameter(max)
150-250
1082
AWHITEPAINTEDTERRACOTTAPEDESTAL
LATE 19TH / 20TH CENTURY
modelled asa Corinthian column ona domed foot 55cm high
100-150
